https://exmediawiki.khm.de/api.php?action=feedcontributions&feedformat=atom&user=Inna 2026-04-24T17:20:05Z Benutzerbeiträge MediaWiki 1.43.5 https://exmediawiki.khm.de/index.php?title=Selfpublishing_Compact_Seminar&diff=11051 2026-02-13T12:36:21Z

<p>Inna: /* Process, outcome, documentation */</p> <hr /> <div>=== Self-Publishing as poetic practice: DIY Compact ===<br /> Mara Genschel, Karin Lingnau&lt;br&gt;<br /> at exMedia Lab<br /> ==== Time table ====<br /> <br /> 02.-06. February 2026 &lt;br&gt;<br /> 11:00 - 17:00 (+ open end)&lt;br&gt;<br /> Friday: presentation<br /> &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> === About dummies and first steps ===<br /> mockup, model, simulation, test, proposition ...&lt;br&gt;<br /> different dummies for different purposes&lt;br&gt;<br /> * formal aspects/ physical representation&lt;br&gt;<br /> ** format<br /> ** material<br /> ** layout<br /> ** page count (multiples of 4)<br /> ** style<br /> ** ....<br /> --&gt; regarding overall appearance and haptic <br /> &lt;br&gt;&lt;br&gt;<br /> <br /> * conceptual aspects<br /> ** content-related<br /> ** textual<br /> ** layout in regard to content<br /> ** message conveyed by the content<br /> --&gt; regarding construct of an idea in connection to format and overall appearance <br /> &lt;br&gt;<br /> &lt;br&gt;<br /> * aspects of layout<br /> ** order/ sequences of the content<br /> ** fluidity/ flow <br /> ** length/ amount of content<br /> ** relation between image and text and graphics<br /> ** relation between blank and filled pages<br /> ** spaces on a page in general<br /> ** pacing (pages and spread)<br /> ** if necessary: plot and dramaturgy<br /> ** questions of illustration/ font/ style/ design<br /> ** ...<br /> --&gt; regarding overall appearance of the content and the publication<br /> &lt;br&gt;<br /> &lt;br&gt;<br /> A dummy can be used in every step of the process, but does not necessarily have to be translated into individual physical outputs. Depends on what you need and if you can combine certain aspects. In general creating a physical implementation helps to clarify and refine your idea. <br /> &lt;br&gt;<br /> &lt;br&gt;<br /> idea --&gt; storyboard/ moodboard/ sequence --&gt; tests/ proof --&gt; print/ build/ do --&gt; publish<br /> &lt;br&gt;<br /> &lt;br&gt;<br /> === Terminologies, links and resources ===<br /> &lt;br&gt;<br /> {| class=&quot;wikitable&quot; style=&quot;background-color:#E0FFFF;&quot;<br /> |- style=&quot;vertical-align:middle;&quot;<br /> | style=&quot;height:100px; width:80px; text-align:center;&quot; | Topic<br /> | style=&quot;height:100px; width:80px; text-align:center;&quot; | Terms/ Terminologies<br /> | style=&quot;height:100px; width:80px; text-align:center;&quot; | Content<br /> | style=&quot;height:100px; width:80px; text-align:center;&quot; | Context<br /> |- style=&quot;vertical-align:middle;&quot; style=&quot;background-color:#DDA0DD;&quot;<br /> | style=&quot;height:100px; width:80px; text-align:center;&quot; | Layout<br /> | style=&quot;height:100px; width:80px; text-align:center;&quot; | Format<br /> | style=&quot;height:100px; width:80px; text-align:center;&quot; | Material<br /> | style=&quot;height:100px; width:80px; text-align:center;&quot; | Techniques<br /> |- style=&quot;vertical-align:middle;&quot; style=&quot;background-color:#c6e2ff;&quot;<br /> | style=&quot;height:100px; width:80px; text-align:center;&quot; | Concept<br /> | style=&quot;height:100px; width:80px; text-align:center;&quot; | Reason<br /> | style=&quot;height:100px; width:80px; text-align:center;&quot; | <br /> | style=&quot;height:100px; width:80px; text-align:center;&quot; | <br /> |}&lt;br&gt;<br /> &lt;br&gt;<br /> <br /> {| class=&quot;wikitable&quot; style=&quot;vertical-align:middle;&quot; style=&quot;background-color:#98FB98;&quot;<br /> | style=&quot;height:100px; width:80px; text-align:center;&quot; | [[Tips-tools_zines | Resources]]<br /> | style=&quot;height:100px; width:80px; text-align:center;&quot; | [[Machines_and_Technologies_@our_labs#Printing_Technologies | Printing Technologies &lt;br&gt;<br /> at exMedia Lab]]<br /> | style=&quot;height:100px; width:80px; text-align:center;&quot; | <br /> | style=&quot;height:100px; width:80px; text-align:center;&quot; | <br /> |}<br /> &lt;br&gt;<br /> &lt;br&gt;<br /> === Process, outcome, documentation ===<br /> Under this paragraph you can collect your documentation and other photos, comments, finished and in process-being published formats, material choices, questions, more links etc.&lt;br&gt;<br /> If you would like to add another paragraph or a subpage with a specific topic later on, let's talk about and/ or start it already.&lt;br&gt;<br /> &lt;br&gt;<br /> <br /> 1. The Book of Falling // by Inna Lipovets.<br /> It is a textile zine, exploring the idea of grounding and surrendering oneself to gravity. Starting with a text it reveals the imagery of inner landscapes in their potential vertical movement. It is about gravity which is breathing us, about thawing towards grass and becoming a landscape we dare to become.<br /> Materials: textile, paper, soil.<br /> <br /> === Examples and specific topics ===<br /> tbc&lt;br&gt;<br /> <br /> ==== Other people who make zines ====<br /> Some examples, some tutorials, some free zines. The list could be continued endlessly...&lt;br&gt;<br /> &lt;br&gt;<br /> * [https://docpop.org/2018/01/how-to-make-mini-comics-my-guide-to-cutting-and-folding-an-8-page-zine/ How to make mini comics and more]<br /> * https://www.bumblechub.com/zines/fat-mermaid-lookbooks example of 8-pages mini-zine of mermaids]<br /> * [https://www.bumblechub.com/zines/EARWORM same artist, mini-zine about earworms]<br /> * https://zcmag.xyz/print-at-home-zine-library/ print-at-home-zine library of the site zcmag: Zine Crisis Mutual Assistance Group]<br /> * ...<br /> &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> ==== Letter folding ====<br /> <br /> [https://www.instructables.com/3-different-styles-of-letter-folding/ Three different styles of letter folding]<br /> <br /> [https://www.bbc.com/future/article/20210616-how-the-forgotten-tricks-of-letterlocking-shaped-history How the forgotten tricks of letterlocking shaped history]<br /> <br /> [https://houseofmahalo.com/regency-letter-folding-tutorial/ Regency letter folding tutorial]<br /> <br /> [https://herreputationforaccomplishment.wordpress.com/2015/05/06/anatomy-of-a-regency-letter/ Anatomy of a regency letter]<br /> <br /> &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> === Etherpad for your texts ===<br /> If you like to exchange your texts, on this pad we can collect them. You also have the possibility to comment in there. Please think of leaving your name when commenting something.&lt;br&gt;<br /> <br /> https://cryptpad.fr/pad/#/2/pad/edit/HRE7E4NmCo1dz3PjJcAclARV/<br /> &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> === Seminartext ===<br /> Konzeption, Produktion und Veröffentlichung einer kleinen, eigenständigen „Drucksache&quot;<br /> <br /> Booklet, Zine, Faltblatt, Poster, Manifest, Schriftstück, Buch, Cover, Spickzettel, Flyer, Laufschrift u.v.a.<br /> <br /> Das Seminar ist ergänzend zum Fachseminar &quot;Selfpublishing als poetische Praxis&quot;, aber auch offen für weitere Interessierte. <br /> <br /> ------<br /> <br /> Self-Publishing as poetic practice: DIY-compact<br /> Concept, production and publication of a small, independent &quot;printed matter&quot;:<br /> <br /> booklet, zine, leaflet, poster, manifesto, document, book, cover, cheat sheet, flyer, ticker and much more.<br /> <br /> The seminar complements the specialist seminar &quot;Self-publishing as poetic practice&quot;, but is also open to other interested participants.<br /> &lt;br&gt;<br /> &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> [[Category:Seminar]]<br /> [[Category:exMedia Lab]]<br /> [[Category:Workshop]]<br /> [[Kategorie:DIY]]<br /> [[Kategorie:DIT]]<br /> [[Category:Papier]]<br /> [[Category:Publishing]]<br /> [[Category:Print]]<br /> [[Category: Material]]</div>

Inna https://exmediawiki.khm.de/index.php?title=Selfpublishing_Compact_Seminar&diff=11050 2026-02-13T12:35:59Z

