Themen/Sätze Sammlung für dialogische Einleitung - Versionsgeschichte

Lilian am 16. Januar 2020 um 12:58 Uhr

2020-01-16T12:58:54Z

← Nächstältere Version		Version vom 16. Januar 2020, 14:58 Uhr
Zeile 85:		Zeile 85:
	Anke: Furthermore translation processes between the analogue world and the digital world are our daily business (within the 21st century). Live streaming of music or video for instance is the delivery of internet content in real-time. In digital audio, the sound wave of the audio signal is encoded as numerical samples in continuous sequence. Client end-users can use their media players to start playing digital files before the entire file has been transmitted. How do we define physicality and all overlapping, intersecting, negating, grazing features in the non-physical realm? What is the "inbetween" of material?		Anke: Furthermore translation processes between the analogue world and the digital world are our daily business (within the 21st century). Live streaming of music or video for instance is the delivery of internet content in real-time. In digital audio, the sound wave of the audio signal is encoded as numerical samples in continuous sequence. Client end-users can use their media players to start playing digital files before the entire file has been transmitted. How do we define physicality and all overlapping, intersecting, negating, grazing features in the non-physical realm? What is the "inbetween" of material?

			processes
			<br>
			process
			<br>
			Karin:
			talking about process and processualization
			* production processes (industrial / artistic etc)
			* material itself
			* smart materials as an initiated process in itself

			aspect of transformation and/or change: in relation to matter and decay; material and "mutation"

			---

			Lilian: Processes: Acting performatively on and with materials, material works also as process itself<br>
			<br>
			collaborative procedures (Anke, Karin, Lilian)
			to extract, filter, transform, amplify, exchange, convert, assemble, mutate, collide, clash shift, change, apprehend, materialize, substantilize, set, dry, edit, material thinking, enhance, adapt, intensify, act on, acting in, in state of, conteptualize, coalesce, skid,<br>

	AFTERNOON		AFTERNOON

Lilian am 16. Januar 2020 um 12:58 Uhr

2020-01-16T12:58:32Z

← Nächstältere Version		Version vom 16. Januar 2020, 14:58 Uhr
Zeile 85:		Zeile 85:
	Anke: Furthermore translation processes between the analogue world and the digital world are our daily business (within the 21st century). Live streaming of music or video for instance is the delivery of internet content in real-time. In digital audio, the sound wave of the audio signal is encoded as numerical samples in continuous sequence. Client end-users can use their media players to start playing digital files before the entire file has been transmitted. How do we define physicality and all overlapping, intersecting, negating, grazing features in the non-physical realm? What is the "inbetween" of material?		Anke: Furthermore translation processes between the analogue world and the digital world are our daily business (within the 21st century). Live streaming of music or video for instance is the delivery of internet content in real-time. In digital audio, the sound wave of the audio signal is encoded as numerical samples in continuous sequence. Client end-users can use their media players to start playing digital files before the entire file has been transmitted. How do we define physicality and all overlapping, intersecting, negating, grazing features in the non-physical realm? What is the "inbetween" of material?

	~~==== C ====~~
	~~processes~~
	~~<br>~~
	~~process~~
	~~<br>~~
	~~Karin:~~
	~~talking about process and processualization~~
	* production processes (industrial / artistic etc)
	* material itself
	* smart materials as an initiated process in itself

	~~aspect of transformation and/or change: in relation to matter and decay; material and "mutation"~~

	~~---~~

	~~Lilian: Processes: Acting performatively on and with materials, material works also as process itself<br>~~
	~~<br>~~
	~~collaborative procedures (Anke, Karin, Lilian)~~
	to extract, filter, transform, amplify, exchange, convert, assemble, mutate, collide, clash shift, change, apprehend, materialize, substantilize, set, dry, edit, material thinking, enhance, adapt, intensify, act on, acting in, in state of, conteptualize, coalesce, skid,<br>

	AFTERNOON		AFTERNOON

Lilian am 16. Januar 2020 um 12:57 Uhr

2020-01-16T12:57:35Z

← Nächstältere Version		Version vom 16. Januar 2020, 14:57 Uhr
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	<br>		<br>
	nodes<br>		nodes<br>
			<br>

	Agustina<br>		Agustina<br>
	- The importance of words and metaphors<br>		- The importance of words and metaphors<br>
Zeile 52:		Zeile 51:
	- Identity / permeability <br>		- Identity / permeability <br>
	- understands agency as not an inherent property of an individual or human to be exercised, but as a dynamism of forces <br>		- understands agency as not an inherent property of an individual or human to be exercised, but as a dynamism of forces <br>
	~~<br>~~<br>		<br>
	Karin: meshwork-context, contextualization<br>		Karin: meshwork-context, contextualization<br>
	* meshes as overlapping fields of nodes, rather a confluence		* meshes as overlapping fields of nodes, rather a confluence
Zeile 60:		Zeile 59:
	<br>		<br>
	physical examples? (mainly textile structures)		physical examples? (mainly textile structures)
	~~<br>~~<br>		<br>

