exmediawiki - Benutzerbeiträge [de]

OpenLab 25

2025-05-25T14:52:17Z

Amon: /* -- 21.05. */

'''Termine'''
 
wednesdays, every two weeks, 
additional meetings possible, depending on topics and needs. 
starting on 23rd april 2025
 
 
=== -- 23.04. ===
first meeting, possibilities for the semester... 

what topics are you interested in?
 

=== -- 30.04. ===

Poly, presenting the book project accompanying her new record.
 
--
 
devise a plan for this semester
 
working in groups on specific topics for first details
 
 

=== -- 07.05. ===
we will talk another time about portfolios: so think about what questions you have, what you would like to show: on june, 4th.
 
 

Dudu, sharing a game jam experience by [https://colognegamelab.de/research/conferences/young-academics-workshop-game-jam-2025/ Young Academics Workshop Game Jam] and introducing board games. Let's talk about games :) 

 
some links/ images?

 
 

=== -- 21.05. ===
introduction book: Jeo 
[https://www.onomatopee.net/exhibition/research-for-people-who-think-they-would-rather-create/ research for people who think they would rather create] 
btw: this book is from an interesting publication label: Onomatopoee, situated in Eindhoven, easy to reach by train
 

 
workshop Amon: head lamps 
We will sort components, solder both through‑hole and SMD parts, and complete the final assembly of the devices. 
 
Additional materials and links: 
[https://www.thomasthwaites.com/the-toaster-project/ The Toaster Project] 
Performance: The Art of Becoming a Cyborg – [https://www.muenchner-kammerspiele.de/en/programm/32418-the-art-of-becoming-a-cyborg Website], [https://vimeo.com/amonritz/cyborg?share=copy Video] (PW: ask Amon) 
Haraway, Donna: A Cyborg Manifesto – [http://www.medientheorie.com/doc/haraway_manifesto.pdf DE], [https://warwick.ac.uk/fac/arts/english/currentstudents/undergraduates/modules/fictionnownarrativemediaandtheoryinthe21stcentury/manifestly_haraway_----_a_cyborg_manifesto_science_technology_and_socialist-feminism_in_the_....pdf EN] 
[https://anatomyof.ai/ Anatomy of an AI System] — map & essay on the human labour, data and planetary resources behind electronics 
 

=== -- 22.05. ===
same week 

excursion to interzum, fair cologne 
open 20.-23.05.25 
(you will get access codes which you have to personalize online. an email with information follows.)
 

let's go for a first walk on the fair on '''thursday, 22nd may''', at 12:00 and take a look together, starting eg 
[https://www.interzum.com/de/events/sonderschauen/ at the special show of "materials and nature"]
 
 
=== -- 28.05. ===
starting today at 3 pm 
 
Chanmin: found footage with dia projector
 
 

=== -- 04.06. ===
portfolio/ artist book ... 
preparation/ thoughts on editing and doing your portfolio 
bring your own portfolio and printed out or otherwise materialized overview of your work 
or bring other examples 
 

archiving and structuring your own material
 
 

=== -- 18.06. ===
Drawing and Process and Space 
Jeongan 
 

=== -- 02.07. ===
in the morning 
Riso introduction
 
 
in the afternoon 
zines/ topic of reproduction/ publication 
bookbinding(?) 

Jeo/ Jeongan/ Theresa/ Juyoung 
 

=== -- 16.07. ===
 
week of Rundgang, no seminar.
possibility to present something in exMedia Lab.
 
 

=== seminar text ===
 
The “Open Lab” is colloquium and meeting place for discussing current projects and shared research focuses in the context of the exMedia Lab. It offers an environment for presenting and testing artistic works, cooperative strategies, experiments, installations, workshops, lectures, texts, etc. in various stages of development. Workshops and introductions to topics from the fields of DIY, methods/processes, planning/design, prototyping and printing techniques, biomedia and other materialities can also take place in addition or as needed. 
 

overview: [[Open_Lab_all | all open labs]]
 
 

[[Category:Material]]
[[Category:Seminar]]
[[Category:Open Lab]]
[[Category:Workshop]]

Worldbuilding

2025-02-19T15:39:25Z

Amon: /* 03.02. */

'''Science Fiction. Utopia & Dystopia. Ecofiction. Biopolitics. Alternate Histories.'''
 
 

==== schedule ====
03. - 07.02.2025 
11:00 - 17:00
exMedia Lab
 

==== references, sources, links ====
short comments and links following soon. 
please enhance and add to the list!
 
 
===== 03.02. =====
* language, set of symbols and agreeing upon it
* language: [https://www.youtube.com/watch?v=sg2j7mZ9-2Y The Letter W]
* language: [https://www.youtube.com/watch?v=7OEF3JD-jYo System of numbers: Every number is Base 10]
* POV. thinking about the forest without us. how do you change perspectives?
* Francis Bacon, 1626 Utopia
* About Mark Fisher: [https://www.deutschlandfunkkultur.de/mark-fisher-hauntology-popkultur-100.html Deutschlandfunk-Blogeintrag]
* "Every utopia has to take responsibility of the monsters it creates", see Donna Haraways text The Promises of Monsters [https://www.degruyter.com/document/doi/10.1515/9781474473668-022/html?lang=en (access to pdf via khm-login)]
* looking critically at hypernormalisation (link)
 
 

===== 04.02. =====
 
 

===== 05.02. =====
* Ward Shelley [https://www.pierogi2000.com/artists/ward-shelley/ (gallery link)]. History of Science Fiction: [https://websites.umich.edu/~esrabkin/sf/HistoryOfSFVisualized.html drawing]
* butoh, dance, Alisa Berger
* hypernormalisation, thoughtmaybe.com
* ferreiro... (miguel fragen: south american science fiction author)
* ziggy stardust
* the man who fell to earth
* vince mcmahon, WWE
* Wrestling as a medium: [https://brechtfestival.de/produktion/kampf-um-die-stadt-2025/ Kampf um die Stadt] (Brechtfestival)
* idiocracy
* pop fashism [https://www.arte.tv/de/videos/121197-000-A/italien-das-phaenomen-des-pop-faschismus/ arte documentation]
 
 

===== 06.02. =====
 
 
===== 07.02. =====
 
 
===== further // more // zum sortieren =====
* can Sci-Fi age well? → Jacques Tati → [https://www.youtube.com/watch?v=NjgjlL3Rfzo Playtime]
* animation and experimental science fiction by [https://www.youtube.com/@billwurtz bill wurtz]
* trope of „[https://www.youtube.com/watch?v=0thpEyEwi80 born sexy yesterday]“ (in Sci-Fi)
* computer game worlds & economics → [https://www.youtube.com/watch?v=BCSeISYcoyI EVE Online]
* Sci-Fi on stage:
# [https://www.berlinerfestspiele.de/theatertreffen/programm/2019/10-inszenierungen/girl-from-the-fog-machine-factory Girl from the Fog Machine Factory]
# [https://www.muenchner-kammerspiele.de/de/programm/22311-wow-word-on-wirecard WoW – Word on Wirecard]
# [https://www.nachtkritik.de/index.php?option=com_content&view=article&id=17567:ultraworld-volksbuehne-berlin-susanne-kennedy-und-markus-selg-entdecken-schimmer-der-ironie-in-ihrem-transhumanistischen-theaterprojekt&catid=1629&Itemid=100890 Ultraworld]
 
 
 

==== course text ====
Let’s go on a wild, critical five day journey of speculative thinking. We’ll explore futuristic architectural design, obscure visionary cinematic and other artistic achievements as well as texts ranging from socio-political satires to avant-garde manifestos from past and present. A collision trip including space travel, psychoactive drugs, relations of power, temporalities, immortality, environmental imagination as well as tentative governance of hypothetical technology and emerging science. At the start of the semester we will provide a syllabus as well as texts for self-study and preparation. During the workshop we give in-depth presentations as well as exercises to, collectively or individually, try out your own speculative concepts.