<p>Inna: /* Process, outcome, documentation */</p> <hr /> <div>=== Self-Publishing as poetic practice: DIY Compact ===<br /> Mara Genschel, Karin Lingnau&lt;br&gt;<br /> at exMedia Lab<br /> ==== Time table ====<br /> <br /> 02.-06. February 2026 &lt;br&gt;<br /> 11:00 - 17:00 (+ open end)&lt;br&gt;<br /> Friday: presentation<br /> &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> === About dummies and first steps ===<br /> mockup, model, simulation, test, proposition ...&lt;br&gt;<br /> different dummies for different purposes&lt;br&gt;<br /> * formal aspects/ physical representation&lt;br&gt;<br /> ** format<br /> ** material<br /> ** layout<br /> ** page count (multiples of 4)<br /> ** style<br /> ** ....<br /> --&gt; regarding overall appearance and haptic <br /> &lt;br&gt;&lt;br&gt;<br /> <br /> * conceptual aspects<br /> ** content-related<br /> ** textual<br /> ** layout in regard to content<br /> ** message conveyed by the content<br /> --&gt; regarding construct of an idea in connection to format and overall appearance <br /> &lt;br&gt;<br /> &lt;br&gt;<br /> * aspects of layout<br /> ** order/ sequences of the content<br /> ** fluidity/ flow <br /> ** length/ amount of content<br /> ** relation between image and text and graphics<br /> ** relation between blank and filled pages<br /> ** spaces on a page in general<br /> ** pacing (pages and spread)<br /> ** if necessary: plot and dramaturgy<br /> ** questions of illustration/ font/ style/ design<br /> ** ...<br /> --&gt; regarding overall appearance of the content and the publication<br /> &lt;br&gt;<br /> &lt;br&gt;<br /> A dummy can be used in every step of the process, but does not necessarily have to be translated into individual physical outputs. Depends on what you need and if you can combine certain aspects. In general creating a physical implementation helps to clarify and refine your idea. <br /> &lt;br&gt;<br /> &lt;br&gt;<br /> idea --&gt; storyboard/ moodboard/ sequence --&gt; tests/ proof --&gt; print/ build/ do --&gt; publish<br /> &lt;br&gt;<br /> &lt;br&gt;<br /> === Terminologies, links and resources ===<br /> &lt;br&gt;<br /> {| class=&quot;wikitable&quot; style=&quot;background-color:#E0FFFF;&quot;<br /> |- style=&quot;vertical-align:middle;&quot;<br /> | style=&quot;height:100px; width:80px; text-align:center;&quot; | Topic<br /> | style=&quot;height:100px; width:80px; text-align:center;&quot; | Terms/ Terminologies<br /> | style=&quot;height:100px; width:80px; text-align:center;&quot; | Content<br /> | style=&quot;height:100px; width:80px; text-align:center;&quot; | Context<br /> |- style=&quot;vertical-align:middle;&quot; style=&quot;background-color:#DDA0DD;&quot;<br /> | style=&quot;height:100px; width:80px; text-align:center;&quot; | Layout<br /> | style=&quot;height:100px; width:80px; text-align:center;&quot; | Format<br /> | style=&quot;height:100px; width:80px; text-align:center;&quot; | Material<br /> | style=&quot;height:100px; width:80px; text-align:center;&quot; | Techniques<br /> |- style=&quot;vertical-align:middle;&quot; style=&quot;background-color:#c6e2ff;&quot;<br /> | style=&quot;height:100px; width:80px; text-align:center;&quot; | Concept<br /> | style=&quot;height:100px; width:80px; text-align:center;&quot; | Reason<br /> | style=&quot;height:100px; width:80px; text-align:center;&quot; | <br /> | style=&quot;height:100px; width:80px; text-align:center;&quot; | <br /> |}&lt;br&gt;<br /> &lt;br&gt;<br /> <br /> {| class=&quot;wikitable&quot; style=&quot;vertical-align:middle;&quot; style=&quot;background-color:#98FB98;&quot;<br /> | style=&quot;height:100px; width:80px; text-align:center;&quot; | [[Tips-tools_zines | Resources]]<br /> | style=&quot;height:100px; width:80px; text-align:center;&quot; | [[Machines_and_Technologies_@our_labs#Printing_Technologies | Printing Technologies &lt;br&gt;<br /> at exMedia Lab]]<br /> | style=&quot;height:100px; width:80px; text-align:center;&quot; | <br /> | style=&quot;height:100px; width:80px; text-align:center;&quot; | <br /> |}<br /> &lt;br&gt;<br /> &lt;br&gt;<br /> === Process, outcome, documentation ===<br /> Under this paragraph you can collect your documentation and other photos, comments, finished and in process-being published formats, material choices, questions, more links etc.&lt;br&gt;<br /> If you would like to add another paragraph or a subpage with a specific topic later on, let's talk about and/ or start it already.&lt;br&gt;<br /> &lt;br&gt;<br /> <br /> 1. The Book of Falling // Inna Lipovets<br /> is a textile zine, exploring the idea of grounding and surrendering oneself to gravity. Starting with a text it reveals the imagery of inner landscapes in their potential vertical movement. It is about gravity which is breathing us, about thawing towards grass and becoming a landscape we dare to become.<br /> Materials: textile, paper, soil.<br /> <br /> === Examples and specific topics ===<br /> tbc&lt;br&gt;<br /> <br /> ==== Other people who make zines ====<br /> Some examples, some tutorials, some free zines. The list could be continued endlessly...&lt;br&gt;<br /> &lt;br&gt;<br /> * [https://docpop.org/2018/01/how-to-make-mini-comics-my-guide-to-cutting-and-folding-an-8-page-zine/ How to make mini comics and more]<br /> * https://www.bumblechub.com/zines/fat-mermaid-lookbooks example of 8-pages mini-zine of mermaids]<br /> * [https://www.bumblechub.com/zines/EARWORM same artist, mini-zine about earworms]<br /> * https://zcmag.xyz/print-at-home-zine-library/ print-at-home-zine library of the site zcmag: Zine Crisis Mutual Assistance Group]<br /> * ...<br /> &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> ==== Letter folding ====<br /> <br /> [https://www.instructables.com/3-different-styles-of-letter-folding/ Three different styles of letter folding]<br /> <br /> [https://www.bbc.com/future/article/20210616-how-the-forgotten-tricks-of-letterlocking-shaped-history How the forgotten tricks of letterlocking shaped history]<br /> <br /> [https://houseofmahalo.com/regency-letter-folding-tutorial/ Regency letter folding tutorial]<br /> <br /> [https://herreputationforaccomplishment.wordpress.com/2015/05/06/anatomy-of-a-regency-letter/ Anatomy of a regency letter]<br /> <br /> &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> === Etherpad for your texts ===<br /> If you like to exchange your texts, on this pad we can collect them. You also have the possibility to comment in there. Please think of leaving your name when commenting something.&lt;br&gt;<br /> <br /> https://cryptpad.fr/pad/#/2/pad/edit/HRE7E4NmCo1dz3PjJcAclARV/<br /> &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> === Seminartext ===<br /> Konzeption, Produktion und Veröffentlichung einer kleinen, eigenständigen „Drucksache&quot;<br /> <br /> Booklet, Zine, Faltblatt, Poster, Manifest, Schriftstück, Buch, Cover, Spickzettel, Flyer, Laufschrift u.v.a.<br /> <br /> Das Seminar ist ergänzend zum Fachseminar &quot;Selfpublishing als poetische Praxis&quot;, aber auch offen für weitere Interessierte. <br /> <br /> ------<br /> <br /> Self-Publishing as poetic practice: DIY-compact<br /> Concept, production and publication of a small, independent &quot;printed matter&quot;:<br /> <br /> booklet, zine, leaflet, poster, manifesto, document, book, cover, cheat sheet, flyer, ticker and much more.<br /> <br /> The seminar complements the specialist seminar &quot;Self-publishing as poetic practice&quot;, but is also open to other interested participants.<br /> &lt;br&gt;<br /> &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> [[Category:Seminar]]<br /> [[Category:exMedia Lab]]<br /> [[Category:Workshop]]<br /> [[Kategorie:DIY]]<br /> [[Kategorie:DIT]]<br /> [[Category:Papier]]<br /> [[Category:Publishing]]<br /> [[Category:Print]]<br /> [[Category: Material]]</div>

Inna https://exmediawiki.khm.de/index.php?title=Selfpublishing_Compact_Seminar&diff=11049 2026-02-13T12:35:48Z

<p>Inna: /* Process, outcome, documentation */</p> <hr /> <div>=== Self-Publishing as poetic practice: DIY Compact ===<br /> Mara Genschel, Karin Lingnau&lt;br&gt;<br /> at exMedia Lab<br /> ==== Time table ====<br /> <br /> 02.-06. February 2026 &lt;br&gt;<br /> 11:00 - 17:00 (+ open end)&lt;br&gt;<br /> Friday: presentation<br /> &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> === About dummies and first steps ===<br /> mockup, model, simulation, test, proposition ...&lt;br&gt;<br /> different dummies for different purposes&lt;br&gt;<br /> * formal aspects/ physical representation&lt;br&gt;<br /> ** format<br /> ** material<br /> ** layout<br /> ** page count (multiples of 4)<br /> ** style<br /> ** ....<br /> --&gt; regarding overall appearance and haptic <br /> &lt;br&gt;&lt;br&gt;<br /> <br /> * conceptual aspects<br /> ** content-related<br /> ** textual<br /> ** layout in regard to content<br /> ** message conveyed by the content<br /> --&gt; regarding construct of an idea in connection to format and overall appearance <br /> &lt;br&gt;<br /> &lt;br&gt;<br /> * aspects of layout<br /> ** order/ sequences of the content<br /> ** fluidity/ flow <br /> ** length/ amount of content<br /> ** relation between image and text and graphics<br /> ** relation between blank and filled pages<br /> ** spaces on a page in general<br /> ** pacing (pages and spread)<br /> ** if necessary: plot and dramaturgy<br /> ** questions of illustration/ font/ style/ design<br /> ** ...<br /> --&gt; regarding overall appearance of the content and the publication<br /> &lt;br&gt;<br /> &lt;br&gt;<br /> A dummy can be used in every step of the process, but does not necessarily have to be translated into individual physical outputs. Depends on what you need and if you can combine certain aspects. In general creating a physical implementation helps to clarify and refine your idea. <br /> &lt;br&gt;<br /> &lt;br&gt;<br /> idea --&gt; storyboard/ moodboard/ sequence --&gt; tests/ proof --&gt; print/ build/ do --&gt; publish<br /> &lt;br&gt;<br /> &lt;br&gt;<br /> === Terminologies, links and resources ===<br /> &lt;br&gt;<br /> {| class=&quot;wikitable&quot; style=&quot;background-color:#E0FFFF;&quot;<br /> |- style=&quot;vertical-align:middle;&quot;<br /> | style=&quot;height:100px; width:80px; text-align:center;&quot; | Topic<br /> | style=&quot;height:100px; width:80px; text-align:center;&quot; | Terms/ Terminologies<br /> | style=&quot;height:100px; width:80px; text-align:center;&quot; | Content<br /> | style=&quot;height:100px; width:80px; text-align:center;&quot; | Context<br /> |- style=&quot;vertical-align:middle;&quot; style=&quot;background-color:#DDA0DD;&quot;<br /> | style=&quot;height:100px; width:80px; text-align:center;&quot; | Layout<br /> | style=&quot;height:100px; width:80px; text-align:center;&quot; | Format<br /> | style=&quot;height:100px; width:80px; text-align:center;&quot; | Material<br /> | style=&quot;height:100px; width:80px; text-align:center;&quot; | Techniques<br /> |- style=&quot;vertical-align:middle;&quot; style=&quot;background-color:#c6e2ff;&quot;<br /> | style=&quot;height:100px; width:80px; text-align:center;&quot; | Concept<br /> | style=&quot;height:100px; width:80px; text-align:center;&quot; | Reason<br /> | style=&quot;height:100px; width:80px; text-align:center;&quot; | <br /> | style=&quot;height:100px; width:80px; text-align:center;&quot; | <br /> |}&lt;br&gt;<br /> &lt;br&gt;<br /> <br /> {| class=&quot;wikitable&quot; style=&quot;vertical-align:middle;&quot; style=&quot;background-color:#98FB98;&quot;<br /> | style=&quot;height:100px; width:80px; text-align:center;&quot; | [[Tips-tools_zines | Resources]]<br /> | style=&quot;height:100px; width:80px; text-align:center;&quot; | [[Machines_and_Technologies_@our_labs#Printing_Technologies | Printing Technologies &lt;br&gt;<br /> at exMedia Lab]]<br /> | style=&quot;height:100px; width:80px; text-align:center;&quot; | <br /> | style=&quot;height:100px; width:80px; text-align:center;&quot; | <br /> |}<br /> &lt;br&gt;<br /> &lt;br&gt;<br /> === Process, outcome, documentation ===<br /> Under this paragraph you can collect your documentation and other photos, comments, finished and in process-being published formats, material choices, questions, more links etc.&lt;br&gt;<br /> If you would like to add another paragraph or a subpage with a specific topic later on, let's talk about and/ or start it already.&lt;br&gt;<br /> &lt;br&gt;<br /> <br /> <br /> 1. The Book of Falling // Inna Lipovets<br /> is a textile zine, exploring the idea of grounding and surrendering oneself to gravity. Starting with a text it reveals the imagery of inner landscapes in their potential vertical movement. It is about gravity which is breathing us, about thawing towards grass and becoming a landscape we dare to become.<br /> Materials: textile, paper, soil.<br /> <br /> === Examples and specific topics ===<br /> tbc&lt;br&gt;<br /> <br /> ==== Other people who make zines ====<br /> Some examples, some tutorials, some free zines. The list could be continued endlessly...&lt;br&gt;<br /> &lt;br&gt;<br /> * [https://docpop.org/2018/01/how-to-make-mini-comics-my-guide-to-cutting-and-folding-an-8-page-zine/ How to make mini comics and more]<br /> * https://www.bumblechub.com/zines/fat-mermaid-lookbooks example of 8-pages mini-zine of mermaids]<br /> * [https://www.bumblechub.com/zines/EARWORM same artist, mini-zine about earworms]<br /> * https://zcmag.xyz/print-at-home-zine-library/ print-at-home-zine library of the site zcmag: Zine Crisis Mutual Assistance Group]<br /> * ...<br /> &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> ==== Letter folding ====<br /> <br /> [https://www.instructables.com/3-different-styles-of-letter-folding/ Three different styles of letter folding]<br /> <br /> [https://www.bbc.com/future/article/20210616-how-the-forgotten-tricks-of-letterlocking-shaped-history How the forgotten tricks of letterlocking shaped history]<br /> <br /> [https://houseofmahalo.com/regency-letter-folding-tutorial/ Regency letter folding tutorial]<br /> <br /> [https://herreputationforaccomplishment.wordpress.com/2015/05/06/anatomy-of-a-regency-letter/ Anatomy of a regency letter]<br /> <br /> &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> === Etherpad for your texts ===<br /> If you like to exchange your texts, on this pad we can collect them. You also have the possibility to comment in there. Please think of leaving your name when commenting something.&lt;br&gt;<br /> <br /> https://cryptpad.fr/pad/#/2/pad/edit/HRE7E4NmCo1dz3PjJcAclARV/<br /> &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> === Seminartext ===<br /> Konzeption, Produktion und Veröffentlichung einer kleinen, eigenständigen „Drucksache&quot;<br /> <br /> Booklet, Zine, Faltblatt, Poster, Manifest, Schriftstück, Buch, Cover, Spickzettel, Flyer, Laufschrift u.v.a.<br /> <br /> Das Seminar ist ergänzend zum Fachseminar &quot;Selfpublishing als poetische Praxis&quot;, aber auch offen für weitere Interessierte. <br /> <br /> ------<br /> <br /> Self-Publishing as poetic practice: DIY-compact<br /> Concept, production and publication of a small, independent &quot;printed matter&quot;:<br /> <br /> booklet, zine, leaflet, poster, manifesto, document, book, cover, cheat sheet, flyer, ticker and much more.<br /> <br /> The seminar complements the specialist seminar &quot;Self-publishing as poetic practice&quot;, but is also open to other interested participants.<br /> &lt;br&gt;<br /> &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> [[Category:Seminar]]<br /> [[Category:exMedia Lab]]<br /> [[Category:Workshop]]<br /> [[Kategorie:DIY]]<br /> [[Kategorie:DIT]]<br /> [[Category:Papier]]<br /> [[Category:Publishing]]<br /> [[Category:Print]]<br /> [[Category: Material]]</div>