	==== B ====		==== B ====

Karin am 16. Januar 2020 um 12:57 Uhr

2020-01-16T12:57:34Z

← Nächstältere Version		Version vom 16. Januar 2020, 14:57 Uhr
Zeile 91:		Zeile 91:
	process		process
	<br>		<br>
	Karin: ~~translations from one system to the other, the inbetween~~		Karin:
	~~<br>~~
	talking about process and processualization		talking about process and processualization
	* production processes (industrial / artistic etc)		* production processes (industrial / artistic etc)

Johannes am 16. Januar 2020 um 12:56 Uhr

2020-01-16T12:56:49Z

← Nächstältere Version		Version vom 16. Januar 2020, 14:56 Uhr
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	Anke: Is a meshwork transferable to translational procedures? The meshwork as a maze of overlapping and intersecting lines seems to be in tension. In physics, tension may be described as the pulling force transmitted axially by the means of a string, a cable, chain, or similar one-dimensional continuous object or by each end of a rod, truss member, or similar three-dimensional object; tension might also be described as the action-reaction pair of forces acting at each end of said elements. And this process seems to be multiplied in realtime, there are several forces in several directions at the same time. So how do artistic processes with material relate to these descriptions? <br>		Anke: Is a meshwork transferable to translational procedures? The meshwork as a maze of overlapping and intersecting lines seems to be in tension. In physics, tension may be described as the pulling force transmitted axially by the means of a string, a cable, chain, or similar one-dimensional continuous object or by each end of a rod, truss member, or similar three-dimensional object; tension might also be described as the action-reaction pair of forces acting at each end of said elements. And this process seems to be multiplied in realtime, there are several forces in several directions at the same time. So how do artistic processes with material relate to these descriptions? <br>
	<br>		<br>
	Johannes: what does it mean as a materialisation - micro, makro		Johannes: what does it mean as a materialisation - micro, makro. if it is a scalable rule, it should apply to both.
	<br>		<br>
	<br>		<br>

Lilian am 16. Januar 2020 um 12:56 Uhr

2020-01-16T12:56:38Z

← Nächstältere Version		Version vom 16. Januar 2020, 14:56 Uhr
Zeile 37:		Zeile 37:
	Lilian: Anthropologist Tim Ingold speaks of a meshwork consisting of entangled lines which flow. Anthropologist and researcher of Material agency Carl Knappett speaks of “a maze of intersecting lines”. So, a meshwork could be described as a complex, constantly changing growing texture of relations between things, beings and their natural environments.		Lilian: Anthropologist Tim Ingold speaks of a meshwork consisting of entangled lines which flow. Anthropologist and researcher of Material agency Carl Knappett speaks of “a maze of intersecting lines”. So, a meshwork could be described as a complex, constantly changing growing texture of relations between things, beings and their natural environments.
	As a figure of thought, a meshwork could not only give information on how materials and their agents are connected, but also show their processes of transformations.<br>		As a figure of thought, a meshwork could not only give information on how materials and their agents are connected, but also show their processes of transformations.<br>
	~~Lilian:~~ Within a meshwork which shows the connection of artistic interactions and interventions with different materials from solid or soft to liquid, from tangible to virtual, from assembled, composite to digital, from sound waves, to smart materials, to algorithms, it could be helpful to look into translation procedures.<br>		Within a meshwork which shows the connection of artistic interactions and interventions with different materials from solid or soft to liquid, from tangible to virtual, from assembled, composite to digital, from sound waves, to smart materials, to algorithms, it could be helpful to look into translation procedures.<br>
	<br>		<br>
	points of contacts		points of contacts

Lilian am 16. Januar 2020 um 12:55 Uhr

2020-01-16T12:55:55Z

← Nächstältere Version		Version vom 16. Januar 2020, 14:55 Uhr
Zeile 28:		Zeile 28:
	Thinking is the movement” (Ingold) <br>		Thinking is the movement” (Ingold) <br>
	<br>		<br>
	Lilian: “Follow the material”, as Deleuze/Guattari expressed it, and the artistic processes who bring them into flow. A starting point for the Materiathek which focuses on artistic processes is and could be the concept of the meshwork. A Mesh is considered a weblike pattern or construction, also a fabric, an arrangement of interlocking materials, but also a working contact. Therefore, it differs from a net where always two points, two elements are directly connected. In a mesh, there are many layers and many connections to all elements.<br>		A Mesh is considered a weblike pattern or construction, also a fabric, an arrangement of interlocking materials, but also a working contact. Therefore, it differs from a net where always two points, two elements are directly connected. In a mesh, there are many layers and many connections to all elements.<br>
	<br>		<br>
	Anke: Is a meshwork transferable to translational procedures? The meshwork as a maze of overlapping and intersecting lines seems to be in tension. In physics, tension may be described as the pulling force transmitted axially by the means of a string, a cable, chain, or similar one-dimensional continuous object or by each end of a rod, truss member, or similar three-dimensional object; tension might also be described as the action-reaction pair of forces acting at each end of said elements. And this process seems to be multiplied in realtime, there are several forces in several directions at the same time. So how do artistic processes with material relate to these descriptions? <br>		Anke: Is a meshwork transferable to translational procedures? The meshwork as a maze of overlapping and intersecting lines seems to be in tension. In physics, tension may be described as the pulling force transmitted axially by the means of a string, a cable, chain, or similar one-dimensional continuous object or by each end of a rod, truss member, or similar three-dimensional object; tension might also be described as the action-reaction pair of forces acting at each end of said elements. And this process seems to be multiplied in realtime, there are several forces in several directions at the same time. So how do artistic processes with material relate to these descriptions? <br>