Adorno said (in 1964): „It seems to me that what people have subjectively lost in their consciousness is the ability, quite simply, to imagine the whole as something that could be totally different“. Let’s prove him wrong.
 
 
[[Category:ScienceFiction]]
[[Category:Seminar]]
[[Category:Open Lab]]
[[Category:Workshop]]

Worldbuilding

2025-02-19T15:38:42Z

Amon: /* 03.02. */

'''Science Fiction. Utopia & Dystopia. Ecofiction. Biopolitics. Alternate Histories.'''
 
 

==== schedule ====
03. - 07.02.2025 
11:00 - 17:00
exMedia Lab
 

==== references, sources, links ====
short comments and links following soon. 
please enhance and add to the list!
 
 
===== 03.02. =====
* language, set of symbols and agreeing upon it
* language: [https://www.youtube.com/watch?v=sg2j7mZ9-2Y The Letter W]
* language: [https://www.youtube.com/watch?v=7OEF3JD-jYo System of numbers: Every number is Base 10]
* POV. thinking about the forest without us. how do you change perspectives?
* Francis Bacon, 1626 Utopia
* About Mark Fisher: [https://www.deutschlandfunkkultur.de/mark-fisher-hauntology-popkultur-100.html Deutschlandfunk-Blogeintrag]
* "Every utopia has to take responsibility of the monsters it creates", see Donna Haraways text The Promises of Monsters [https://www.degruyter.com/document/doi/10.1515/9781474473668-022/html?lang=en (access to pdf via khm-login)]
* looking critically at hypernormalisation (link)
*
 
 

===== 04.02. =====
 
 

===== 05.02. =====
* Ward Shelley [https://www.pierogi2000.com/artists/ward-shelley/ (gallery link)]. History of Science Fiction: [https://websites.umich.edu/~esrabkin/sf/HistoryOfSFVisualized.html drawing]
* butoh, dance, Alisa Berger
* hypernormalisation, thoughtmaybe.com
* ferreiro... (miguel fragen: south american science fiction author)
* ziggy stardust
* the man who fell to earth
* vince mcmahon, WWE
* Wrestling as a medium: [https://brechtfestival.de/produktion/kampf-um-die-stadt-2025/ Kampf um die Stadt] (Brechtfestival)
* idiocracy
* pop fashism [https://www.arte.tv/de/videos/121197-000-A/italien-das-phaenomen-des-pop-faschismus/ arte documentation]
 
 

===== 06.02. =====
 
 
===== 07.02. =====
 
 
===== further // more // zum sortieren =====
* can Sci-Fi age well? → Jacques Tati → [https://www.youtube.com/watch?v=NjgjlL3Rfzo Playtime]
* animation and experimental science fiction by [https://www.youtube.com/@billwurtz bill wurtz]
* trope of „[https://www.youtube.com/watch?v=0thpEyEwi80 born sexy yesterday]“ (in Sci-Fi)
* computer game worlds & economics → [https://www.youtube.com/watch?v=BCSeISYcoyI EVE Online]
* Sci-Fi on stage:
# [https://www.berlinerfestspiele.de/theatertreffen/programm/2019/10-inszenierungen/girl-from-the-fog-machine-factory Girl from the Fog Machine Factory]
# [https://www.muenchner-kammerspiele.de/de/programm/22311-wow-word-on-wirecard WoW – Word on Wirecard]
# [https://www.nachtkritik.de/index.php?option=com_content&view=article&id=17567:ultraworld-volksbuehne-berlin-susanne-kennedy-und-markus-selg-entdecken-schimmer-der-ironie-in-ihrem-transhumanistischen-theaterprojekt&catid=1629&Itemid=100890 Ultraworld]
 
 
 

==== course text ====
Let’s go on a wild, critical five day journey of speculative thinking. We’ll explore futuristic architectural design, obscure visionary cinematic and other artistic achievements as well as texts ranging from socio-political satires to avant-garde manifestos from past and present. A collision trip including space travel, psychoactive drugs, relations of power, temporalities, immortality, environmental imagination as well as tentative governance of hypothetical technology and emerging science. At the start of the semester we will provide a syllabus as well as texts for self-study and preparation. During the workshop we give in-depth presentations as well as exercises to, collectively or individually, try out your own speculative concepts.

Adorno said (in 1964): „It seems to me that what people have subjectively lost in their consciousness is the ability, quite simply, to imagine the whole as something that could be totally different“. Let’s prove him wrong.
 
 
[[Category:ScienceFiction]]
[[Category:Seminar]]
[[Category:Open Lab]]
[[Category:Workshop]]

Worldbuilding

2025-02-19T15:37:59Z

Amon: /* further // more // zum sortieren */

'''Science Fiction. Utopia & Dystopia. Ecofiction. Biopolitics. Alternate Histories.'''
 
 

==== schedule ====
03. - 07.02.2025 
11:00 - 17:00
exMedia Lab
 

==== references, sources, links ====
short comments and links following soon. 
please enhance and add to the list!
 