Inna https://exmediawiki.khm.de/index.php?title=OpenLab_25-26&diff=11048 2026-02-13T12:28:38Z

<p>Inna: /* Inna (Workshop with movement, textiles, the space) */</p> <hr /> <div>Weekly seminar&lt;br&gt;<br /> Wednesday, 2 - 4 pm&lt;br&gt;<br /> &lt;br&gt;<br /> <br /> === -- 29.10. ===<br /> first meeting&lt;br&gt;<br /> what is open lab?&lt;br&gt;<br /> exmedia lab and possibilities&lt;br&gt;<br /> what topics are you interested in? &lt;br&gt;<br /> what would you like to explore or experiment on this semester?&lt;br&gt;&lt;br&gt;<br /> possible topics<br /> &lt;br&gt;<br /> [[file:openlab29102025_topics_small2.jpg | 500 px]]<br /> &lt;br&gt;&lt;br&gt;<br /> ===== possible workshops/ presentations/ experiments =====<br /> * Inna: workshop as a consistent/ coherent tool. How do you start your artistic process? (19.11.)<br /> * Hyunji: Fungi/ Texture Workshop (December/ January)<br /> * Karin: Riso Workshop (eg 03.12.)<br /> * Fabian: Materiality of images (10.12.)<br /> * Amelia/ Chaya: &quot;unnecessary tools&quot; (17.12.)<br /> * Jiwoo: Survey of cuteness (26.11.)<br /> * Ahona/ Jiwoo/ Jean: miniature workshop (probably january)<br /> * ...<br /> &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> ===== other possible topics/ workshops (see also the image above) =====<br /> * ghostly materials, crystals, the uncanny<br /> * tufting<br /> * worldbuilding/ creating worlds in your imagination<br /> * Moritz/ Lei<br /> * ...<br /> <br /> &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> === -- 05.11. ===<br /> ===== Artbook Fair: Presentation and experiences =====<br /> presentation of different formats of publishing: books, cassettes, game, experiments.... &lt;br&gt;<br /> Theresa, Thea, Dennis, Dudu, Jolie and Jeongan are presenting their works and are going to talk about experiences on the art bookfair [https://www.kunsthalle-duesseldorf.de/ausstellungen/betweenbooks2025/ between books] of this year.&lt;br&gt;<br /> <br /> [https://www.khm.de/termine/news.6021.khm-bei-between-books-2025/ khm bei between books] (news entry on khm-website)<br /> &lt;br&gt;<br /> &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> === -- 12.11. ===<br /> ===== Jiwoo and Ahona share their work-in-progress and plans =====<br /> Jiwoo: Talking about her diploma project, the city and yarn bombing, feeling part of the city, soft textile miniatures. And the complex of cuteness, talking about what is behind cuteness and its influences, its usage, background, kawaii, connection to monsters and cuteness, ...&lt;br&gt;<br /> Some related resources (if there is more, please fill it up)&lt;br&gt;<br /> * [https://openlibrary.org/books/OL354782M/The_artificial_kingdom | The artifical kingdom: A treasury of the kitsch experience] by Celeste Olalquiaga<br /> * [https://api.pageplace.de/preview/DT0400.9780822378563_A35680916/preview-9780822378563_A35680916.pdf | On Longing] by Susan Steward<br /> * [https://www.kunstforum.de/band/2023-289-cuteness/ | Kunstforum Band 289 Cuteness]<br /> &lt;br&gt;<br /> <br /> Ahona: Miniaturization of café and tea locations, questions of nostalgia, differences and hierarchies, what is representing the complexity of meeting points, conversations happening there and their respective drinks... <br /> &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> === -- 19.11. ===<br /> ===== Inna (Workshop with movement, textiles, the space) =====<br /> Workshop as a consistent/ coherent tool. How do you start your artistic process?<br /> <br /> The textile and movement workshop is a part of an ongoing practice of weekly Saturday meetings, where participants can experiment with textile, stitching and constructing of textile objects in the circle of others. <br /> A lot of attention is put on uniting movement and stitching practices, where body work (imaginative improvised, though scored, movement) prepares for and serves as research ground for working with textile, as well as exchange of stories, views on artistic practice and news.<br /> In the framework of the open Lab WiSe25/26 we have shared both practices, focusing on the bodily sense of what we consider ‘beautiful’, ‘ugly’ and ‘weird’, which we later integrated into creating masks, to give voice to the bizarre, left out or weird parts of ourselves, which hold a lot of creative power and playfulness.<br /> Together we spoke about diverse ways of starting an artistic project, being consistent with it and touched upon how composition can be a subjective matter.<br /> <br /> === -- 26.11. ===<br /> ===== Jiwoo (survey) and Claude (food memorabilia) =====<br /> Jiwoo: Survey of cuteness<br /> &lt;br&gt;<br /> Claude: Presentation of her diploma project &quot;Food Memorabilia&quot;<br /> &lt;br&gt;&lt;br&gt;<br /> <br /> === -- 03.12. ===<br /> ===== Karin (Riso workshop) =====<br /> Riso introduction, printing, testing.<br /> &lt;br&gt;<br /> some first informations you'll find on our [[Risograph@lab | Risograph page]].<br /> &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> === -- 10.12. ===<br /> ===== Fabian (Materiality of images) =====<br /> presentation and likely no workshop<br /> &lt;br&gt;<br /> &lt;br&gt;<br /> What are images are made of? Is it paint? Silver? Microcharges on rocks? <br /> How does an Camera even work and what is a JPEG? Whats the newest photograph of the oldest Photograph?<br /> <br /> In this Talk/Rambling Fabian will adress some of these question by going trough the history of the image, focusing mostly on photogrpahic practices. In analog photography the image was closely entagled with the physical world (reality if you like). Not just on the material level but also by limiting motif and perspectives to what is *there*.<br /> Afterwards, Fabian will lose his mind about the digital image, as he will prove how the digitalization of the image changed everything by opening up a realm that exceeds our humble human existence. <br /> Trough the invetion of the digital image file the image got datafied into a matrix of pure numbers. In the digital grid every image already exists in the latent space. In other words we have successfuly created [https://babelia.libraryofbabel.info/ an image library of Babel], every screen can be regarded as [https://en.wikipedia.org/wiki/The_Aleph_(short_story) an Aleph]. Oh god have we gone too far? Now what? How does one traverse this seemingly endless, yet factual finite space of images? How does the sheer existance of this space of possibilities change the way we perceive reality? Is any of this good?<br /> <br /> During the presentation we will look at different images, at least one camera and hoipefully exchange thoughts about what the Heck is going on in the image space.<br /> <br /> === -- 17.12. ===<br /> ===== Workshop &quot;unnecessary tools&quot; AND last meeting in 2025 =====<br /> unfortunately canceled due to illness:&lt;br&gt;<br /> last meeting before end of year<br /> &lt;br&gt;&lt;br&gt;<br /> Workshop with Amelia and Chaya: &quot;Unnecessary tools&quot;: on january, 7th.<br /> &lt;br&gt;&lt;br&gt;<br /> <br /> === -- 07.01. ===<br /> ===== Moritz =====<br /> Presentation Moritz&lt;br&gt;<br /> &lt;br&gt;&lt;br&gt;<br /> ===== Amelia and Chaya =====<br /> Workshop with Amelia and Chaya: &quot;Unnecessary tools&quot;.&lt;br&gt;<br /> &lt;br&gt;<br /> We will be working with various tools and objects, experimenting their forms and relationship with us. and while we’ll bring some materials, it would be wonderful if you could bring a few items as well.<br /> <br /> We’re looking for objects that *can* be taken apart or destroyed: anything from everyday functional items to non-functional bits and pieces. Ideally something that will have contact with the body. If you have scissors or any classic arts-and-crafts tools, those would be greatly appreciated too, though we’ll make sure the basics are covered.&lt;br&gt;<br /> &lt;br&gt;<br /> <br /> === -- 14.01. ===<br /> ===== Hyunji =====<br /> Hyunji is presenting her diploma project about Mycelia&lt;br&gt;<br /> &lt;br&gt;<br /> <br /> === -- 21.01. ===<br /> ==== 3D ====<br /> today is no seminar due to strike&lt;br&gt;<br /> &lt;br&gt;<br /> 3D-modeling and introduction to 3D-printing with Ahona and Li-an&lt;br&gt;<br /> &lt;br&gt;<br /> probably at the CG Lab, tba<br /> &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> === -- 28.01. ===<br /> ===== 3d modeling and miniatures =====<br /> 14:00 - 16:00 introduction to topics of miniatures and 3d-modeling by Ahona, Dudu, Jean, Jiwoo&lt;br&gt;<br /> at exMedia Lab&lt;br&gt;<br /> <br /> 16:00 - 18:00 about 3d modeling, introduction by Ahona&lt;br&gt;<br /> at Computerarbeitsraum<br /> &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> === Seminartext ===<br /> The “Open Lab” is colloquium and meeting place for discussing current projects and shared research focuses in the context of the exMedia Lab. It offers an environment for presenting and testing artistic works, cooperative strategies, experiments, installations, workshops, lectures, texts, etc. in various stages of development. Workshops and introductions to topics from the fields of DIY, methods/processes, planning/design, prototyping and printing techniques, biomedia and other materialities can also take place in addition or as needed.<br /> &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> Das „Open Lab“ ist Kolloquium und Treffpunkt zur Diskussion aktueller Projekte und gemeinsamer Forschungsschwerpunkte im Kontext des exMedia Labs. Es bietet Raum zum Präsentieren und Erproben von künstlerischen Arbeiten, kooperativen Strategien, Experimenten, Installationen, Workshops, Vorträgen, Texten usw. in unterschiedlichen Entwicklungsstadien. Ergänzend bzw. bei Bedarf können zudem Workshops und Einführungen zu Themen aus dem Bereich DIY, Methoden/ Prozesse, Planen/ Entwerfen, Prototyping- und Drucktechniken, Biomedien und anderen Materialitäten stattfinden. <br /> &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> [[Category:Seminar]]<br /> [[Category:exMedia Lab]]<br /> [[Category:Workshop]]<br /> [[Kategorie:DIY]]<br /> [[Kategorie:DIT]]<br /> [[Category:Kolloquium]]<br /> [[Category: Material]]<br /> [[Category:Riso]]</div>

