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friday, 17th<br>
  
==== Materiathek Veranstaltung ====
+
* morning
Januar 2020<br>
+
* greeting (Karin)
 +
* introduction round (all)
 +
* aspects/terms (everyone alternating) <br>
 +
see also: [[Themen/Sätze_Sammlung_für_dialogische_Einleitung#aspects_.2F_terms]]
 +
<br><br>
  
==== Thema ====
+
dialogues/alliances: max 15 min/<br>
Meshworks and Interfaces for Material Processes<br>
+
guests:
 +
* Adele Orcajada (MaterialDriven, London);
 +
* Markus Joachim (ETH, Zürich)<br>
 +
* Jacqueline Hen/Karin Lingnau (process of translation/topic of material fiction); <br>
 +
* Anke Eckardt/Hans Bernhard (information and collecting; storage medium, agency); <br>
 +
* Lilian Haberer/Alex Grein (archives/artistic archives); <br>
 +
* Johannes mit?<br>
 +
Agustina: moderation/timing
 +
<br><br>
  
===== Titel =====
+
group discussion:
Meshworks<br>
+
following every second dialogue (also 15 min plus 5 min change of equipment)
===== Untertitel =====
+
<br>
material as process, processes of material, material in process<br>
 
* in an artistic context
 
 
<br>
 
<br>
===== Ausgangsfrage =====
 
(siehe auch Beginn eines Dialoges unten)<br>
 
  
Welche Frage, welchen Ausgangspunkt setzen wir uns und unseren Gästen zur Diskussion und als reichhaltige Basis für Gespräche, auch für interne KHM-Gäste<br>
+
equipment: white board/Tafel, projector
zwei-drei Sätze in Mail an Gäste und auch als Ausgangspunkt für interne Kommunikation und Allianzen<br><br>
 
 
 
morning<br>
 
# What are the starting points or the practices of everyone? How are we connected to the topic of material and processes in an artistic context? How do we associate with each other?
 
afternoon<br>
 
# What kind of interfaces and tools are open enough to establish context, connections and offer possibilities to expand the topic?<br>
 
 
<br>
 
<br>
==== Zeitpunkt ====
 
09. oder 10. Januar 2020<br>
 
 
<br>
 
<br>
===== Ablauf =====
+
noon:
morgens 9:30-12:30<br>
+
 
ALLIANZEN<br>
+
microlectures (13:30-14:45)
kurze Vorträge / Impulse<br>
+
5 min explanation what is a microlecture? (Agustina)<br>
* externe Gäste (2-3)
+
Exploring different ways to display material processes and how interfaces could help to exemplify these in an analogue-digital-networked environment.<br>
* Allianzen (oder einzeln) KHM-Interne (4-5)
+
5 min to find the team <br>
 +
groups of two <br>
 
<br>
 
<br>
immer zwei, dann kurze Fragenrunde, Anknüpfung<br>
+
* 10 min preparation
 +
* 5 min each person to talk to the other, 30 to 45 min alltogether <br>  
 +
* how to present it to the others? each group 3 min, 30 min alltogether
 
<br>
 
<br>
  
Diskussion<br>
+
discussion and
 +
resumé (moderation Karin)
  
nachmittags 13:30-16:30/17:00<br>
+
=== Materiathek Veranstaltung, notes ===
INTERFACE<br>
+
[[Workshop Überlegungen/Notizen]]<br>
Impuls zum Thema und Möglichkeiten<br>
+
siehe vor allem [[Workshop_Überlegungen/Notizen#Dialog]]
Diskussion
 
 
<br>
 
<br>
 +
====Flyer====
 
<br>
 
<br>
 +
Finaler Flyer vom 07.01.20 (erstes gemeinsames Treffen 2020)<br>
  
==== Gäste ====
+
[[Datei:meshwork_flyer_2.pdf|500px|thumb|left]]
===== mögliche externe Gäste =====
+
 
Markus Joachim<br>
+
==Einladungstext==
ETH Zürich<br>
 
 
<br>
 
<br>
Adele Orcajada<br>
+
 
MaterialDriven <br>
+
'''Meshwork: Materials as processes, material processes, materials in process within artistic practices'''<br>
 