 
===== 03.02. =====
* language, set of symbols and agreeing upon it
* [https://www.youtube.com/watch?v=sg2j7mZ9-2Y The Letter W]
* [https://www.youtube.com/watch?v=7OEF3JD-jYo System of numbers: Every number is Base 10]
* POV. thinking about the forest without us. how do you change perspectives?
* Francis Bacon, 1626 Utopia
* About Mark Fisher: [https://www.deutschlandfunkkultur.de/mark-fisher-hauntology-popkultur-100.html Deutschlandfunk-Blogeintrag]
* "Every utopia has to take responsibility of the monsters it creates", see Donna Haraways text The Promises of Monsters [https://www.degruyter.com/document/doi/10.1515/9781474473668-022/html?lang=en (access to pdf via khm-login)]
* looking critically at hypernormalisation (link)
*
 
 

===== 04.02. =====
 
 

===== 05.02. =====
* Ward Shelley [https://www.pierogi2000.com/artists/ward-shelley/ (gallery link)]. History of Science Fiction: [https://websites.umich.edu/~esrabkin/sf/HistoryOfSFVisualized.html drawing]
* butoh, dance, Alisa Berger
* hypernormalisation, thoughtmaybe.com
* ferreiro... (miguel fragen: south american science fiction author)
* ziggy stardust
* the man who fell to earth
* vince mcmahon, WWE
* Wrestling as a medium: [https://brechtfestival.de/produktion/kampf-um-die-stadt-2025/ Kampf um die Stadt] (Brechtfestival)
* idiocracy
* pop fashism [https://www.arte.tv/de/videos/121197-000-A/italien-das-phaenomen-des-pop-faschismus/ arte documentation]
 
 

===== 06.02. =====
 
 
===== 07.02. =====
 
 
===== further // more // zum sortieren =====
* can Sci-Fi age well? → Jacques Tati → [https://www.youtube.com/watch?v=NjgjlL3Rfzo Playtime]
* animation and experimental science fiction by [https://www.youtube.com/@billwurtz bill wurtz]
* trope of „[https://www.youtube.com/watch?v=0thpEyEwi80 born sexy yesterday]“ (in Sci-Fi)
* computer game worlds & economics → [https://www.youtube.com/watch?v=BCSeISYcoyI EVE Online]
* Sci-Fi on stage:
# [https://www.berlinerfestspiele.de/theatertreffen/programm/2019/10-inszenierungen/girl-from-the-fog-machine-factory Girl from the Fog Machine Factory]
# [https://www.muenchner-kammerspiele.de/de/programm/22311-wow-word-on-wirecard WoW – Word on Wirecard]
# [https://www.nachtkritik.de/index.php?option=com_content&view=article&id=17567:ultraworld-volksbuehne-berlin-susanne-kennedy-und-markus-selg-entdecken-schimmer-der-ironie-in-ihrem-transhumanistischen-theaterprojekt&catid=1629&Itemid=100890 Ultraworld]
 
 
 

==== course text ====
Let’s go on a wild, critical five day journey of speculative thinking. We’ll explore futuristic architectural design, obscure visionary cinematic and other artistic achievements as well as texts ranging from socio-political satires to avant-garde manifestos from past and present. A collision trip including space travel, psychoactive drugs, relations of power, temporalities, immortality, environmental imagination as well as tentative governance of hypothetical technology and emerging science. At the start of the semester we will provide a syllabus as well as texts for self-study and preparation. During the workshop we give in-depth presentations as well as exercises to, collectively or individually, try out your own speculative concepts.

Adorno said (in 1964): „It seems to me that what people have subjectively lost in their consciousness is the ability, quite simply, to imagine the whole as something that could be totally different“. Let’s prove him wrong.
 
 
[[Category:ScienceFiction]]
[[Category:Seminar]]
[[Category:Open Lab]]
[[Category:Workshop]]

Worldbuilding

2025-02-19T15:30:37Z

Amon:

'''Science Fiction. Utopia & Dystopia. Ecofiction. Biopolitics. Alternate Histories.'''
 
 

==== schedule ====
03. - 07.02.2025 
11:00 - 17:00
exMedia Lab
 

==== references, sources, links ====
short comments and links following soon. 
please enhance and add to the list!
 
 
===== 03.02. =====
* language, set of symbols and agreeing upon it
* [https://www.youtube.com/watch?v=sg2j7mZ9-2Y The Letter W]
* [https://www.youtube.com/watch?v=7OEF3JD-jYo System of numbers: Every number is Base 10]
* POV. thinking about the forest without us. how do you change perspectives?
* Francis Bacon, 1626 Utopia
* About Mark Fisher: [https://www.deutschlandfunkkultur.de/mark-fisher-hauntology-popkultur-100.html Deutschlandfunk-Blogeintrag]
* "Every utopia has to take responsibility of the monsters it creates", see Donna Haraways text The Promises of Monsters [https://www.degruyter.com/document/doi/10.1515/9781474473668-022/html?lang=en (access to pdf via khm-login)]
* looking critically at hypernormalisation (link)
*
 
 

===== 04.02. =====
 
 

===== 05.02. =====
* Ward Shelley [https://www.pierogi2000.com/artists/ward-shelley/ (gallery link)]. History of Science Fiction: [https://websites.umich.edu/~esrabkin/sf/HistoryOfSFVisualized.html drawing]
* butoh, dance, Alisa Berger
* hypernormalisation, thoughtmaybe.com
* ferreiro... (miguel fragen: south american science fiction author)
* ziggy stardust
* the man who fell to earth
* vince mcmahon, WWE
* Wrestling as a medium: [https://brechtfestival.de/produktion/kampf-um-die-stadt-2025/ Kampf um die Stadt] (Brechtfestival)
* idiocracy
* pop fashism [https://www.arte.tv/de/videos/121197-000-A/italien-das-phaenomen-des-pop-faschismus/ arte documentation]
 
 

===== 06.02. =====
 
 
===== 07.02. =====
 
 
===== further // more // zum sortieren =====
* Can Sci-Fi age well? → Jacques Tati → [https://www.youtube.com/watch?v=NjgjlL3Rfzo Playtime]
 
 
 

==== course text ====
Let’s go on a wild, critical five day journey of speculative thinking. We’ll explore futuristic architectural design, obscure visionary cinematic and other artistic achievements as well as texts ranging from socio-political satires to avant-garde manifestos from past and present. A collision trip including space travel, psychoactive drugs, relations of power, temporalities, immortality, environmental imagination as well as tentative governance of hypothetical technology and emerging science. At the start of the semester we will provide a syllabus as well as texts for self-study and preparation. During the workshop we give in-depth presentations as well as exercises to, collectively or individually, try out your own speculative concepts.

Adorno said (in 1964): „It seems to me that what people have subjectively lost in their consciousness is the ability, quite simply, to imagine the whole as something that could be totally different“. Let’s prove him wrong.
 
 
[[Category:ScienceFiction]]
[[Category:Seminar]]
[[Category:Open Lab]]
[[Category:Workshop]]

Worldbuilding

2025-02-19T13:42:07Z

Amon: /* 05.02. */

'''Science Fiction. Utopia & Dystopia. Ecofiction. Biopolitics. Alternate Histories.'''
 
 

==== schedule ====
03. - 07.02.2025 
11:00 - 17:00
exMedia Lab
 

==== references, sources, links ====
short comments and links following soon. 
please enhance and add to the list!
 