Inna https://exmediawiki.khm.de/index.php?title=OpenLab_25-26&diff=11047 2026-02-13T12:27:18Z

<p>Inna: /* Inna (Workshop with movement, textiles, the space) */</p> <hr /> <div>Weekly seminar&lt;br&gt;<br /> Wednesday, 2 - 4 pm&lt;br&gt;<br /> &lt;br&gt;<br /> <br /> === -- 29.10. ===<br /> first meeting&lt;br&gt;<br /> what is open lab?&lt;br&gt;<br /> exmedia lab and possibilities&lt;br&gt;<br /> what topics are you interested in? &lt;br&gt;<br /> what would you like to explore or experiment on this semester?&lt;br&gt;&lt;br&gt;<br /> possible topics<br /> &lt;br&gt;<br /> [[file:openlab29102025_topics_small2.jpg | 500 px]]<br /> &lt;br&gt;&lt;br&gt;<br /> ===== possible workshops/ presentations/ experiments =====<br /> * Inna: workshop as a consistent/ coherent tool. How do you start your artistic process? (19.11.)<br /> * Hyunji: Fungi/ Texture Workshop (December/ January)<br /> * Karin: Riso Workshop (eg 03.12.)<br /> * Fabian: Materiality of images (10.12.)<br /> * Amelia/ Chaya: &quot;unnecessary tools&quot; (17.12.)<br /> * Jiwoo: Survey of cuteness (26.11.)<br /> * Ahona/ Jiwoo/ Jean: miniature workshop (probably january)<br /> * ...<br /> &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> ===== other possible topics/ workshops (see also the image above) =====<br /> * ghostly materials, crystals, the uncanny<br /> * tufting<br /> * worldbuilding/ creating worlds in your imagination<br /> * Moritz/ Lei<br /> * ...<br /> <br /> &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> === -- 05.11. ===<br /> ===== Artbook Fair: Presentation and experiences =====<br /> presentation of different formats of publishing: books, cassettes, game, experiments.... &lt;br&gt;<br /> Theresa, Thea, Dennis, Dudu, Jolie and Jeongan are presenting their works and are going to talk about experiences on the art bookfair [https://www.kunsthalle-duesseldorf.de/ausstellungen/betweenbooks2025/ between books] of this year.&lt;br&gt;<br /> <br /> [https://www.khm.de/termine/news.6021.khm-bei-between-books-2025/ khm bei between books] (news entry on khm-website)<br /> &lt;br&gt;<br /> &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> === -- 12.11. ===<br /> ===== Jiwoo and Ahona share their work-in-progress and plans =====<br /> Jiwoo: Talking about her diploma project, the city and yarn bombing, feeling part of the city, soft textile miniatures. And the complex of cuteness, talking about what is behind cuteness and its influences, its usage, background, kawaii, connection to monsters and cuteness, ...&lt;br&gt;<br /> Some related resources (if there is more, please fill it up)&lt;br&gt;<br /> * [https://openlibrary.org/books/OL354782M/The_artificial_kingdom | The artifical kingdom: A treasury of the kitsch experience] by Celeste Olalquiaga<br /> * [https://api.pageplace.de/preview/DT0400.9780822378563_A35680916/preview-9780822378563_A35680916.pdf | On Longing] by Susan Steward<br /> * [https://www.kunstforum.de/band/2023-289-cuteness/ | Kunstforum Band 289 Cuteness]<br /> &lt;br&gt;<br /> <br /> Ahona: Miniaturization of café and tea locations, questions of nostalgia, differences and hierarchies, what is representing the complexity of meeting points, conversations happening there and their respective drinks... <br /> &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> === -- 19.11. ===<br /> ===== Inna (Workshop with movement, textiles, the space) =====<br /> Workshop as a consistent/ coherent tool. How do you start your artistic process?<br /> <br /> The textile and movement workshop is a part of an ongoing practice of weekly Saturday meetings, where participants can experiment with textile, stitching and constructing of textile objects in the circle of others. <br /> A lot of attention is put on uniting movement and stitching practices, where body work (imaginative improvised, though scored, movement) prepares for and serves as research ground for working with textile, as well as exchange of stories, views on artistic practice and news.<br /> In the framework of the open Lab WiSe25/26 we have shared both practices, focusing on the bodily sense of what we consider ‘beautiful’, ‘ugly’ and ‘weird’, which we later integrated into creating masks, to give voice to the bizarre, left out or weird parts of ourselves, which hold a lot of creative power and playfulness.<br /> <br /> === -- 26.11. ===<br /> ===== Jiwoo (survey) and Claude (food memorabilia) =====<br /> Jiwoo: Survey of cuteness<br /> &lt;br&gt;<br /> Claude: Presentation of her diploma project &quot;Food Memorabilia&quot;<br /> &lt;br&gt;&lt;br&gt;<br /> <br /> === -- 03.12. ===<br /> ===== Karin (Riso workshop) =====<br /> Riso introduction, printing, testing.<br /> &lt;br&gt;<br /> some first informations you'll find on our [[Risograph@lab | Risograph page]].<br /> &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> === -- 10.12. ===<br /> ===== Fabian (Materiality of images) =====<br /> presentation and likely no workshop<br /> &lt;br&gt;<br /> &lt;br&gt;<br /> What are images are made of? Is it paint? Silver? Microcharges on rocks? <br /> How does an Camera even work and what is a JPEG? Whats the newest photograph of the oldest Photograph?<br /> <br /> In this Talk/Rambling Fabian will adress some of these question by going trough the history of the image, focusing mostly on photogrpahic practices. In analog photography the image was closely entagled with the physical world (reality if you like). Not just on the material level but also by limiting motif and perspectives to what is *there*.<br /> Afterwards, Fabian will lose his mind about the digital image, as he will prove how the digitalization of the image changed everything by opening up a realm that exceeds our humble human existence. <br /> Trough the invetion of the digital image file the image got datafied into a matrix of pure numbers. In the digital grid every image already exists in the latent space. In other words we have successfuly created [https://babelia.libraryofbabel.info/ an image library of Babel], every screen can be regarded as [https://en.wikipedia.org/wiki/The_Aleph_(short_story) an Aleph]. Oh god have we gone too far? Now what? How does one traverse this seemingly endless, yet factual finite space of images? How does the sheer existance of this space of possibilities change the way we perceive reality? Is any of this good?<br /> <br /> During the presentation we will look at different images, at least one camera and hoipefully exchange thoughts about what the Heck is going on in the image space.<br /> <br /> === -- 17.12. ===<br /> ===== Workshop &quot;unnecessary tools&quot; AND last meeting in 2025 =====<br /> unfortunately canceled due to illness:&lt;br&gt;<br /> last meeting before end of year<br /> &lt;br&gt;&lt;br&gt;<br /> Workshop with Amelia and Chaya: &quot;Unnecessary tools&quot;: on january, 7th.<br /> &lt;br&gt;&lt;br&gt;<br /> <br /> === -- 07.01. ===<br /> ===== Moritz =====<br /> Presentation Moritz&lt;br&gt;<br /> &lt;br&gt;&lt;br&gt;<br /> ===== Amelia and Chaya =====<br /> Workshop with Amelia and Chaya: &quot;Unnecessary tools&quot;.&lt;br&gt;<br /> &lt;br&gt;<br /> We will be working with various tools and objects, experimenting their forms and relationship with us. and while we’ll bring some materials, it would be wonderful if you could bring a few items as well.<br /> <br /> We’re looking for objects that *can* be taken apart or destroyed: anything from everyday functional items to non-functional bits and pieces. Ideally something that will have contact with the body. If you have scissors or any classic arts-and-crafts tools, those would be greatly appreciated too, though we’ll make sure the basics are covered.&lt;br&gt;<br /> &lt;br&gt;<br /> <br /> === -- 14.01. ===<br /> ===== Hyunji =====<br /> Hyunji is presenting her diploma project about Mycelia&lt;br&gt;<br /> &lt;br&gt;<br /> <br /> === -- 21.01. ===<br /> ==== 3D ====<br /> today is no seminar due to strike&lt;br&gt;<br /> &lt;br&gt;<br /> 3D-modeling and introduction to 3D-printing with Ahona and Li-an&lt;br&gt;<br /> &lt;br&gt;<br /> probably at the CG Lab, tba<br /> &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> === -- 28.01. ===<br /> ===== 3d modeling and miniatures =====<br /> 14:00 - 16:00 introduction to topics of miniatures and 3d-modeling by Ahona, Dudu, Jean, Jiwoo&lt;br&gt;<br /> at exMedia Lab&lt;br&gt;<br /> <br /> 16:00 - 18:00 about 3d modeling, introduction by Ahona&lt;br&gt;<br /> at Computerarbeitsraum<br /> &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> === Seminartext ===<br /> The “Open Lab” is colloquium and meeting place for discussing current projects and shared research focuses in the context of the exMedia Lab. It offers an environment for presenting and testing artistic works, cooperative strategies, experiments, installations, workshops, lectures, texts, etc. in various stages of development. Workshops and introductions to topics from the fields of DIY, methods/processes, planning/design, prototyping and printing techniques, biomedia and other materialities can also take place in addition or as needed.<br /> &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> Das „Open Lab“ ist Kolloquium und Treffpunkt zur Diskussion aktueller Projekte und gemeinsamer Forschungsschwerpunkte im Kontext des exMedia Labs. Es bietet Raum zum Präsentieren und Erproben von künstlerischen Arbeiten, kooperativen Strategien, Experimenten, Installationen, Workshops, Vorträgen, Texten usw. in unterschiedlichen Entwicklungsstadien. Ergänzend bzw. bei Bedarf können zudem Workshops und Einführungen zu Themen aus dem Bereich DIY, Methoden/ Prozesse, Planen/ Entwerfen, Prototyping- und Drucktechniken, Biomedien und anderen Materialitäten stattfinden. <br /> &lt;br&gt;<br /> &lt;br&gt;<br /> <br /> [[Category:Seminar]]<br /> [[Category:exMedia Lab]]<br /> [[Category:Workshop]]<br /> [[Kategorie:DIY]]<br /> [[Kategorie:DIT]]<br /> [[Category:Kolloquium]]<br /> [[Category: Material]]<br /> [[Category:Riso]]</div>

Inna https://exmediawiki.khm.de/index.php?title=Benutzer:Inna&diff=7488 2022-01-27T12:12:17Z