<br>
 
<br>
Anne-Sophie Lehmann (?)
+
 
Chair of Modern Contemporary Art,
+
Workshop, 17th January 2020 <br>
Department of History of Art Architecture, Groningen<br>
+
9:30–12:30 Session: Alliances. <br>
weitere Person aus Holland bzw. aus Deutschland (material labs??)
+
13.30–16.30 Session: Interfaces<br>
 
<br>
 
<br>
Agustina Andreoletti als Gast bzw. als Mitwirkende (fände ich besser)<br>
 
  
<br>
+
On the concept of meshwork, the research project MATERIATHEK – MATERIAL ARCHIVE initiates a transdisciplinary workshop to investigate material processes and their artistic applications. During the work session, we aim to articulate different material practices, to focus on Tim Ingold's concept of meshwork through case studies, and to recognize modes of action for material transformation. The anthropological term meshwork is understood as the dense tangle produced by involved beings in their becoming. In this process, they create weavings of entangled lines that grow, move, and interrelate. For our meeting, we will pay attention to these different roles and modes of alliances and junctions within artistic processes.  
===== mögliche interne Gäste =====
+
<br><br>
* Georg Trogemann (Algorithmus und Material)
 
* hans w. koch (Sound als Material)
 
* Verena Friedrich (Pflanzen als Material, Bio-Art)
 
* Jacqueline Hen (Material und Gestaltung, Licht?)
 
* Liz Haas, Hans Bernhard (Materialisierungen im Netz)
 
* Axel Autschbach (Werkstatt und Materialverwendungen)
 
* Birgit Trogemann (Bibliothek und Materialarchiv, Sammlungsaspekt)
 
* Alex Grein (Photographie als Material)
 
....
 
<br>
 
<br>
 
  
==== Dialog ====
+
To guide the conversation, we propose the following questions: How do our different perspectives on the subject help us to expand the idea of the meshwork? How could the focus on knots and crossings of a meshwork help creating a different perception of artistic practices? Which tools are sufficiently flexible to establish a context, connections, and offer possibilities to expand the topic?
Thema Meshworks / Prozesse / Archivierung<br>
+
<br><br>
  
<br>
+
By introducing our perspectives in short dialogical presentations on materiality and their processes in the morning, we intend to discuss alliances of the meshwork in the arts and our modes of collaboration. In the afternoon, we will explore different ways to display material processes and how interfaces could help to exemplify these in an analogue-digital-networked environment.
Bezugnahme auf die Mail vom 30.09.2019<br>
+
<br><br><br>
  
L: Verbindung von Vermittlung und Materialität (Arjun Appadurai im Anschluss an diverse neue Materialansätze formuliert)<br>
 
  
K: Mediale Aspekte, Unterscheidung Medium und Material. Welchen Stellenwert nimmt die Sammlung in Bezug auf Materialien ein? Welche Medialitäten sollte eine Sammlung erfüllen, die den unterschiedlichsten Nutzergruppen zugänglich wird? Welche Aspekte sind an einer Kunsthochschule relevant?<br>
+
MATERIATHEK – MATERIAL ARCHIVE is a research project by Prof. Dr. Lilian Haberer, Prof. Anke Eckardt, Karin Lingnau, Johannes Hoffmann, Agustina Andreoletti at the Academy of Media Arts Cologne (KHM, 2019).
Welche Werkzeuge und Tools sind notwendig, möglicherweise experimentell, aber auch den künstlerischen Prozess fördernd.... nicht unbedingt als bibliothekarische Herangehensweise, sondern eher ungeordnet, mit eigener Systematik, die aus dem Inhaltlichen und Assoziativen stammt.
 
<br>
 
 
   
 
   
L: Weiterer Aspekt (das basiert auf dem Ansatz der Material Agency): dass in den Prozessen der Fertigung, das Wissen und die Kenntnis eine Größe ist, die (zumindest bei Formen, in der noch die Arbeit mit der Hand mit einbezogen ist), die eine intuitive Intentionalität erzeugt, in der die Person nicht nur bewusst formt, sondern das Produkt/Artefakt etc. in einem zeitlichen Prozess aus einer Interaktion mit dem Material entsteht.
 