 
===== 03.02. =====
* language, set of symbols and agreeing upon it
* [https://www.youtube.com/watch?v=sg2j7mZ9-2Y The Letter W]
* [https://www.youtube.com/watch?v=7OEF3JD-jYo System of numbers: Every number is Base 10]
* POV. thinking about the forest without us. how do you change perspectives?
* Francis Bacon, 1626 Utopia
* About Mark Fisher: [https://www.deutschlandfunkkultur.de/mark-fisher-hauntology-popkultur-100.html Deutschlandfunk-Blogeintrag]
* "Every utopia has to take responsibility of the monsters it creates", see Donna Haraways text The Promises of Monsters [https://www.degruyter.com/document/doi/10.1515/9781474473668-022/html?lang=en (access to pdf via khm-login)]
* looking critically at hypernormalisation (link)
*
 
 

===== 04.02. =====
 
 

===== 05.02. =====
* Ward Shelley [https://www.pierogi2000.com/artists/ward-shelley/ (gallery link)]. History of Science Fiction: [https://websites.umich.edu/~esrabkin/sf/HistoryOfSFVisualized.html drawing]
* butoh, dance, Alisa Berger
* hypernormalisation, thoughtmaybe.com
* ferreiro... (miguel fragen: south american science fiction author)
* ziggy stardust
* the man who fell to earth
* vince mcmahon, WWE
* Wrestling as a medium: [https://brechtfestival.de/produktion/kampf-um-die-stadt-2025/ Kampf um die Stadt] (Brechtfestival)
* idiocracy
* pop fashism [https://www.arte.tv/de/videos/121197-000-A/italien-das-phaenomen-des-pop-faschismus/ arte documentation]
 
 

===== 06.02. =====
 
 
===== 07.02. =====
 
 
 

==== course text ====
Let’s go on a wild, critical five day journey of speculative thinking. We’ll explore futuristic architectural design, obscure visionary cinematic and other artistic achievements as well as texts ranging from socio-political satires to avant-garde manifestos from past and present. A collision trip including space travel, psychoactive drugs, relations of power, temporalities, immortality, environmental imagination as well as tentative governance of hypothetical technology and emerging science. At the start of the semester we will provide a syllabus as well as texts for self-study and preparation. During the workshop we give in-depth presentations as well as exercises to, collectively or individually, try out your own speculative concepts.

Adorno said (in 1964): „It seems to me that what people have subjectively lost in their consciousness is the ability, quite simply, to imagine the whole as something that could be totally different“. Let’s prove him wrong.
 
 
[[Category:ScienceFiction]]
[[Category:Seminar]]
[[Category:Open Lab]]
[[Category:Workshop]]

Worldbuilding

2025-02-19T13:37:01Z

Amon: /* 03.02. */

'''Science Fiction. Utopia & Dystopia. Ecofiction. Biopolitics. Alternate Histories.'''
 
 

==== schedule ====
03. - 07.02.2025 
11:00 - 17:00
exMedia Lab
 

==== references, sources, links ====
short comments and links following soon. 
please enhance and add to the list!
 
 
===== 03.02. =====
* language, set of symbols and agreeing upon it
* [https://www.youtube.com/watch?v=sg2j7mZ9-2Y The Letter W]
* [https://www.youtube.com/watch?v=7OEF3JD-jYo System of numbers: Every number is Base 10]
* POV. thinking about the forest without us. how do you change perspectives?
* Francis Bacon, 1626 Utopia
* About Mark Fisher: [https://www.deutschlandfunkkultur.de/mark-fisher-hauntology-popkultur-100.html Deutschlandfunk-Blogeintrag]
* "Every utopia has to take responsibility of the monsters it creates", see Donna Haraways text The Promises of Monsters [https://www.degruyter.com/document/doi/10.1515/9781474473668-022/html?lang=en (access to pdf via khm-login)]
* looking critically at hypernormalisation (link)
*
 
 

===== 04.02. =====
 
 

===== 05.02. =====
* Ward Shelley [https://www.pierogi2000.com/artists/ward-shelley/ (gallery link)]. History of Science Fiction: [https://websites.umich.edu/~esrabkin/sf/HistoryOfSFVisualized.html drawing]
* butoh, dance, Alisa Berger
* hypernormalisation, thoughtmaybe.com
* ferreiro... (miguel fragen: south american science fiction author)
* ziggy stardust
* the man who fell to earth
* vince mcmahon, WWE
* idiocracy
* pop fashism [https://www.arte.tv/de/videos/121197-000-A/italien-das-phaenomen-des-pop-faschismus/ arte documentation]
 
 

===== 06.02. =====
 
 
===== 07.02. =====
 
 
 

==== course text ====
Let’s go on a wild, critical five day journey of speculative thinking. We’ll explore futuristic architectural design, obscure visionary cinematic and other artistic achievements as well as texts ranging from socio-political satires to avant-garde manifestos from past and present. A collision trip including space travel, psychoactive drugs, relations of power, temporalities, immortality, environmental imagination as well as tentative governance of hypothetical technology and emerging science. At the start of the semester we will provide a syllabus as well as texts for self-study and preparation. During the workshop we give in-depth presentations as well as exercises to, collectively or individually, try out your own speculative concepts.

Adorno said (in 1964): „It seems to me that what people have subjectively lost in their consciousness is the ability, quite simply, to imagine the whole as something that could be totally different“. Let’s prove him wrong.
 
 
[[Category:ScienceFiction]]
[[Category:Seminar]]
[[Category:Open Lab]]
[[Category:Workshop]]

Schattenapparat

2022-05-16T00:12:58Z

Amon:

Dies ist die exmediawiki Seite zum Projekt AT "Schattenapparat" von Amon. 
Andere Arbeitstitel sind: 3d Schattentheater, Plastic Shadow, Refferenzschatten 

Der Apparat ermöglicht das Erzeugen und Betrachten von stereoskopischen Schatten. Im inneren befinden sich zwei LEDs in blau und rot. Ein Objekt im inneren wirft einen schatten auf einen Rückprojektionsfläche. Das Objekt ist drehbar gelagert und kann von einem Motor angetrieben werden. 

=== Der erste Prototype ===
ca. April 2022 
Erkenntnisse während des Baus des ersten Prototyps: 
– Farbige Leuchtdioden haben eine geeignetere Lichtqualität als folierte weiße LEDs 
– Je nach abstand von LEDs zu dem Schatten werfenden Objekt und dem Abstand zur Projektionsfläche, sowie dem Abstand der Beobachter*in, funktionieren unterschiedliche abstände der LEDs unterschiedlich gut 
– Transparente Objekte, die das licht brechen haben interessantere schatten als Lichtundurchlässige Objekte 

=== "Schattenapparat im 19 Zoll 6HE Format" oder "v1 Schattenapparat" ===
ca. Mai 2022 
Angelehnt an den Sony BVM-A14F5M ist das Design für das Gehäuse entstanden. 
Eventuell dienen Elemente aus dem "SONY" Schriftzug als spätere Schattenobjekte. 