<p>Inna: </p> <hr /> <div>'''poetic interventions in public spaces'''<br /> <br /> <br /> <br /> What if you stumble across an unheralded line, glued to a banister or a random door:<br /> <br /> ‘apropos,gravity is gently supporting your skin from all sides’?<br /> <br /> How will your somatic imagination react?<br /> <br /> <br /> As an artist and person with the history of intentional relocations, I have naturally grown sensitive to spaces and their qualities. What is a main 'tune' of a place and how is it carried through the bodies of locals? Is this urban space people-friendly, making one feel spacious and ‘ventral’ or does it trigger and maintain the dwellers in a constant loop of a stress response? If so, how? How one claims the space their own? How can the space and us grow familiar: which gestures, routes and code-words are the right ones for this particular ‘Ort’?nThis is just a small portion of questions I always find myself dancing with.<br /> <br /> So little by little, I have developed the artistic practice of leaving (love) notes and invitations to re-imagine the /poetic/ body of a city and its locals. I believe that this act was ignited with my urge to get to know Cologne, a city where I might find home.<br /> <br /> [[Datei:Jngl.png|mini]]<br /> <br /> [[Datei:Rbs.png|mini]]<br /> <br /> [[Datei:Tail.png|mini]]<br /> <br /> <br /> <br /> In January 2020 I happened to come to São Paulo and from my first step on the ground of the grand Brazil I could witness that Brazilians did have a certain embodiment. Locals seemed to move as if connected to the centre of the Earth and it differed substantially from the embodiment I had seen and experienced before in other places. Curious, I invested hours watching people of São Paulo carrying that amazing appreciation for gravity in their bodies. How does a place you are living inform the way you move?<br /> <br /> Another distinct somatic pattern revealed itself in the city centre: un-safety, the omnipresence of CCTV cameras and barb wired fences, the rupture between the classes might have put the somas (bodies and minds) of Paulistanos into the reality of tight skin and clenched jaws. Aware of this context I have put my mind and heart to sprinkle the collective body of the city with some love messages. I collected and translated into Portuguese the list of phrases used within a dance community (which is usually used to ease the way into an improvised dance). Each phrase starting with 'apropos' as a subtle, inviting, soft way to ignite imagination. And thus, my poetic flaneur-ing in São Paulo commenced.<br /> <br /> Here and there I would pause to listen to the soundscape of the places, observe the context and imagine what this very spot might call for. I witnessed centennial trees towering over the market spaces, a river kept choking under asphalt, tiredness of street vendors and many more. I do not hold an illusion that my secret messages stayed long on the city skin. Most probably, as everything else tiny and selling or praising nothing, they must have disappeared from the surface of the grand São Paulo in an hour. Though, I keep cherishing hope that someone might have paused, startled for a second, amused with the image and went on feeling some extra space in their body.<br /> <br /> [[Datei:4 .jpg|mini]]<br /> [[Datei:Jngl3.jpg|mini]]<br /> [[Datei:5 Crone.jpg|mini]]<br /> <br /> <br /> While you have been reading this post, there might be a slight possibility that every inch of your skin started blossoming and opening like peonies. ...which color, by the way?<br /> <br /> <br /> Cologne, São Paulo, 2020 - 2021<br /> <br /> // Inna Lipovets</div>

Inna https://exmediawiki.khm.de/index.php?title=Benutzer:Inna&diff=7487 2022-01-27T12:12:04Z

<p>Inna: </p> <hr /> <div>'''poetic interventions in public spaces'''<br /> <br /> <br /> <br /> What if you stumble across an unheralded line, glued to a banister or a random door:<br /> <br /> ‘apropos,gravity is gently supporting your skin from all sides’?<br /> <br /> How will your somatic imagination react?<br /> <br /> <br /> As an artist and person with the history of intentional relocations, I have naturally grown sensitive to spaces and their qualities. What is a main 'tune' of a place and how is it carried through the bodies of locals? Is this urban space people-friendly, making one feel spacious and ‘ventral’ or does it trigger and maintain the dwellers in a constant loop of a stress response? If so, how? How one claims the space their own? How can the space and us grow familiar: which gestures, routes and code-words are the right ones for this particular ‘Ort’?nThis is just a small portion of questions I always find myself dancing with.<br /> <br /> So little by little, I have developed the artistic practice of leaving (love) notes and invitations to re-imagine the /poetic/ body of a city and its locals. I believe that this act was ignited with my urge to get to know Cologne, a city where I might find home.<br /> <br /> [[Datei:Jngl.png|mini]]<br /> <br /> [[Datei:Rbs.png|mini]]<br /> <br /> [[Datei:Tail.png|mini]]<br /> <br /> <br /> <br /> In January 2020 I happened to come to São Paulo and from my first step on the ground of the grand Brazil I could witness that Brazilians did have a certain embodiment. Locals seemed to move as if connected to the centre of the Earth and it differed substantially from the embodiment I had seen and experienced before in other places. Curious, I invested hours watching people of São Paulo carrying that amazing appreciation for gravity in their bodies. How does a place you are living inform the way you move?<br /> <br /> Another distinct somatic pattern revealed itself in the city centre: un-safety, the omnipresence of CCTV cameras and barb wired fences, the rupture between the classes might have put the somas (bodies and minds) of Paulistanos into the reality of tight skin and clenched jaws. Aware of this context I have put my mind and heart to sprinkle the collective body of the city with some love messages. I collected and translated into Portuguese the list of phrases used within a dance community (which is usually used to ease the way into an improvised dance). Each phrase starting with 'apropos' as a subtle, inviting, soft way to ignite imagination. And thus, my poetic flaneur-ing in São Paulo commenced.<br /> <br /> Here and there I would pause to listen to the soundscape of the places, observe the context and imagine what this very spot might call for. I witnessed centennial trees towering over the market spaces, a river kept choking under asphalt, tiredness of street vendors and many more. I do not hold an illusion that my secret messages stayed long on the city skin. Most probably, as everything else tiny and selling or praising nothing, they must have disappeared from the surface of the grand São Paulo in an hour. Though, I keep cherishing hope that someone might have paused, startled for a second, amused with the image and went on feeling some extra space in their body.<br /> <br /> [[Datei:4 .jpg|mini]]<br /> [[Datei:Jngl3.jpg|mini]]<br /> [[Datei:5 Crone.jpg|mini]]<br /> <br /> <br /> While you have been reading this post, there might be a slight possibility that every inch of your skin started blossoming and opening like peonies. ...which color, by the way?<br /> <br /> <br /> Cologne, São Paulo, 2020 - 2021<br /> <br /> Inna Lipovets</div>

Inna https://exmediawiki.khm.de/index.php?title=Benutzer:Inna&diff=7486 2022-01-27T12:11:30Z

<p>Inna: </p> <hr /> <div>'''poetic interventions in public spaces'''<br /> <br /> <br /> <br /> What if you stumble across an unheralded line, glued to a banister or a random door:<br /> <br /> ‘apropos,gravity is gently supporting your skin from all sides’?<br /> <br /> How will your somatic imagination react?<br /> <br /> <br /> As an artist and person with the history of intentional relocations, I have naturally grown sensitive to spaces and their qualities. What is a main 'tune' of a place and how is it carried through the bodies of locals? Is this urban space people-friendly, making one feel spacious and ‘ventral’ or does it trigger and maintain the dwellers in a constant loop of a stress response? If so, how? How one claims the space their own? How can the space and us grow familiar: which gestures, routes and code-words are the right ones for this particular ‘Ort’?nThis is just a small portion of questions I always find myself dancing with.<br /> <br /> So little by little, I have developed the artistic practice of leaving (love) notes and invitations to re-imagine the /poetic/ body of a city and its locals. I believe that this act was ignited with my urge to get to know Cologne, a city where I might find home.<br /> <br /> [[Datei:Jngl.png|mini]]<br /> <br /> [[Datei:Rbs.png|mini]]<br /> <br /> [[Datei:Tail.png|mini]]<br /> <br /> <br /> <br /> In January 2020 I happened to come to São Paulo and from my first step on the ground of the grand Brazil I could witness that Brazilians did have a certain embodiment. Locals seemed to move as if connected to the centre of the Earth and it differed substantially from the embodiment I had seen and experienced before in other places. Curious, I invested hours watching people of São Paulo carrying that amazing appreciation for gravity in their bodies. How does a place you are living inform the way you move?<br /> <br /> Another distinct somatic pattern revealed itself in the city centre: un-safety, the omnipresence of CCTV cameras and barb wired fences, the rupture between the classes might have put the somas (bodies and minds) of Paulistanos into the reality of tight skin and clenched jaws. Aware of this context I have put my mind and heart to sprinkle the collective body of the city with some love messages. I collected and translated into Portuguese the list of phrases used within a dance community (which is usually used to ease the way into an improvised dance). Each phrase starting with 'apropos' as a subtle, inviting, soft way to ignite imagination. And thus, my poetic flaneur-ing in São Paulo commenced.<br /> <br /> Here and there I would pause to listen to the soundscape of the places, observe the context and imagine what this very spot might call for. I witnessed centennial trees towering over the market spaces, a river kept choking under asphalt, tiredness of street vendors and many more. I do not hold an illusion that my secret messages stayed long on the city skin. Most probably, as everything else tiny and selling or praising nothing, they must have disappeared from the surface of the grand São Paulo in an hour. Though, I keep cherishing hope that someone might have paused, startled for a second, amused with the image and went on feeling some extra space in their body.<br /> <br /> [[Datei:4 .jpg|mini]]<br /> [[Datei:Jngl3.jpg|mini]]<br /> [[Datei:5 Crone.jpg|mini]]<br /> <br /> <br /> While you have been reading this post, there might be a possibility that every inch of your skin started blossoming and opening like peonies. ...which color, by the way?<br /> <br /> <br /> Cologne, São Paulo, 2020 -2021</div>

Inna https://exmediawiki.khm.de/index.php?title=Benutzer:Inna&diff=7485 2022-01-27T12:11:16Z

<p>Inna: </p> <hr /> <div>'''poetic interventions in public spaces'''<br /> <br /> <br /> <br /> What if you stumble across an unheralded line, glued to a banister or a random door:<br /> <br /> ‘apropos,gravity is gently supporting your skin from all sides’?<br /> <br /> How will your somatic imagination react?<br /> <br /> <br /> As an artist and person with the history of intentional relocations, I have naturally grown sensitive to spaces and their qualities. What is a main 'tune' of a place and how is it carried through the bodies of locals? Is this urban space people-friendly, making one feel spacious and ‘ventral’ or does it trigger and maintain the dwellers in a constant loop of a stress response? If so, how? How one claims the space their own? How can the space and us grow familiar: which gestures, routes and code-words are the right ones for this particular ‘Ort’?nThis is just a small portion of questions I always find myself dancing with.<br /> <br /> So little by little, I have developed the artistic practice of leaving (love) notes and invitations to re-imagine the /poetic/ body of a city and its locals. I believe that this act was ignited with my urge to get to know Cologne, a city where I might find home.<br /> <br /> [[Datei:Jngl.png|mini]]<br /> <br /> [[Datei:Rbs.png|mini]]<br /> <br /> [[Datei:Tail.png|mini]]<br /> <br /> <br /> <br /> In January 2020 I happened to come to São Paulo and from my first step on the ground of the grand Brazil I could witness that Brazilians did have a certain embodiment. Locals seemed to move as if connected to the centre of the Earth and it differed substantially from the embodiment I had seen and experienced before in other places. Curious, I invested hours watching people of São Paulo carrying that amazing appreciation for gravity in their bodies. How does a place you are living inform the way you move?<br /> <br /> Another distinct somatic pattern revealed itself in the city centre: un-safety, the omnipresence of CCTV cameras and barb wired fences, the rupture between the classes might have put the somas (bodies and minds) of Paulistanos into the reality of tight skin and clenched jaws. Aware of this context I have put my mind and heart to sprinkle the collective body of the city with some love messages. I collected and translated into Portuguese the list of phrases used within a dance community (which is usually used to ease the way into an improvised dance). Each phrase starting with 'apropos' as a subtle, inviting, soft way to ignite imagination. And thus, my poetic flaneur-ing in São Paulo commenced.<br /> <br /> Here and there I would pause to listen to the soundscape of the places, observe the context and imagine what this very spot might call for. I witnessed centennial trees towering over the market spaces, a river kept choking under asphalt, tiredness of street vendors and many more. I do not hold an illusion that my secret messages stayed long on the city skin. Most probably, as everything else tiny and selling or praising nothing, they must have disappeared from the surface of the grand São Paulo in an hour. Though, I keep cherishing hope that someone might have paused, startled for a second, amused with the image and went on feeling some extra space in their body.<br /> <br /> [[Datei:4 .jpg|mini]]<br /> [[Datei:Jngl3.jpg|mini]]<br /> [[Datei:5 Crone.jpg|mini]]<br /> <br /> <br /> While you have been reading this post, there might be a possibility that every inch of your skin started blossoming and opening like peonies. ...which color, by the way?<br /> <br /> Cologne, São Paulo, 2020 -2021</div>