  
K: Zeitlichkeit der Prozesse unter Berücksichtigung der Person mit dem Material. Inwieweit ist die Person relevant? Welche Prozesse beinhaltet dieser Gedanke? Sind es auch technische Prozesse, inwieweit sind Maschinen/Werkzeuge/Tools miteinbezogen? Könnte dies eine Differenzierung für unser Thema ermöglichen?
 
<br>
 
  
L: Dies ist der Link, um einerseits zwar die Prozesse in der Herstellung zu beobachten, dabei aber die menschlichen Akteur*innen nicht zu sehr zu privilegieren, da sie ja nur ein Teil eines komplexen Gefüges sind, dass im Moment des Materialprozesses zusammenkommt, dies wäre dann auch anschlussfähig an technologische und algorithmische Materialprozesse.
+
----------------------------------------------<br>
 +
 
 +
==Projekttext==
 
<br>
 
<br>
  
K: <br>
+
'''Material perception in artistic processes. Materiathek and Material archive in the fringes of the arts.'''<br>
(bezugnehmend auch auf meine Mail vom 26.09., siehe unten)<br>
 
Betrachten wir die Prozesse vorrangig vor den Materialien? Ist dadurch die Anknüpfung an die unterschiedlichen Stufen von Materialität gegeben?
 
Für mich drängt sich immer mehr die Substanz und die Stofflichkeit von Material hervor. Das Ausgangsmaterial, von dem gesprochen wird, als nicht geformtes, sondern eher "zur-Verfügung-stellendes" Material.
 
 
<br>
 
<br>
 +
The research project is dedicated to the observation and investigation of material as the basis of artistic production and practice. A central focus lies in a collaborative and transdisciplinary approach that draws together the knowledge on new materials –so-called immaterials–, speculative materials, as well as ephemeral materials and their potentials of transformation. In addition to including existing discourses, the topic will be articulated with the perspectives and modes of action in art and their processuality.<br>
 
<br>
 
<br>
 
+
Within the project, our Materiathek. Material archive is being established. It is conceived as a collection of research material and results in analogue, digital, and networked ways. With various artistic-scientific experimental perspectives, it aims to create intersections in the understanding of materials in multiple disciplines such as the visual arts, architecture, design, natural sciences and technological materials research.<br>
Ausserdem nochmal bezugnehmend auf meine Mail vom 26.09.2019<br>
 
K:
 
* How can we collect material processes and for whom?
 
* Differences between collecting materials — collecting material processes
 
* — stages — observations — orientations
 
 
 
* Goal: to connect different actors, to exchange in methods, different accentuations
 
 
 
* To find out which tools and systems / systemizations are existing, are already used, tried out or which could be developed, would be interesting for different actors in collecting materials and getting a kind of overview of the possibilities of material and material processes.
 
* (Always in mind different approaches and backgrounds, what are the similitarities for our known contacts, what kind of exchange could be interesting for them, for us? ...)
 
 
<br>
 
<br>
 +
A research project by Prof. Dr. Lilian Haberer, Prof. Anke Eckardt, Karin Lingnau, Johannes Hoffmann, Agustina Andreoletti at the Academy of Media Arts Cologne (KHM, 2019)
  
* Questions of future collaborations (later...)
 
* What kind of collection could be interesting for artists / artistic practices?
 
 
<br>
 
<br>
 
Above all / beginning with:
 
* Definitions of (material) processes and their descriptions
 
* Definining them for us and our practices, defining them for artistic practices in general, also in context of medial and digital practices.
 