[[Datei:Schattentheater v1.jpg|rahmenlos|3d Ansicht des Entwurfes v1 des Schattenapparat]]
[[Datei:Schattentheater v1 Front.jpg|rahmenlos|Front des v1 Schattenapparat]]
[[Datei:Schattentheater v1 Explosionszeichnung.jpg|rahmenlos|Explosionszeichnung des v1 Schattenapparat]]

Schattenapparat

2022-05-16T00:12:07Z

Amon: Die Seite wurde neu angelegt: „Dies ist die exmediawiki Seite zum Projekt AT "Schattenapparat" von Amon. Andere Arbeitstitel sind: 3d Schattentheater, Plastic Shadow, Refferenzschatten…“

Dies ist die exmediawiki Seite zum Projekt AT "Schattenapparat" von Amon. 
Andere Arbeitstitel sind: 3d Schattentheater, Plastic Shadow, Refferenzschatten 

Der Apparat ermöglicht das Erzeugen und Betrachten von stereoskopischen Schatten. Im inneren befinden sich zwei LEDs in blau und rot. Ein Objekt im inneren wirft einen schatten auf einen Rückprojektionsfläche. Das Objekt ist drehbar gelagert und kann von einem Motor angetrieben werden. 

=== Der erste Prototype ===
ca. April 2022
Erkenntnisse während des Baus des ersten Prototyps:
– Farbige Leuchtdioden haben eine geeignetere Lichtqualität als folierte weiße LEDs
– Je nach abstand von LEDs zu dem Schatten werfenden Objekt und dem Abstand zur Projektionsfläche, sowie dem Abstand der Beobachter*in, funktionieren unterschiedliche abstände der LEDs unterschiedlich gut
– Transparente Objekte, die das licht brechen haben interessantere schatten als Lichtundurchlässige Objekte

=== "Schattenapparat im 19 Zoll 6HE Format" oder "v1 Schattenapparat" ===
ca. Mai 2022
Angelehnt an den Sony BVM-A14F5M ist das Design für das Gehäuse entstanden.
Eventuell dienen Elemente aus dem "SONY" Schriftzug als spätere Schattenobjekte.

[[Datei:Schattentheater v1.jpg|rahmenlos|3d Ansicht des Entwurfes v1 des Schattenapparat]]
[[Datei:Schattentheater v1 Front.jpg|rahmenlos|Front des v1 Schattenapparat]]
[[Datei:Schattentheater v1 Explosionszeichnung.jpg|rahmenlos|Explosionszeichnung des v1 Schattenapparat]]

Datei:Schattentheater v1 Explosionszeichnung.jpg

2022-05-16T00:10:16Z

Amon:

Explosionszeichnung des v1 Schattenapparat

Datei:Schattentheater v1 Front.jpg

2022-05-16T00:08:19Z

Amon:

Front des v1 Schattenapparat

Datei:Schattentheater v1.jpg

2022-05-16T00:06:58Z

Amon:

3d Ansicht des Entwurfes v1 des Schattenapparat

Benutzer:Amon

2021-02-07T19:20:49Z

Amon:

==== MATERIALTABLEAU ====
 
 
===== MATERIALTABLEAU 1 =====
 
[[Datei:Materialtablou1_amon.jpg]]
 
intuitive ästhetische Anordnung
 
 
 
===== MATERIALTABLEAU 2 =====
 
[[Datei:Materialtablou2_amon.jpg]]
 
organische Materialien unten, Metall oben Mitte, Rest intuitiv
 
 
 
===== MATERIALTABLEAU 3 =====
 
[[Datei:Materialtablou3_amon.jpg]]
 
rechts: Objekte die ihr inneres preisgeben. 
links: übrige Objekte
 
 
 
===== MATERIALTABLEAU 4 =====
 
[[Datei:M4-amon.jpg]]
 
photogrammetrische Abtastung ohne Textur (isometrische Projektion)
 
 
 
===== MATERIALTABLEAU 5 =====
 
[[Datei:M5-amon.jpg]]
 
photogrammetrische Abtastung mit Textur (isometrische Projektion)
 
 
 
===== MATERIALTABLEAU 6 =====
 
[[Datei:M6-amon.jpg]]
 
topografische abtastung (schwarz – niedrig; weiß – hoch)
 
 
 
===== MATERIALTABLEAU 7 =====
 
[[Datei:ImageProcessingDemo-3.png]]
 
zweidimensionale Fourier-Transformation von MATERIALTABLEAU 6
 
 
 
===== MATERIALTABLEAU 8 =====
 
[[Datei:IMG_7774.jpeg]]
 
zerlegter Canon Tintenstrahldrucker
 
 
 

==== p5* ====
 
 
Uhr in p5*:
Drei Säulen (H:M:S) ändern ihre Farbe von weiß zu schwarz.
 
 
function setup() {
hoehe = 600;
breite = 200;
createCanvas(breite, hoehe);
frameRate(1);
}

function draw() {
background(000,127,000);
strokeWeight(0);

fill(255-hour()*255/24);
quad(0, 0, breite/3, 0, breite/3, hoehe, 0, hoehe);

fill(255-minute()*255/60);
quad(breite/3, 0, breite/3*2, 0, breite/3*2, hoehe, breite/3, hoehe);

fill(255-second()*255/60);
quad(breite/3*2, 0, breite, 0, breite, hoehe, breite/3*2, hoehe);

dicke = 2
strokeWeight(dicke);
for (let i = 0; i < 60; i++) {
stroke(i*255/60,i*255/60,i*255/60);
line(breite/3+dicke/2, i*hoehe/60, breite, i*hoehe/60);
}
for (let i = 0; i < 24; i++) {
stroke(i*255/24,i*255/24,i*255/24);
line(0, i*hoehe/24, breite/3-dicke/2, i*hoehe/24);
}
}
 
 
[[File:Bild_2021-02-07_um_19.45.29.mov|1000px|left|]]

Datei:IMG 7774.jpeg

2021-02-07T19:18:15Z

Amon:

Benutzer:Amon

2021-02-07T19:12:29Z

Amon:

==== MATERIALTABLEAU ====
 
 
===== MATERIALTABLEAU 1 =====
 
[[Datei:Materialtablou1_amon.jpg]]
 
intuitive ästhetische Anordnung
 
 
 
===== MATERIALTABLEAU 2 =====
 
[[Datei:Materialtablou2_amon.jpg]]
 
organische Materialien unten, Metall oben Mitte, Rest intuitiv
 
 
 
===== MATERIALTABLEAU 3 =====
 
[[Datei:Materialtablou3_amon.jpg]]
 
rechts: Objekte die ihr inneres preisgeben. 
links: übrige Objekte
 
 
 
===== MATERIALTABLEAU 4 =====
 
[[Datei:M4-amon.jpg]]
 
photogrammetrische Abtastung ohne Textur (isometrische Projektion)
 
 
 
===== MATERIALTABLEAU 5 =====
 
[[Datei:M5-amon.jpg]]
 
photogrammetrische Abtastung mit Textur (isometrische Projektion)
 
 
 
===== MATERIALTABLEAU 6 =====
 
[[Datei:M6-amon.jpg]]
 
topografische abtastung (schwarz – niedrig; weiß – hoch)
 
 
 
