Yue: Unterschied zwischen den Versionen
Aus exmediawiki
Yue (Diskussion | Beiträge) |
Yue (Diskussion | Beiträge) |
||
| (8 dazwischenliegende Versionen desselben Benutzers werden nicht angezeigt) | |||
| Zeile 1: | Zeile 1: | ||
| − | = | + | =Overloading/Overloaded: Touch Me Softly (2019)= |
| + | This project is an individual part of [[Neigungsgruppe Medienfassade]]. | ||
<br> | <br> | ||
| − | |||
| − | |||
<br> | <br> | ||
<br> | <br> | ||
===Project Description=== | ===Project Description=== | ||
| − | [[Datei:Sketch of Touch Me Softly.png|right| | + | [[Datei:Sketch of Touch Me Softly.png|right|400px|Überschrift]] |
The Ars Electronica Center itself is being expanded to include touch-sensitive sensors which will be transformed into an interactive | The Ars Electronica Center itself is being expanded to include touch-sensitive sensors which will be transformed into an interactive | ||
installation. | installation. | ||
The sensor-point placed on the façade by the entrance of the building invites visitors to touch, caress, scratch, strike and hit the | The sensor-point placed on the façade by the entrance of the building invites visitors to touch, caress, scratch, strike and hit the | ||
building. Touch, in turn, creates wave animations that spread across the building. Overloading the sensors (eg. hard knocking) causes the whole façade to crash. | building. Touch, in turn, creates wave animations that spread across the building. Overloading the sensors (eg. hard knocking) causes the whole façade to crash. | ||
| + | <br> | ||
| + | <br> | ||
| + | <br> | ||
| + | ===Background=== | ||
| + | The room surrounding us has become a part of our daily life. It's so closed to us, that we nearly don’t sense its existence. But if we open this "box" in another way, we will see, a building is not only a big complex of concrete, pipes, electricity and functional areas, but also living beings. | ||
| + | <br> | ||
| + | During the testing we did at Ars Electronica Center in Linz, we saw a big ecosystem between the main building and the glass façade. Pigeons can fly easily reaching each corner of the narrow space, where we could hardly walk through. Except pigeons and, of course, insects, even a tree has broken the limit of nature and artefact conquering the space. | ||
| + | <br> | ||
| + | Therefore I suppose the AEC media façade as a sensitive body. It takes time to trigger it on, but at the same time it's so fragile, that can be turned down by one punch. | ||
| + | An interactive interface between human and a building can be the very first step to explore and reflect on our relationship to the things we created. | ||
| + | <br> | ||
| + | <br> | ||
| + | <br> | ||
| − | |||
| − | |||
===Tools & Materials=== | ===Tools & Materials=== | ||
*1x Raspberry Pi | *1x Raspberry Pi | ||
| Zeile 19: | Zeile 29: | ||
*1x Router | *1x Router | ||
*16x Piezo Sensors | *16x Piezo Sensors | ||
| + | <br> | ||
| + | <br> | ||
| + | <br> | ||
| + | ===Workflow=== | ||
| + | <gallery mode="packed-hover" heights=200px> | ||
| + | File:ArsElectronica-1.jpg|In the building | ||
| + | File:ArsElectronica-3.jpg|Installing | ||
| + | File:ArsElectronica-9.jpg|Light and sensors | ||
| + | |||
| − | + | </gallery> | |
| + | <br> | ||
| + | <br> | ||
| + | <br> | ||
===Exhibition=== | ===Exhibition=== | ||
| + | <gallery mode="packed-hover" heights=200px> | ||
| + | File:ArsElectronica-6.jpg|Touch screen | ||
| + | File:ArsElectronica-8.jpg|Overloaded | ||
| + | File:ArsElectronica-10.jpg|From the other side of the river | ||
| + | File:ArsElectronica-7.jpg|Audience | ||
| + | </gallery> | ||
| + | <br> | ||
| + | <br> | ||
| + | <br> | ||
| + | ===Video=== | ||
| + | {{#ev: vimeo|https://vimeo.com/384422575|1000|center|Ars Electronica Festival 2019|frame}} | ||
| + | <br> | ||
| + | <br> | ||
| + | <br> | ||
===Problems & Solutions=== | ===Problems & Solutions=== | ||
| + | To prevent noise while using piezo microphone, it's necessary to stick two together to make it balanced and always use audio cable with shield. | ||
Aktuelle Version vom 3. März 2022, 15:30 Uhr
Inhaltsverzeichnis
Overloading/Overloaded: Touch Me Softly (2019)
This project is an individual part of Neigungsgruppe Medienfassade.
Project Description
The Ars Electronica Center itself is being expanded to include touch-sensitive sensors which will be transformed into an interactive
installation.
The sensor-point placed on the façade by the entrance of the building invites visitors to touch, caress, scratch, strike and hit the
building. Touch, in turn, creates wave animations that spread across the building. Overloading the sensors (eg. hard knocking) causes the whole façade to crash.
Background
The room surrounding us has become a part of our daily life. It's so closed to us, that we nearly don’t sense its existence. But if we open this "box" in another way, we will see, a building is not only a big complex of concrete, pipes, electricity and functional areas, but also living beings.
During the testing we did at Ars Electronica Center in Linz, we saw a big ecosystem between the main building and the glass façade. Pigeons can fly easily reaching each corner of the narrow space, where we could hardly walk through. Except pigeons and, of course, insects, even a tree has broken the limit of nature and artefact conquering the space.
Therefore I suppose the AEC media façade as a sensitive body. It takes time to trigger it on, but at the same time it's so fragile, that can be turned down by one punch.
An interactive interface between human and a building can be the very first step to explore and reflect on our relationship to the things we created.
Tools & Materials
- 1x Raspberry Pi
- 1x Mixer
- 1x Router
- 16x Piezo Sensors
Workflow
In the building
Installing
Light and sensors
Exhibition
Touch screen
Overloaded
From the other side of the river
Audience
Video
Problems & Solutions
To prevent noise while using piezo microphone, it's necessary to stick two together to make it balanced and always use audio cable with shield.