 
Another approach / another stream of questions
 
* what about the aspect of dealing with these medial and digital artistic practices / methods
 
* what are these
 
* how connects this to the aspect of collecting / archiving / defining processes<br>
 
 
 
<br>
 
<br>
Trying out different approaches to material as process, processes of material, material in process<br>
 
  
* how to experience and establish a connection to material
+
----------------------------------------------
* sensual, phenomenological, interpretative, affected, practical, performative
 
* aspects of context, subject, object, time, space, technology
 

Aktuelle Version vom 8. Januar 2020, 16:19 Uhr

zurück zur Materiathek

friday, 17th

  • morning
  • greeting (Karin)
  • introduction round (all)
  • aspects/terms (everyone alternating)

see also: Themen/Sätze_Sammlung_für_dialogische_Einleitung#aspects_.2F_terms

dialogues/alliances: max 15 min/
guests:

  • Adele Orcajada (MaterialDriven, London);
  • Markus Joachim (ETH, Zürich)
  • Jacqueline Hen/Karin Lingnau (process of translation/topic of material fiction);
  • Anke Eckardt/Hans Bernhard (information and collecting; storage medium, agency);
  • Lilian Haberer/Alex Grein (archives/artistic archives);
  • Johannes mit?

Agustina: moderation/timing

group discussion: following every second dialogue (also 15 min plus 5 min change of equipment)

equipment: white board/Tafel, projector

noon:

microlectures (13:30-14:45) 5 min explanation what is a microlecture? (Agustina)
Exploring different ways to display material processes and how interfaces could help to exemplify these in an analogue-digital-networked environment.
5 min to find the team
groups of two

  • 10 min preparation
  • 5 min each person to talk to the other, 30 to 45 min alltogether
  • how to present it to the others? each group 3 min, 30 min alltogether


discussion and resumé (moderation Karin)

Materiathek Veranstaltung, notes

Workshop Überlegungen/Notizen
siehe vor allem Workshop_Überlegungen/Notizen#Dialog

Flyer


Finaler Flyer vom 07.01.20 (erstes gemeinsames Treffen 2020)

Meshwork flyer 2.pdf

Einladungstext


Meshwork: Materials as processes, material processes, materials in process within artistic practices

Workshop, 17th January 2020
9:30–12:30 Session: Alliances.
13.30–16.30 Session: Interfaces

On the concept of meshwork, the research project MATERIATHEK – MATERIAL ARCHIVE initiates a transdisciplinary workshop to investigate material processes and their artistic applications. During the work session, we aim to articulate different material practices, to focus on Tim Ingold's concept of meshwork through case studies, and to recognize modes of action for material transformation. The anthropological term meshwork is understood as the dense tangle produced by involved beings in their becoming. In this process, they create weavings of entangled lines that grow, move, and interrelate. For our meeting, we will pay attention to these different roles and modes of alliances and junctions within artistic processes.

To guide the conversation, we propose the following questions: How do our different perspectives on the subject help us to expand the idea of the meshwork? How could the focus on knots and crossings of a meshwork help creating a different perception of artistic practices? Which tools are sufficiently flexible to establish a context, connections, and offer possibilities to expand the topic?

By introducing our perspectives in short dialogical presentations on materiality and their processes in the morning, we intend to discuss alliances of the meshwork in the arts and our modes of collaboration. In the afternoon, we will explore different ways to display material processes and how interfaces could help to exemplify these in an analogue-digital-networked environment.



MATERIATHEK – MATERIAL ARCHIVE is a research project by Prof. Dr. Lilian Haberer, Prof. Anke Eckardt, Karin Lingnau, Johannes Hoffmann, Agustina Andreoletti at the Academy of Media Arts Cologne (KHM, 2019).




Projekttext


Material perception in artistic processes. Materiathek and Material archive in the fringes of the arts.

The research project is dedicated to the observation and investigation of material as the basis of artistic production and practice. A central focus lies in a collaborative and transdisciplinary approach that draws together the knowledge on new materials –so-called immaterials–, speculative materials, as well as ephemeral materials and their potentials of transformation. In addition to including existing discourses, the topic will be articulated with the perspectives and modes of action in art and their processuality.

Within the project, our Materiathek. Material archive is being established. It is conceived as a collection of research material and results in analogue, digital, and networked ways. With various artistic-scientific experimental perspectives, it aims to create intersections in the understanding of materials in multiple disciplines such as the visual arts, architecture, design, natural sciences and technological materials research.

A research project by Prof. Dr. Lilian Haberer, Prof. Anke Eckardt, Karin Lingnau, Johannes Hoffmann, Agustina Andreoletti at the Academy of Media Arts Cologne (KHM, 2019)