===== MATERIALTABLEAU 7 =====
 
[[Datei:ImageProcessingDemo-3.png]]
 
zweidimensionale Fourier-Transformation von MATERIALTABLEAU 6
 
 
 
==== p5* ====
 
 
Uhr in p5*:
Drei Säulen (H:M:S) ändern ihre Farbe von weiß zu schwarz.
 
 
function setup() {
hoehe = 600;
breite = 200;
createCanvas(breite, hoehe);
frameRate(1);
}

function draw() {
background(000,127,000);
strokeWeight(0);

fill(255-hour()*255/24);
quad(0, 0, breite/3, 0, breite/3, hoehe, 0, hoehe);

fill(255-minute()*255/60);
quad(breite/3, 0, breite/3*2, 0, breite/3*2, hoehe, breite/3, hoehe);

fill(255-second()*255/60);
quad(breite/3*2, 0, breite, 0, breite, hoehe, breite/3*2, hoehe);

dicke = 2
strokeWeight(dicke);
for (let i = 0; i < 60; i++) {
stroke(i*255/60,i*255/60,i*255/60);
line(breite/3+dicke/2, i*hoehe/60, breite, i*hoehe/60);
}
for (let i = 0; i < 24; i++) {
stroke(i*255/24,i*255/24,i*255/24);
line(0, i*hoehe/24, breite/3-dicke/2, i*hoehe/24);
}
}
 
 
[[File:Bild_2021-02-07_um_19.45.29.mov|1000px|left|]]

Benutzer:Amon

2021-02-07T19:08:00Z

Amon: /* p5* */

==== MATERIALTABLEAU ====
 
 
===== MATERIALTABLEAU 1 =====
 
[[Datei:Materialtablou1_amon.jpg]]
 
intuitive ästhetische Anordnung
 
 
 
===== MATERIALTABLEAU 2 =====
 
[[Datei:Materialtablou2_amon.jpg]]
 
organische Materialien unten, Metall oben Mitte, Rest intuitiv
 
 
 
===== MATERIALTABLEAU 3 =====
 
[[Datei:Materialtablou3_amon.jpg]]
 
rechts: Objekte die ihr inneres preisgeben. 
links: übrige Objekte
 
 
 
===== MATERIALTABLEAU 4 =====
 
[[Datei:M4-amon.jpg]]
 
photogrammetrische Abtastung ohne Textur (isometrische Projektion)
 
 
 
===== MATERIALTABLEAU 5 =====
 
[[Datei:M5-amon.jpg]]
 
photogrammetrische Abtastung mit Textur (isometrische Projektion)
 
 
 
===== MATERIALTABLEAU 6 =====
 
[[Datei:M6-amon.jpg]]
 
topografische abtastung (schwarz – niedrig; weiß – hoch)
 
 
 
===== MATERIALTABLEAU 7 =====
 
[[Datei:ImageProcessingDemo-3.png]]
 
zweidimensionale Fourier-Transformation von MATERIALTABLEAU 6
 
 
 
==== p5* ====

function setup() {
hoehe = 600;
breite = 200;
createCanvas(breite, hoehe);
frameRate(1);
}

function draw() {
background(000,127,000);
strokeWeight(0);

fill(255-hour()*255/24);
quad(0, 0, breite/3, 0, breite/3, hoehe, 0, hoehe);

fill(255-minute()*255/60);
quad(breite/3, 0, breite/3*2, 0, breite/3*2, hoehe, breite/3, hoehe);

fill(255-second()*255/60);
quad(breite/3*2, 0, breite, 0, breite, hoehe, breite/3*2, hoehe);

dicke = 2
strokeWeight(dicke);
for (let i = 0; i < 60; i++) {
stroke(i*255/60,i*255/60,i*255/60);
line(breite/3+dicke/2, i*hoehe/60, breite, i*hoehe/60);
}
for (let i = 0; i < 24; i++) {
stroke(i*255/24,i*255/24,i*255/24);
line(0, i*hoehe/24, breite/3-dicke/2, i*hoehe/24);
}
}
 
 
[[File:Bild_2021-02-07_um_19.45.29.mov|1000px|left|]]

Benutzer:Amon

2021-02-07T19:05:49Z

Amon: /* p5* */

==== MATERIALTABLEAU ====
 
 
===== MATERIALTABLEAU 1 =====
 
[[Datei:Materialtablou1_amon.jpg]]
 
intuitive ästhetische Anordnung
 
 
 
===== MATERIALTABLEAU 2 =====
 
[[Datei:Materialtablou2_amon.jpg]]
 
organische Materialien unten, Metall oben Mitte, Rest intuitiv
 
 
 
===== MATERIALTABLEAU 3 =====
 
[[Datei:Materialtablou3_amon.jpg]]
 
rechts: Objekte die ihr inneres preisgeben. 
links: übrige Objekte
 
 
 
===== MATERIALTABLEAU 4 =====
 
[[Datei:M4-amon.jpg]]
 
photogrammetrische Abtastung ohne Textur (isometrische Projektion)
 
 
 
===== MATERIALTABLEAU 5 =====
 
[[Datei:M5-amon.jpg]]
 
photogrammetrische Abtastung mit Textur (isometrische Projektion)
 
 
 
===== MATERIALTABLEAU 6 =====
 
[[Datei:M6-amon.jpg]]
 
topografische abtastung (schwarz – niedrig; weiß – hoch)
 
 
 
===== MATERIALTABLEAU 7 =====
 
[[Datei:ImageProcessingDemo-3.png]]
 
zweidimensionale Fourier-Transformation von MATERIALTABLEAU 6
 
 
 
==== p5* ====

function setup() {
hoehe = 600;
breite = 200;
createCanvas(breite, hoehe);
frameRate(1);
}

function draw() {
background(000,127,000);
strokeWeight(0);

fill(255-hour()*255/24);
quad(0, 0, breite/3, 0, breite/3, hoehe, 0, hoehe);

fill(255-minute()*255/60);
quad(breite/3, 0, breite/3*2, 0, breite/3*2, hoehe, breite/3, hoehe);

fill(255-second()*255/60);
quad(breite/3*2, 0, breite, 0, breite, hoehe, breite/3*2, hoehe);

dicke = 2
strokeWeight(dicke);
for (let i = 0; i < 60; i++) {
stroke(i*255/60,i*255/60,i*255/60);
line(breite/3+dicke/2, i*hoehe/60, breite, i*hoehe/60);
}
for (let i = 0; i < 24; i++) {
stroke(i*255/24,i*255/24,i*255/24);
line(0, i*hoehe/24, breite/3-dicke/2, i*hoehe/24);
}
}
 
 
[[Datei:Bild_2021-02-07_um_19.45.29.mov]|1000px|left|]

Benutzer:Amon

2021-02-07T19:01:17Z

Amon:

==== MATERIALTABLEAU ====
 
 
===== MATERIALTABLEAU 1 =====
 
[[Datei:Materialtablou1_amon.jpg]]
 
intuitive ästhetische Anordnung
 
 
 