Inna https://exmediawiki.khm.de/index.php?title=Benutzer:Inna&diff=7484 2022-01-27T12:11:03Z

<p>Inna: </p> <hr /> <div>'''poetic interventions in public spaces'''<br /> <br /> <br /> <br /> What if you stumble across an unheralded line, glued to a banister or a random door:<br /> <br /> ‘apropos,gravity is gently supporting your skin from all sides’?<br /> <br /> How will your somatic imagination react?<br /> <br /> <br /> As an artist and person with the history of intentional relocations, I have naturally grown sensitive to spaces and their qualities. What is a main 'tune' of a place and how is it carried through the bodies of locals? Is this urban space people-friendly, making one feel spacious and ‘ventral’ or does it trigger and maintain the dwellers in a constant loop of a stress response? If so, how? How one claims the space their own? How can the space and us grow familiar: which gestures, routes and code-words are the right ones for this particular ‘Ort’?nThis is just a small portion of questions I always find myself dancing with.<br /> <br /> So little by little, I have developed the artistic practice of leaving (love) notes and invitations to re-imagine the /poetic/ body of a city and its locals. I believe that this act was ignited with my urge to get to know Cologne, a city where I might find home.<br /> <br /> [[Datei:Jngl.png|mini]]<br /> <br /> [[Datei:Rbs.png|mini]]<br /> <br /> [[Datei:Tail.png|mini]]<br /> <br /> <br /> <br /> In January 2020 I happened to come to São Paulo and from my first step on the ground of the grand Brazil I could witness that Brazilians did have a certain embodiment. Locals seemed to move as if connected to the centre of the Earth and it differed substantially from the embodiment I had seen and experienced before in other places. Curious, I invested hours watching people of São Paulo carrying that amazing appreciation for gravity in their bodies. How does a place you are living inform the way you move?<br /> <br /> Another distinct somatic pattern revealed itself in the city centre: un-safety, the omnipresence of CCTV cameras and barb wired fences, the rupture between the classes might have put the somas (bodies and minds) of Paulistanos into the reality of tight skin and clenched jaws. Aware of this context I have put my mind and heart to sprinkle the collective body of the city with some love messages. I collected and translated into Portuguese the list of phrases used within a dance community (which is usually used to ease the way into an improvised dance). Each phrase starting with 'apropos' as a subtle, inviting, soft way to ignite imagination. And thus, my poetic flaneur-ing in São Paulo commenced.<br /> <br /> Here and there I would pause to listen to the soundscape of the places, observe the context and imagine what this very spot might call for. I witnessed centennial trees towering over the market spaces, a river kept choking under asphalt, tiredness of street vendors and many more. I do not hold an illusion that my secret messages stayed long on the city skin. Most probably, as everything else tiny and selling or praising nothing, they must have disappeared from the surface of the grand São Paulo in an hour. Though, I keep cherishing hope that someone might have paused, startled for a second, amused with the image and went on feeling some extra space in their body.<br /> <br /> [[Datei:4 .jpg|mini]]<br /> [[Datei:Jngl3.jpg|mini]]<br /> [[Datei:5 Crone.jpg|mini]]<br /> <br /> While you have been reading this post, there might be a possibility that every inch of your skin started blossoming and opening like peonies. ...which color, by the way?<br /> <br /> Cologne, São Paulo, 2020 -2021</div>

Inna https://exmediawiki.khm.de/index.php?title=Benutzer:Inna&diff=7483 2022-01-27T12:10:46Z

<p>Inna: </p> <hr /> <div>'''poetic interventions in public spaces'''<br /> <br /> <br /> <br /> What if you stumble across an unheralded line, glued to a banister or a random door:<br /> <br /> ‘apropos,gravity is gently supporting your skin from all sides’?<br /> <br /> How will your somatic imagination react?<br /> <br /> <br /> As an artist and person with the history of intentional relocations, I have naturally grown sensitive to spaces and their qualities. What is a main 'tune' of a place and how is it carried through the bodies of locals? Is this urban space people-friendly, making one feel spacious and ‘ventral’ or does it trigger and maintain the dwellers in a constant loop of a stress response? If so, how? How one claims the space their own? How can the space and us grow familiar: which gestures, routes and code-words are the right ones for this particular ‘Ort’?nThis is just a small portion of questions I always find myself dancing with.<br /> <br /> So little by little, I have developed the artistic practice of leaving (love) notes and invitations to re-imagine the /poetic/ body of a city and its locals. I believe that this act was ignited with my urge to get to know Cologne, a city where I might find home.<br /> <br /> [[Datei:Jngl.png|mini]]<br /> <br /> [[Datei:Rbs.png|mini]]<br /> <br /> [[Datei:Tail.png|mini]]<br /> <br /> <br /> <br /> In January 2020 I happened to come to São Paulo and from my first step on the ground of the grand Brazil I could witness that Brazilians did have a certain embodiment. Locals seemed to move as if connected to the centre of the Earth and it differed substantially from the embodiment I had seen and experienced before in other places. Curious, I invested hours watching people of São Paulo carrying that amazing appreciation for gravity in their bodies. How does a place you are living inform the way you move?<br /> <br /> Another distinct somatic pattern revealed itself in the city centre: un-safety, the omnipresence of CCTV cameras and barb wired fences, the rupture between the classes might have put the somas (bodies and minds) of Paulistanos into the reality of tight skin and clenched jaws. Aware of this context I have put my mind and heart to sprinkle the collective body of the city with some love messages. I collected and translated into Portuguese the list of phrases used within a dance community (which is usually used to ease the way into an improvised dance). Each phrase starting with 'apropos' as a subtle, inviting, soft way to ignite imagination. And thus, my poetic flaneur-ing in São Paulo commenced.<br /> <br /> Here and there I would pause to listen to the soundscape of the places, observe the context and imagine what this very spot might call for. I witnessed centennial trees towering over the market spaces, a river kept choking under asphalt, tiredness of street vendors and many more. I do not hold an illusion that my secret messages stayed long on the city skin. Most probably, as everything else tiny and selling or praising nothing, they must have disappeared from the surface of the grand São Paulo in an hour. Though, I keep cherishing hope that someone might have paused, startled for a second, amused with the image and went on feeling some extra space in their body.<br /> <br /> <br /> [[Datei:4 .jpg|mini]]<br /> [[Datei:Jngl3.jpg|mini]]<br /> [[Datei:5 Crone.jpg|mini]]<br /> <br /> <br /> While you have been reading this post, there might be a possibility that every inch of your skin started blossoming and opening like peonies. ...which color, by the way?<br /> <br /> Cologne, São Paulo, 2020 -2021</div>

Inna https://exmediawiki.khm.de/index.php?title=Benutzer:Inna&diff=7482 2022-01-27T12:10:38Z

<p>Inna: </p> <hr /> <div>'''poetic interventions in public spaces'''<br /> <br /> <br /> <br /> What if you stumble across an unheralded line, glued to a banister or a random door:<br /> <br /> ‘apropos,gravity is gently supporting your skin from all sides’?<br /> <br /> How will your somatic imagination react?<br /> <br /> <br /> As an artist and person with the history of intentional relocations, I have naturally grown sensitive to spaces and their qualities. What is a main 'tune' of a place and how is it carried through the bodies of locals? Is this urban space people-friendly, making one feel spacious and ‘ventral’ or does it trigger and maintain the dwellers in a constant loop of a stress response? If so, how? How one claims the space their own? How can the space and us grow familiar: which gestures, routes and code-words are the right ones for this particular ‘Ort’?nThis is just a small portion of questions I always find myself dancing with.<br /> <br /> So little by little, I have developed the artistic practice of leaving (love) notes and invitations to re-imagine the /poetic/ body of a city and its locals. I believe that this act was ignited with my urge to get to know Cologne, a city where I might find home.<br /> <br /> [[Datei:Jngl.png|mini]]<br /> <br /> [[Datei:Rbs.png|mini]]<br /> <br /> [[Datei:Tail.png|mini]]<br /> <br /> <br /> <br /> <br /> In January 2020 I happened to come to São Paulo and from my first step on the ground of the grand Brazil I could witness that Brazilians did have a certain embodiment. Locals seemed to move as if connected to the centre of the Earth and it differed substantially from the embodiment I had seen and experienced before in other places. Curious, I invested hours watching people of São Paulo carrying that amazing appreciation for gravity in their bodies. How does a place you are living inform the way you move?<br /> <br /> Another distinct somatic pattern revealed itself in the city centre: un-safety, the omnipresence of CCTV cameras and barb wired fences, the rupture between the classes might have put the somas (bodies and minds) of Paulistanos into the reality of tight skin and clenched jaws. Aware of this context I have put my mind and heart to sprinkle the collective body of the city with some love messages. I collected and translated into Portuguese the list of phrases used within a dance community (which is usually used to ease the way into an improvised dance). Each phrase starting with 'apropos' as a subtle, inviting, soft way to ignite imagination. And thus, my poetic flaneur-ing in São Paulo commenced.<br /> <br /> Here and there I would pause to listen to the soundscape of the places, observe the context and imagine what this very spot might call for. I witnessed centennial trees towering over the market spaces, a river kept choking under asphalt, tiredness of street vendors and many more. I do not hold an illusion that my secret messages stayed long on the city skin. Most probably, as everything else tiny and selling or praising nothing, they must have disappeared from the surface of the grand São Paulo in an hour. Though, I keep cherishing hope that someone might have paused, startled for a second, amused with the image and went on feeling some extra space in their body.<br /> <br /> <br /> [[Datei:4 .jpg|mini]]<br /> [[Datei:Jngl3.jpg|mini]]<br /> [[Datei:5 Crone.jpg|mini]]<br /> <br /> <br /> While you have been reading this post, there might be a possibility that every inch of your skin started blossoming and opening like peonies. ...which color, by the way?<br /> <br /> Cologne, São Paulo, 2020 -2021</div>

Inna https://exmediawiki.khm.de/index.php?title=Benutzer:Inna&diff=7481 2022-01-27T12:10:28Z

<p>Inna: </p> <hr /> <div>'''poetic interventions in public spaces'''<br /> <br /> <br /> <br /> What if you stumble across an unheralded line, glued to a banister or a random door:<br /> <br /> ‘apropos,gravity is gently supporting your skin from all sides’?<br /> <br /> How will your somatic imagination react?<br /> <br /> <br /> <br /> As an artist and person with the history of intentional relocations, I have naturally grown sensitive to spaces and their qualities. What is a main 'tune' of a place and how is it carried through the bodies of locals? Is this urban space people-friendly, making one feel spacious and ‘ventral’ or does it trigger and maintain the dwellers in a constant loop of a stress response? If so, how? How one claims the space their own? How can the space and us grow familiar: which gestures, routes and code-words are the right ones for this particular ‘Ort’?nThis is just a small portion of questions I always find myself dancing with.<br /> <br /> So little by little, I have developed the artistic practice of leaving (love) notes and invitations to re-imagine the /poetic/ body of a city and its locals. I believe that this act was ignited with my urge to get to know Cologne, a city where I might find home.<br /> <br /> [[Datei:Jngl.png|mini]]<br /> <br /> [[Datei:Rbs.png|mini]]<br /> <br /> [[Datei:Tail.png|mini]]<br /> <br /> <br /> <br /> <br /> In January 2020 I happened to come to São Paulo and from my first step on the ground of the grand Brazil I could witness that Brazilians did have a certain embodiment. Locals seemed to move as if connected to the centre of the Earth and it differed substantially from the embodiment I had seen and experienced before in other places. Curious, I invested hours watching people of São Paulo carrying that amazing appreciation for gravity in their bodies. How does a place you are living inform the way you move?<br /> <br /> Another distinct somatic pattern revealed itself in the city centre: un-safety, the omnipresence of CCTV cameras and barb wired fences, the rupture between the classes might have put the somas (bodies and minds) of Paulistanos into the reality of tight skin and clenched jaws. Aware of this context I have put my mind and heart to sprinkle the collective body of the city with some love messages. I collected and translated into Portuguese the list of phrases used within a dance community (which is usually used to ease the way into an improvised dance). Each phrase starting with 'apropos' as a subtle, inviting, soft way to ignite imagination. And thus, my poetic flaneur-ing in São Paulo commenced.<br /> <br /> Here and there I would pause to listen to the soundscape of the places, observe the context and imagine what this very spot might call for. I witnessed centennial trees towering over the market spaces, a river kept choking under asphalt, tiredness of street vendors and many more. I do not hold an illusion that my secret messages stayed long on the city skin. Most probably, as everything else tiny and selling or praising nothing, they must have disappeared from the surface of the grand São Paulo in an hour. Though, I keep cherishing hope that someone might have paused, startled for a second, amused with the image and went on feeling some extra space in their body.<br /> <br /> <br /> [[Datei:4 .jpg|mini]]<br /> [[Datei:Jngl3.jpg|mini]]<br /> [[Datei:5 Crone.jpg|mini]]<br /> <br /> <br /> While you have been reading this post, there might be a possibility that every inch of your skin started blossoming and opening like peonies. ...which color, by the way?<br /> <br /> Cologne, São Paulo, 2020 -2021</div>

Inna https://exmediawiki.khm.de/index.php?title=Benutzer:Inna&diff=7480 2022-01-27T12:09:59Z

<p>Inna: </p> <hr /> <div>'''poetic interventions in public spaces'''<br /> <br /> <br /> <br /> What if you stumble across an unheralded line, glued to a banister or a random door:<br /> <br /> ‘apropos,gravity is gently supporting your skin from all sides’?<br /> <br /> How will your somatic imagination react?<br /> <br /> <br /> <br /> As an artist and person with the history of intentional relocations, I have naturally grown sensitive to spaces and their qualities. What is a main 'tune' of a place and how is it carried through the bodies of locals? Is this urban space people-friendly, making one feel spacious and ‘ventral’ or does it trigger and maintain the dwellers in a constant loop of a stress response? If so, how? How one claims the space their own? How can the space and us grow familiar: which gestures, routes and code-words are the right ones for this particular ‘Ort’?nThis is just a small portion of questions I always find myself dancing with.<br /> <br /> So little by little, I have developed the artistic practice of leaving (love) notes and invitations to re-imagine the /poetic/ body of a city and its locals. I believe that this act was ignited with my urge to get to know Cologne, a city where I might find home.<br /> <br /> [[Datei:Jngl.png|mini]]<br /> <br /> [[Datei:Rbs.png|mini]]<br /> <br /> [[Datei:Tail.png|mini]]<br /> <br /> In January 2020 I happened to come to São Paulo and from my first step on the ground of the grand Brazil I could witness that Brazilians did have a certain embodiment. Locals seemed to move as if connected to the centre of the Earth and it differed substantially from the embodiment I had seen and experienced before in other places. Curious, I invested hours watching people of São Paulo carrying that amazing appreciation for gravity in their bodies. How does a place you are living inform the way you move?<br /> <br /> Another distinct somatic pattern revealed itself in the city centre: un-safety, the omnipresence of CCTV cameras and barb wired fences, the rupture between the classes might have put the somas (bodies and minds) of Paulistanos into the reality of tight skin and clenched jaws. Aware of this context I have put my mind and heart to sprinkle the collective body of the city with some love messages. I collected and translated into Portuguese the list of phrases used within a dance community (which is usually used to ease the way into an improvised dance). Each phrase starting with 'apropos' as a subtle, inviting, soft way to ignite imagination. And thus, my poetic flaneur-ing in São Paulo commenced.<br /> <br /> Here and there I would pause to listen to the soundscape of the places, observe the context and imagine what this very spot might call for. I witnessed centennial trees towering over the market spaces, a river kept choking under asphalt, tiredness of street vendors and many more. I do not hold an illusion that my secret messages stayed long on the city skin. Most probably, as everything else tiny and selling or praising nothing, they must have disappeared from the surface of the grand São Paulo in an hour. Though, I keep cherishing hope that someone might have paused, startled for a second, amused with the image and went on feeling some extra space in their body.<br /> <br /> <br /> [[Datei:4 .jpg|mini]]<br /> [[Datei:Jngl3.jpg|mini]]<br /> [[Datei:5 Crone.jpg|mini]]<br /> <br /> <br /> While you have been reading this post, there might be a possibility that every inch of your skin started blossoming and opening like peonies. ...which color, by the way?<br /> <br /> Cologne, São Paulo, 2020 -2021</div>

Inna https://exmediawiki.khm.de/index.php?title=Benutzer:Inna&diff=7479 2022-01-27T12:09:35Z

<p>Inna: </p> <hr /> <div>'''poetic interventions in public spaces'''<br /> <br /> <br /> <br /> What if you stumble across an unheralded line, glued to a banister or a random door:<br /> <br /> ‘apropos,gravity is gently supporting your skin from all sides’?<br /> <br /> How will your somatic imagination react?<br /> <br /> <br /> <br /> As an artist and person with the history of intentional relocations, I have naturally grown sensitive to spaces and their qualities. What is a main 'tune' of a place and how is it carried through the bodies of locals? Is this urban space people-friendly, making one feel spacious and ‘ventral’ or does it trigger and maintain the dwellers in a constant loop of a stress response? If so, how? How one claims the space their own? How can the space and us grow familiar: which gestures, routes and code-words are the right ones for this particular ‘Ort’?nThis is just a small portion of questions I always find myself dancing with.<br /> <br /> So little by little, I have developed the artistic practice of leaving (love) notes and invitations to re-imagine the /poetic/ body of a city and its locals. I believe that this act was ignited with my urge to get to know Cologne, a city where I might find home.<br /> <br /> [[Datei:Jngl.png|mini]]<br /> <br /> [[Datei:Rbs.png|mini]]<br /> <br /> [[Datei:Tail.png|mini]]<br /> <br /> In January 2020 I happened to come to São Paulo and from my first step on the ground of the grand Brazil I could witness that Brazilians did have a certain embodiment. Locals seemed to move as if connected to the centre of the Earth and it differed substantially from the embodiment I had seen and experienced before in other places. Curious, I invested hours watching people of São Paulo carrying that amazing appreciation for gravity in their bodies. How does a place you are living inform the way you move?<br /> <br /> Another distinct somatic pattern revealed itself in the city centre: un-safety, the omnipresence of CCTV cameras and barb wired fences, the rupture between the classes might have put the somas (bodies and minds) of Paulistanos into the reality of tight skin and clenched jaws. Aware of this context I have put my mind and heart to sprinkle the collective body of the city with some love messages. I collected and translated into Portuguese the list of phrases used within a dance community (which is usually used to ease the way into an improvised dance). Each phrase starting with 'apropos' as a subtle, inviting, soft way to ignite imagination. And thus, my poetic flaneur-ing in São Paulo commenced.<br /> <br /> Here and there I would pause to listen to the soundscape of the places, observe the context and imagine what this very spot might call for. I witnessed centennial trees towering over the market spaces, a river kept choking under asphalt, tiredness of street vendors and many more. I do not hold an illusion that my secret messages stayed long on the city skin. Most probably, as everything else tiny and selling or praising nothing, they must have disappeared from the surface of the grand São Paulo in an hour. Though, I keep cherishing hope that someone might have paused, startled for a second, amused with the image and went on feeling some extra space in their body.<br /> <br /> <br /> [[Datei:4 .jpg|mini]]<br /> [[Datei:Jngl3.jpg|mini]]<br /> [[Datei:5 Crone.jpg|mini]]<br /> <br /> <br /> While you have been reading this post, there might be a possibility that every inch of your skin started blossoming and opening like peonies. ...Which color, by the way?<br /> <br /> Cologne, São Paulo, 2020 -2021</div>

Inna https://exmediawiki.khm.de/index.php?title=Benutzer:Inna&diff=7478 2022-01-27T12:09:20Z

<p>Inna: </p> <hr /> <div>'''poetic interventions in public spaces'''<br /> <br /> <br /> <br /> What if you stumble across an unheralded line, glued to a banister or a random door:<br /> <br /> ‘apropos,gravity is gently supporting your skin from all sides’?<br /> <br /> How will your somatic imagination react?<br /> <br /> <br /> <br /> As an artist and person with the history of intentional relocations, I have naturally grown sensitive to spaces and their qualities. What is a main 'tune' of a place and how is it carried through the bodies of locals? Is this urban space people-friendly, making one feel spacious and ‘ventral’ or does it trigger and maintain the dwellers in a constant loop of a stress response? If so, how? How one claims the space their own? How can the space and us grow familiar: which gestures, routes and code-words are the right ones for this particular ‘Ort’?nThis is just a small portion of questions I always find myself dancing with.<br /> <br /> So little by little, I have developed the artistic practice of leaving (love) notes and invitations to re-imagine the /poetic/ body of a city and its locals. I believe that this act was ignited with my urge to get to know Cologne, a city where I might find home.<br /> <br /> [[Datei:Jngl.png|mini]]<br /> <br /> [[Datei:Rbs.png|mini]]<br /> <br /> [[Datei:Tail.png|mini]]<br /> <br /> In January 2020 I happened to come to São Paulo and from my first step on the ground of the grand Brazil I could witness that Brazilians did have a certain embodiment. Locals seemed to move as if connected to the centre of the Earth and it differed substantially from the embodiment I had seen and experienced before in other places. Curious, I invested hours watching people of São Paulo carrying that amazing appreciation for gravity in their bodies. How does a place you are living inform the way you move?<br /> <br /> Another distinct somatic pattern revealed itself in the city centre: un-safety, the omnipresence of CCTV cameras and barb wired fences, the rupture between the classes might have put the somas (bodies and minds) of Paulistanos into the reality of tight skin and clenched jaws. Aware of this context I have put my mind and heart to sprinkle the collective body of the city with some love messages. I collected and translated into Portuguese the list of phrases used within a dance community (which is usually used to ease the way into an improvised dance). Each phrase starting with 'apropos' as a subtle, inviting, soft way to ignite imagination. And thus, my poetic flaneur-ing in São Paulo commenced.<br /> <br /> Here and there I would pause to listen to the soundscape of the places, observe the context and imagine what this very spot might call for. I witnessed centennial trees towering over the market spaces, a river kept choking under asphalt, tiredness of street vendors and many more. I do not hold an illusion that my secret messages stayed long on the city skin. Most probably, as everything else tiny and selling or praising nothing, they must have disappeared from the surface of the grand São Paulo in an hour. Though, I keep cherishing hope that someone might have paused, startled for a second, amused with the image and went on feeling some extra space in their body.<br /> <br /> &lt;gallery&gt;<br /> [[Datei:4 .jpg|mini]]<br /> &lt;/gallery&gt;<br /> [[Datei:Jngl3.jpg|mini]]<br /> [[Datei:5 Crone.jpg|mini]]<br /> <br /> <br /> While you have been reading this post, there might be a possibility that every inch of your skin started blossoming and opening like peonies. ...Which color, by the way?<br /> <br /> Cologne, São Paulo, 2020 -2021</div>

Inna https://exmediawiki.khm.de/index.php?title=Benutzer:Inna&diff=7477 2022-01-27T12:08:08Z

<p>Inna: </p> <hr /> <div>'''poetic interventions in public spaces'''<br /> <br /> <br /> <br /> What if you stumble across an unheralded line, glued to a banister or a random door:<br /> <br /> ‘apropos,gravity is gently supporting your skin from all sides’?<br /> <br /> How will your somatic imagination react?<br /> <br /> <br /> <br /> As an artist and person with the history of intentional relocations, I have naturally grown sensitive to spaces and their qualities. What is a main 'tune' of a place and how is it carried through the bodies of locals? Is this urban space people-friendly, making one feel spacious and ‘ventral’ or does it trigger and maintain the dwellers in a constant loop of a stress response? If so, how? How one claims the space their own? How can the space and us grow familiar: which gestures, routes and code-words are the right ones for this particular ‘Ort’?nThis is just a small portion of questions I always find myself dancing with.<br /> <br /> So little by little, I have developed the artistic practice of leaving (love) notes and invitations to re-imagine the /poetic/ body of a city and its locals. I believe that this act was ignited with my urge to get to know Cologne, a city where I might find home.<br /> <br /> [[Datei:Jngl.png|mini]]<br /> <br /> [[Datei:Rbs.png|mini]]<br /> <br /> [[Datei:Tail.png|mini]]<br /> <br /> In January 2020 I happened to come to São Paulo and from my first step on the ground of the grand Brazil I could witness that Brazilians did have a certain embodiment. Locals seemed to move as if connected to the centre of the Earth and it differed substantially from the embodiment I had seen and experienced before in other places. Curious, I invested hours watching people of São Paulo carrying that amazing appreciation for gravity in their bodies. How does a place you are living inform the way you move?<br /> <br /> Another distinct somatic pattern revealed itself in the city centre: un-safety, the omnipresence of CCTV cameras and barb wired fences, the rupture between the classes might have put the somas (bodies and minds) of Paulistanos into the reality of tight skin and clenched jaws. Aware of this context I have put my mind and heart to sprinkle the collective body of the city with some love messages. I collected and translated into Portuguese the list of phrases used within a dance community (which is usually used to ease the way into an improvised dance). Each phrase starting with 'apropos' as a subtle, inviting, soft way to ignite imagination. And thus, my poetic flaneur-ing in São Paulo commenced.<br /> <br /> Here and there I would pause to listen to the soundscape of the places, observe the context and imagine what this very spot might call for. I witnessed centennial trees towering over the market spaces, a river kept choking under asphalt, tiredness of street vendors and many more. I do not hold an illusion that my secret messages stayed long on the city skin. Most probably, as everything else tiny and selling or praising nothing, they must have disappeared from the surface of the grand São Paulo in an hour. Though, I keep cherishing hope that someone might have paused, startled for a second, amused with the image and went on feeling some extra space in their body…<br /> <br /> [[Datei:4 .jpg|mini]]<br /> [[Datei:Jngl3.jpg|mini]]<br /> [[Datei:5 Crone.jpg|mini]]<br /> <br /> documentation of the city intervention in São Paulo, Brazil.<br /> While you have been reading this post, there might be a possibility that every inch of your skin started blossoming and opening like peonies. ...Which color, by the way?<br /> <br /> Cologne, São Paulo, 2020 -2021</div>

Inna https://exmediawiki.khm.de/index.php?title=Benutzer:Inna&diff=7476 2022-01-27T12:07:33Z

<p>Inna: </p> <hr /> <div>'''poetic interventions in public spaces'''<br /> <br /> What if you stumble across an unheralded line, glued to a banister or a random door:<br /> <br /> ‘apropos,gravity is gently supporting your skin from all sides’?<br /> <br /> How will your somatic imagination react?<br /> <br /> As an artist and person with the history of intentional relocations, I have naturally grown sensitive to spaces and their qualities. What is a main 'tune' of a place and how is it carried through the bodies of locals? Is this urban space people-friendly, making one feel spacious and ‘ventral’ or does it trigger and maintain the dwellers in a constant loop of a stress response? If so, how? How one claims the space their own? How can the space and us grow familiar: which gestures, routes and code-words are the right ones for this particular ‘Ort’?nThis is just a small portion of questions I always find myself dancing with.<br /> <br /> So little by little, I have developed the artistic practice of leaving (love) notes and invitations to re-imagine the /poetic/ body of a city and its locals. I believe that this act was ignited with my urge to get to know Cologne, a city where I might find home.<br /> <br /> [[Datei:Jngl.png|mini]]<br /> <br /> [[Datei:Rbs.png|mini]]<br /> <br /> [[Datei:Tail.png|mini]]<br /> <br /> In January 2020 I happened to come to São Paulo and from my first step on the ground of the grand Brazil I could witness that Brazilians did have a certain embodiment. Locals seemed to move as if connected to the centre of the Earth and it differed substantially from the embodiment I had seen and experienced before in other places. Curious, I invested hours watching people of São Paulo carrying that amazing appreciation for gravity in their bodies. How does a place you are living inform the way you move?<br /> <br /> Another distinct somatic pattern revealed itself in the city centre: un-safety, the omnipresence of CCTV cameras and barb wired fences, the rupture between the classes might have put the somas (bodies and minds) of Paulistanos into the reality of tight skin and clenched jaws. Aware of this context I have put my mind and heart to sprinkle the collective body of the city with some love messages. I collected and translated into Portuguese the list of phrases used within a dance community (which is usually used to ease the way into an improvised dance). Each phrase starting with 'apropos' as a subtle, inviting, soft way to ignite imagination. And thus, my poetic flaneur-ing in São Paulo commenced.<br /> <br /> Here and there I would pause to listen to the soundscape of the places, observe the context and imagine what this very spot might call for. I witnessed centennial trees towering over the market spaces, a river kept choking under asphalt, tiredness of street vendors and many more. I do not hold an illusion that my secret messages stayed long on the city skin. Most probably, as everything else tiny and selling or praising nothing, they must have disappeared from the surface of the grand São Paulo in an hour. Though, I keep cherishing hope that someone might have paused, startled for a second, amused with the image and went on feeling some extra space in their body…<br /> <br /> <br /> [[Datei:4 .jpg|mini]]<br /> <br /> [[Datei:Jngl3.jpg|mini]]<br /> <br /> [[Datei:5 Crone.jpg|mini]]<br /> <br /> documentation of the city intervention in São Paulo, Brazil.<br /> While you have been reading this post, there might be a possibility that every inch of your skin started blossoming and opening like peonies. ...Which color, by the way?<br /> <br /> Cologne, São Paulo, 2020 -2021</div>

Inna https://exmediawiki.khm.de/index.php?title=Benutzer:Inna&diff=7475 2022-01-27T12:04:19Z

<p>Inna: Die Seite wurde neu angelegt: „&#039;&#039;&#039;poetic interventions in public spaces&#039;&#039;&#039; What if you stumble across an unheralded line, glued to a banister or a random door: ‘gravity is gently support…“</p> <hr /> <div>'''poetic interventions in public spaces'''<br /> <br /> What if you stumble across an unheralded line, glued to a banister or a random door:<br /> <br /> ‘gravity is gently supporting your skin from all sides’?<br /> <br /> How will your somatic imagination react?<br /> <br /> As an artist and person with the history of intentional relocations, I have naturally grown sensitive to spaces and their qualities. What is a main 'tune' of a place and how is it carried through the bodies of locals? Is this urban space people-friendly, making one feel spacious and ‘ventral’ or does it trigger and maintain the dwellers in a constant loop of a stress response? If so, how? How one claims the space their own? How can the space and us grow familiar: which gestures, routes and code-words are the right ones for this particular ‘Ort’?nThis is just a small portion of questions I always find myself dancing with.<br /> <br /> So little by little, I have developed the artistic practice of leaving (love) notes and invitations to re-imagine the /poetic/ body of a city and its locals. I believe that this act was ignited with my urge to get to know Cologne, a city where I might find home.<br /> <br /> [[Datei:Jngl.png|mini]]<br /> <br /> [[Datei:Rbs.png|mini]]<br /> <br /> [[Datei:Tail.png|mini]]<br /> <br /> In January 2020 I happened to come to São Paulo and from my first step on the ground of the grand Brazil I could witness that Brazilians did have a certain embodiment. Locals seemed to move as if connected to the centre of the Earth and it differed substantially from the embodiment I had seen and experienced before in other places. Curious, I invested hours watching people of São Paulo carrying that amazing appreciation for gravity in their bodies. How does a place you are living inform the way you move?<br /> <br /> Another distinct somatic pattern revealed itself in the city centre: un-safety, the omnipresence of CCTV cameras and barb wired fences, the rupture between the classes might have put the somas (bodies and minds) of Paulistanos into the reality of tight skin and clenched jaws. Aware of this context I have put my mind and heart to sprinkle the collective body of the city with some love messages. I collected and translated into Portuguese the list of phrases used within a dance community (which is usually used to ease the way into an improvised dance) and thus, my poetic flaneur-ing around the city commenced.<br /> <br /> Here and there I would pause to listen to the soundscape of the places, observe the context and imagine what this very spot might call for. I witnessed centennial trees towering over the market spaces, a river kept choking under asphalt, tiredness of street vendors and many more. I do not hold an illusion that my secret messages stayed long on the city skin. Most probably, as everything else tiny and selling or praising nothing, they must have disappeared from the surface of the grand São Paulo in an hour. Though, I keep cherishing hope that someone might have paused, startled for a second, amused with the image and went on feeling some extra space in their body…<br /> <br /> <br /> [[Datei:4 .jpg|mini]]<br /> <br /> [[Datei:Jngl3.jpg|mini]]<br /> <br /> [[Datei:5 Crone.jpg|mini]]<br /> <br /> documentation of the city intervention in São Paulo, Brazil.<br /> While you have been reading this post, there might be a possibility that every inch of your skin started blossoming and opening like peonies. ...Which color, by the way?<br /> <br /> Cologne, São Paulo, 2020 -2021</div>

Inna https://exmediawiki.khm.de/index.php?title=Datei:5_Crone.jpg&diff=7474 2022-01-27T12:03:40Z

<p>Inna: </p> <hr /> <div>SP, Brazil</div>

Inna https://exmediawiki.khm.de/index.php?title=Datei:Jngl3.jpg&diff=7473 2022-01-27T12:03:12Z

<p>Inna: </p> <hr /> <div>SP, Brazil</div>

Inna https://exmediawiki.khm.de/index.php?title=Datei:4_.jpg&diff=7472 2022-01-27T12:02:25Z

<p>Inna: </p> <hr /> <div>SP, Brazil</div>

Inna https://exmediawiki.khm.de/index.php?title=Datei:Tail.png&diff=7471 2022-01-27T11:39:16Z

<p>Inna: </p> <hr /> <div>Cologne</div>

Inna https://exmediawiki.khm.de/index.php?title=Datei:Rbs.png&diff=7470 2022-01-27T11:38:48Z

<p>Inna: </p> <hr /> <div>Cologne</div>

Inna https://exmediawiki.khm.de/index.php?title=Datei:Jngl.png&diff=7469 2022-01-27T11:37:47Z

<p>Inna: </p> <hr /> <div>Cologne</div>

Inna