Anke am 16. Januar 2020 um 12:55 Uhr

2020-01-16T12:55:38Z

← Nächstältere Version		Version vom 16. Januar 2020, 14:55 Uhr
Zeile 72:		Zeile 72:
	But this is documenting a fixed state, what about more ephemeral materials and processes and how to document them?		But this is documenting a fixed state, what about more ephemeral materials and processes and how to document them?
	<br><br>		<br><br>
	Anke: Coming from the field of sound, my original material - sound - is an immaterial one. Since a long time there are also other immaterial materials in art like light and air~~, although we have to admit, they are still considered to be at the fringes of the artworld~~. Translations also are processes of transmissions between the immaterial realm and the material realm. The "immaterial" sound wave itself is created by a physical sound source, such as vibrating material or the physical membrane of a loudspeaker. The vibrations then propagate away from the source as acoustic waves, through a transmission medium such as "immaterial" gas, "material" liquid or "material" solid.		Anke: Coming from the field of sound, my original material - sound - is an immaterial one. Since a long time there are also other immaterial materials in art like light and air. Translations also are processes of transmissions between the immaterial realm and the material realm. The "immaterial" sound wave itself is created by a physical sound source, such as vibrating material or the physical membrane of a loudspeaker. The vibrations then propagate away from the source as acoustic waves, through a transmission medium such as "immaterial" gas, "material" liquid or "material" solid.
	<br><br>		<br><br>
	Karin:<br>		Karin:<br>

Anke am 16. Januar 2020 um 12:54 Uhr

2020-01-16T12:54:54Z

← Nächstältere Version		Version vom 16. Januar 2020, 14:54 Uhr
Zeile 83:		Zeile 83:
	open circle: no feedback, rather a refeed cycle		open circle: no feedback, rather a refeed cycle
	<br>		<br>
	~~<br>~~
	~~<br><br>~~
	Anke: Furthermore translation processes between the analogue world and the digital world are our daily business (within the 21st century). Live streaming of music or video for instance is the delivery of internet content in real-time. In digital audio, the sound wave of the audio signal is encoded as numerical samples in continuous sequence. Client end-users can use their media players to start playing digital files before the entire file has been transmitted. How do we define physicality and all overlapping, intersecting, negating, grazing features in the non-physical realm? What is the "inbetween" of material?		Anke: Furthermore translation processes between the analogue world and the digital world are our daily business (within the 21st century). Live streaming of music or video for instance is the delivery of internet content in real-time. In digital audio, the sound wave of the audio signal is encoded as numerical samples in continuous sequence. Client end-users can use their media players to start playing digital files before the entire file has been transmitted. How do we define physicality and all overlapping, intersecting, negating, grazing features in the non-physical realm? What is the "inbetween" of material?

Anke am 16. Januar 2020 um 12:54 Uhr

2020-01-16T12:54:36Z

← Nächstältere Version		Version vom 16. Januar 2020, 14:54 Uhr
Zeile 72:		Zeile 72:
	But this is documenting a fixed state, what about more ephemeral materials and processes and how to document them?		But this is documenting a fixed state, what about more ephemeral materials and processes and how to document them?
	<br><br>		<br><br>
	Anke: Coming from the field of sound, my original material - sound - is an immaterial one. Since a long time there are also other immaterial materials in art, although we have to admit, they are still considered to be at the fringes of the artworld. Translations also are processes of transmissions between the immaterial realm and the material realm ~~all the time~~. ~~In case of sound:~~ The "immaterial" sound wave itself is created by a physical sound source, such as vibrating material or the physical membrane of a loudspeaker. The vibrations then propagate away from the source as acoustic waves, through a transmission medium such as "immaterial" gas, "material" liquid or "material" solid.		Anke: Coming from the field of sound, my original material - sound - is an immaterial one. Since a long time there are also other immaterial materials in art like light and air, although we have to admit, they are still considered to be at the fringes of the artworld. Translations also are processes of transmissions between the immaterial realm and the material realm. The "immaterial" sound wave itself is created by a physical sound source, such as vibrating material or the physical membrane of a loudspeaker. The vibrations then propagate away from the source as acoustic waves, through a transmission medium such as "immaterial" gas, "material" liquid or "material" solid.
	<br><br>		<br><br>
	Karin:<br>		Karin:<br>