===== MATERIALTABLEAU 2 =====
 
[[Datei:Materialtablou2_amon.jpg]]
 
organische Materialien unten, Metall oben Mitte, Rest intuitiv
 
 
 
===== MATERIALTABLEAU 3 =====
 
[[Datei:Materialtablou3_amon.jpg]]
 
rechts: Objekte die ihr inneres preisgeben. 
links: übrige Objekte
 
 
 
===== MATERIALTABLEAU 4 =====
 
[[Datei:M4-amon.jpg]]
 
photogrammetrische Abtastung ohne Textur (isometrische Projektion)
 
 
 
===== MATERIALTABLEAU 5 =====
 
[[Datei:M5-amon.jpg]]
 
photogrammetrische Abtastung mit Textur (isometrische Projektion)
 
 
 
===== MATERIALTABLEAU 6 =====
 
[[Datei:M6-amon.jpg]]
 
topografische abtastung (schwarz – niedrig; weiß – hoch)
 
 
 
===== MATERIALTABLEAU 7 =====
 
[[Datei:ImageProcessingDemo-3.png]]
 
zweidimensionale Fourier-Transformation von MATERIALTABLEAU 6
 
 
 
==== p5* ====

function setup() {
hoehe = 600;
breite = 200;
createCanvas(breite, hoehe);
frameRate(1);
}

function draw() {
background(000,127,000);
strokeWeight(0);

fill(255-hour()*255/24);
quad(0, 0, breite/3, 0, breite/3, hoehe, 0, hoehe);

fill(255-minute()*255/60);
quad(breite/3, 0, breite/3*2, 0, breite/3*2, hoehe, breite/3, hoehe);

fill(255-second()*255/60);
quad(breite/3*2, 0, breite, 0, breite, hoehe, breite/3*2, hoehe);

dicke = 2
strokeWeight(dicke);
for (let i = 0; i < 60; i++) {
stroke(i*255/60,i*255/60,i*255/60);
line(breite/3+dicke/2, i*hoehe/60, breite, i*hoehe/60);
}
for (let i = 0; i < 24; i++) {
stroke(i*255/24,i*255/24,i*255/24);
line(0, i*hoehe/24, breite/3-dicke/2, i*hoehe/24);
}
}
 
 
[[Datei:Bild_2021-02-07_um_19.45.29.mov]]

Benutzer:Amon

2021-02-07T18:54:19Z

Amon:

==== MATERIALTABLEAU ====
 
 
===== MATERIALTABLEAU 1 =====
 
[[Datei:Materialtablou1_amon.jpg]]
 
intuitive ästhetische Anordnung
 
 
 
===== MATERIALTABLEAU 2 =====
 
[[Datei:Materialtablou2_amon.jpg]]
 
organische Materialien unten, Metall oben Mitte, Rest intuitiv
 
 
 
===== MATERIALTABLEAU 3 =====
 
[[Datei:Materialtablou3_amon.jpg]]
 
rechts: Objekte die ihr inneres preisgeben. 
links: übrige Objekte
 
 
 
===== MATERIALTABLEAU 4 =====
 
[[Datei:M4-amon.jpg]]
 
photogrammetrische Abtastung ohne Textur (isometrische Projektion)
 
 
 
===== MATERIALTABLEAU 5 =====
 
[[Datei:M5-amon.jpg]]
 
photogrammetrische Abtastung mit Textur (isometrische Projektion)
 
 
 
===== MATERIALTABLEAU 6 =====
 
[[Datei:M6-amon.jpg]]
 
topografische abtastung (schwarz – niedrig; weiß – hoch)
 
 
 
===== MATERIALTABLEAU 7 =====
 
[[Datei:ImageProcessingDemo-3.png]]
 
zweidimensionale Fourier-Transformation von MATERIALTABLEAU 6
 
 
 
==== p5* ====

function setup() {
hoehe = 600;
breite = 200;
createCanvas(breite, hoehe);
frameRate(1);
}

function draw() {
background(000,127,000);
strokeWeight(0);

fill(255-hour()*255/24);
quad(0, 0, breite/3, 0, breite/3, hoehe, 0, hoehe);

fill(255-minute()*255/60);
quad(breite/3, 0, breite/3*2, 0, breite/3*2, hoehe, breite/3, hoehe);

fill(255-second()*255/60);
quad(breite/3*2, 0, breite, 0, breite, hoehe, breite/3*2, hoehe);

dicke = 2
strokeWeight(dicke);
for (let i = 0; i < 60; i++) {
stroke(i*255/60,i*255/60,i*255/60);
line(breite/3+dicke/2, i*hoehe/60, breite, i*hoehe/60);
}
for (let i = 0; i < 24; i++) {
stroke(i*255/24,i*255/24,i*255/24);
line(0, i*hoehe/24, breite/3-dicke/2, i*hoehe/24);
}
}

Bild_2021-02-07_um_19.45.29.mov

Benutzer:Joshua

2021-02-07T18:53:16Z

Amon:

=== MATERIALTABLEAU ===
==== MATERIALTABLEAU 1 ====

[[Datei:MATERIALTABLEAU1 JOSH.jpg|600px]]

==== MATERIALTABLEAU 2 ====

''Ordered from right to left, top to bottom''

[[Datei:MATERIALTABLEAU2 JOSH.jpg|600px]]

==== MATERIALTABLEAU 3 ====

''Ordered from right to left, top to bottom''

[[Datei:MATERIALTABLEAU3 JOSH.jpg|600px]]

==== MATERIALTABLEAU 4 ====

''Ordered from right to left, top to bottom''

[[Datei:MATERIALTABLEAU4 JOSH.jpg|600px]]

==== MATERIALTABLEAU 5 ====

''Ordered from right to left, top to bottom''

[[Datei:MATERIALTABLEAU5 JOSH.jpg|600px]]

==== MATERIALTABLEAU 6 ====

''Ordered from right to left, top to bottom''

[[Datei:MATERIALTABLEAU6 JOSH.jpg|600px]]

==== MATERIALTABLEAU 7 ====

''Ordered from right to left, top to bottom''

[[Datei:MATERIALTABLEAU7 JOSH.jpg|600px]]

==== MATERIALTABLEAU 8 ====

''Ordered from right to left, top to bottom''

[[Datei:MATERIALTABLEAU8 JOSH.jpg|600px]]

==== MATERIALTABLEAU 9 ====

[[Datei:MATERIALTABLEAU9 JOSH.jpg|600px]]

==== MATERIALTABLEAU 10 ====

[[Datei:MATERIALTABLEAU10 JOSH.jpg|600px]]

==== MATERIALTABLEAU 11 ====

[[Datei:MATERIALTABLEAU11 JOSH.wav|600px]]

==== MATERIALTABLEAU 12 ====

[[Datei:MATERIALTABLEAU12 JOSH.jpg|800px]]

==== MATERIALTABLEAU 13 ====

[[Datei:MATERIALTABLEAU13 JOSH.mp4|800px]]

==== KEY ====
* Materialtableau 1: Intuitively Ordered by Size
* Materialtableau 2: Ordered by Perceived Functionality
* Materialtableau 3: Ordered by Number of Google Search Results
* Materialtableau 4: Ordered by Length (Unfolded)
* Materialtableau 5: Ordered by Length (Folded)
* Materialtableau 6: Ordered Alphabetically
* Materialtableau 7: Ordered According to a Serial Number Generated by Converting Letters into Numbers (Low to High)
* Materialtableau 8: Ordered by Result of Converting Letters into Numbers and Adding Together (Low to High)
* Materialtableau 9: Abstracted to Colour
* Materialtableau 10: Abstracted to Form
* Materialtableau 11: Abstracted to Sound Created Based on Serial Numbers from Materialtableau 7
* Materialtableau 12: Abstracted to Spectrogram Based on Audio from Materialtableau 11
* Materialtableau 13: First Attempt at a 3D Material Sorting System (for more dynamic material relationships)

=== p5.js ===
==== p5 Drawing Tool ====

[[Datei:P5 Drawing Tool.mp4|600px]]
 
 
<tt>function setup() {
createCanvas(600, 600);
background(220, 230, 210);
x = 0;
y = 0;
}

function draw() {
noFill();
if (mouseIsPressed) {
x = mouseX;
y = mouseY;
};
bezier(mouseX, mouseY, mouseY + 20, mouseX + 20, x + 50, y + 50, x, y);
}</tt>

Bild_2021-02-07_um_19.45.29.mov

Datei:Bild 2021-02-07 um 19.45.29.mov

2021-02-07T18:48:19Z

Amon:

Benutzer:Amon

2021-02-07T18:43:53Z

Amon:

==== MATERIALTABLEAU ====
 
 
===== MATERIALTABLEAU 1 =====
 
[[Datei:Materialtablou1_amon.jpg]]
 
intuitive ästhetische Anordnung
 
 
 
===== MATERIALTABLEAU 2 =====
 
[[Datei:Materialtablou2_amon.jpg]]
 
organische Materialien unten, Metall oben Mitte, Rest intuitiv
 
 
 
===== MATERIALTABLEAU 3 =====
 
[[Datei:Materialtablou3_amon.jpg]]
 
rechts: Objekte die ihr inneres preisgeben. 
links: übrige Objekte
 
 
 
===== MATERIALTABLEAU 4 =====
 
[[Datei:M4-amon.jpg]]
 
photogrammetrische Abtastung ohne Textur (isometrische Projektion)
 
 
 
===== MATERIALTABLEAU 5 =====
 
[[Datei:M5-amon.jpg]]
 
photogrammetrische Abtastung mit Textur (isometrische Projektion)
 
 
 
===== MATERIALTABLEAU 6 =====
 
[[Datei:M6-amon.jpg]]
 
topografische abtastung (schwarz – niedrig; weiß – hoch)
 
 
 
===== MATERIALTABLEAU 7 =====
 
[[Datei:ImageProcessingDemo-3.png]]
 
zweidimensionale Fourier-Transformation von MATERIALTABLEAU 6
 
 
 
==== p5* ====

function setup() {
hoehe = 600;
breite = 200;
createCanvas(breite, hoehe);
frameRate(1);
}

function draw() {
background(000,127,000);
strokeWeight(0);

fill(255-hour()*255/24);
quad(0, 0, breite/3, 0, breite/3, hoehe, 0, hoehe);

fill(255-minute()*255/60);
quad(breite/3, 0, breite/3*2, 0, breite/3*2, hoehe, breite/3, hoehe);

fill(255-second()*255/60);
quad(breite/3*2, 0, breite, 0, breite, hoehe, breite/3*2, hoehe);

dicke = 2
strokeWeight(dicke);
for (let i = 0; i < 60; i++) {
stroke(i*255/60,i*255/60,i*255/60);
line(breite/3+dicke/2, i*hoehe/60, breite, i*hoehe/60);
}
for (let i = 0; i < 24; i++) {
stroke(i*255/24,i*255/24,i*255/24);
line(0, i*hoehe/24, breite/3-dicke/2, i*hoehe/24);
}
}

Benutzer:Amon

2021-02-07T18:35:01Z

Amon:

Datei:ImageProcessingDemo-3.png

2021-02-07T18:32:57Z

Amon:

Benutzer:Amon

2021-02-07T15:38:59Z

Amon:

Benutzer:Amon

2021-02-07T15:28:33Z

Amon:

==== MATERIALTABLEAU ====
 
===== MATERIALTABLEAU 1 =====
 
[[Datei:Materialtablou1_amon.jpg]]
 
 
===== MATERIALTABLEAU 2 =====
 
[[Datei:Materialtablou2_amon.jpg]]
 
 
===== MATERIALTABLEAU 3 =====
 
[[Datei:Materialtablou3_amon.jpg]]
 
 
===== MATERIALTABLEAU 4 =====
 
[[Datei:M4-amon.jpg]]
 
 
===== MATERIALTABLEAU 5 =====
 
[[Datei:M5-amon.jpg]]
 
 
===== MATERIALTABLEAU 6 =====
 
[[Datei:M6-amon.jpg]]

Benutzer:Amon

2021-02-07T15:18:58Z

Amon:

MATERIALTABLEAU 1
 
[[Datei:Materialtablou1_amon.jpg]]
 
 
MATERIALTABLEAU 2
 
[[Datei:Materialtablou2_amon.jpg]]
 
 
MATERIALTABLEAU 3
 
[[Datei:Materialtablou3_amon.jpg]]
 
 
MATERIALTABLEAU 4
 
[[Datei:M4-amon.jpg]]
 
 
MATERIALTABLEAU 5
 
[[Datei:M5-amon.jpg]]
 
 
MATERIALTABLEAU 6
 
[[Datei:M6-amon.jpg]]

Datei:M6-amon.jpg

2021-02-07T15:18:41Z

Amon:

Datei:M5-amon.jpg

2021-02-07T15:18:09Z

Amon:

Datei:M4-amon.jpg

2021-02-07T14:06:05Z

Amon:

Benutzer:Amon

2021-02-02T15:35:55Z

Amon:

Datei:Materialtablou3 amon.jpg

2021-02-02T15:35:17Z

Amon:

Datei:Materialtablou2 amon.jpg

2021-02-02T15:33:19Z

Amon:

Benutzer:Amon

2021-02-01T15:58:56Z

Amon:

MATERIALTABLEAU 1
 
[[Datei:Materialtablou1_amon.jpg]]

Benutzer:Amon

2021-02-01T15:58:44Z

Amon: Die Seite wurde neu angelegt: „ MATERIALTABLEAU 1 300px“

MATERIALTABLEAU 1
 
[[Datei:Materialtablou1_amon.jpg|300px]]

Datei:Materialtablou1 amon.jpg

2021-02-01T15:57:06Z

Amon: