Worldbuilding: Unterschied zwischen den Versionen
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Karin (Diskussion | Beiträge) |
Amon (Diskussion | Beiträge) (→03.02.) |
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==== references, sources, links ==== | ==== references, sources, links ==== | ||
| − | 05.02. | + | short comments and links following soon. <br> |
| − | * Ward Shelley [https://www.pierogi2000.com/artists/ward-shelley/ gallery link] | + | please enhance and add to the list! |
| + | <br> | ||
| + | <br> | ||
| + | ===== 03.02. ===== | ||
| + | * language, set of symbols and agreeing upon it | ||
| + | * language: [https://www.youtube.com/watch?v=sg2j7mZ9-2Y The Letter W] | ||
| + | * language: [https://www.youtube.com/watch?v=7OEF3JD-jYo System of numbers: Every number is Base 10] | ||
| + | * POV. thinking about the forest without us. how do you change perspectives? | ||
| + | * Francis Bacon, 1626 Utopia | ||
| + | * About Mark Fisher: [https://www.deutschlandfunkkultur.de/mark-fisher-hauntology-popkultur-100.html Deutschlandfunk-Blogeintrag] | ||
| + | * "Every utopia has to take responsibility of the monsters it creates", see Donna Haraways text The Promises of Monsters [https://www.degruyter.com/document/doi/10.1515/9781474473668-022/html?lang=en (access to pdf via khm-login)] | ||
| + | * looking critically at hypernormalisation (link) | ||
| + | <br> | ||
| + | <br> | ||
| + | |||
| + | ===== 04.02. ===== | ||
| + | <br> | ||
| + | <br> | ||
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| + | ===== 05.02. ===== | ||
| + | * Ward Shelley [https://www.pierogi2000.com/artists/ward-shelley/ (gallery link)]. History of Science Fiction: [https://websites.umich.edu/~esrabkin/sf/HistoryOfSFVisualized.html drawing] | ||
* butoh, dance, Alisa Berger | * butoh, dance, Alisa Berger | ||
* hypernormalisation, thoughtmaybe.com | * hypernormalisation, thoughtmaybe.com | ||
| − | * ferreiro... (miguel fragen) | + | * ferreiro... (miguel fragen: south american science fiction author) |
* ziggy stardust | * ziggy stardust | ||
* the man who fell to earth | * the man who fell to earth | ||
* vince mcmahon, WWE | * vince mcmahon, WWE | ||
| + | * Wrestling as a medium: [https://brechtfestival.de/produktion/kampf-um-die-stadt-2025/ Kampf um die Stadt] (Brechtfestival) | ||
* idiocracy | * idiocracy | ||
* pop fashism [https://www.arte.tv/de/videos/121197-000-A/italien-das-phaenomen-des-pop-faschismus/ arte documentation] | * pop fashism [https://www.arte.tv/de/videos/121197-000-A/italien-das-phaenomen-des-pop-faschismus/ arte documentation] | ||
| − | * | + | <br> |
| − | * | + | <br> |
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| + | ===== 06.02. ===== | ||
| + | <br> | ||
| + | <br> | ||
| + | ===== 07.02. ===== | ||
| + | <br> | ||
| + | <br> | ||
| + | ===== further // more // zum sortieren ===== | ||
| + | * can Sci-Fi age well? → Jacques Tati → [https://www.youtube.com/watch?v=NjgjlL3Rfzo Playtime] | ||
| + | * animation and experimental science fiction by [https://www.youtube.com/@billwurtz bill wurtz] | ||
| + | * trope of „[https://www.youtube.com/watch?v=0thpEyEwi80 born sexy yesterday]“ (in Sci-Fi) | ||
| + | * computer game worlds & economics → [https://www.youtube.com/watch?v=BCSeISYcoyI EVE Online] | ||
| + | * Sci-Fi on stage: | ||
| + | # [https://www.berlinerfestspiele.de/theatertreffen/programm/2019/10-inszenierungen/girl-from-the-fog-machine-factory Girl from the Fog Machine Factory] | ||
| + | # [https://www.muenchner-kammerspiele.de/de/programm/22311-wow-word-on-wirecard WoW – Word on Wirecard] | ||
| + | # [https://www.nachtkritik.de/index.php?option=com_content&view=article&id=17567:ultraworld-volksbuehne-berlin-susanne-kennedy-und-markus-selg-entdecken-schimmer-der-ironie-in-ihrem-transhumanistischen-theaterprojekt&catid=1629&Itemid=100890 Ultraworld] | ||
| + | <br> | ||
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==== course text ==== | ==== course text ==== | ||
Aktuelle Version vom 19. Februar 2025, 17:39 Uhr
Science Fiction. Utopia & Dystopia. Ecofiction. Biopolitics. Alternate Histories.
Inhaltsverzeichnis
schedule
03. - 07.02.2025
11:00 - 17:00
exMedia Lab
references, sources, links
short comments and links following soon.
please enhance and add to the list!
03.02.
- language, set of symbols and agreeing upon it
- language: The Letter W
- language: System of numbers: Every number is Base 10
- POV. thinking about the forest without us. how do you change perspectives?
- Francis Bacon, 1626 Utopia
- About Mark Fisher: Deutschlandfunk-Blogeintrag
- "Every utopia has to take responsibility of the monsters it creates", see Donna Haraways text The Promises of Monsters (access to pdf via khm-login)
- looking critically at hypernormalisation (link)
04.02.
05.02.
- Ward Shelley (gallery link). History of Science Fiction: drawing
- butoh, dance, Alisa Berger
- hypernormalisation, thoughtmaybe.com
- ferreiro... (miguel fragen: south american science fiction author)
- ziggy stardust
- the man who fell to earth
- vince mcmahon, WWE
- Wrestling as a medium: Kampf um die Stadt (Brechtfestival)
- idiocracy
- pop fashism arte documentation
06.02.
07.02.
further // more // zum sortieren
- can Sci-Fi age well? → Jacques Tati → Playtime
- animation and experimental science fiction by bill wurtz
- trope of „born sexy yesterday“ (in Sci-Fi)
- computer game worlds & economics → EVE Online
- Sci-Fi on stage:
course text
Let’s go on a wild, critical five day journey of speculative thinking. We’ll explore futuristic architectural design, obscure visionary cinematic and other artistic achievements as well as texts ranging from socio-political satires to avant-garde manifestos from past and present. A collision trip including space travel, psychoactive drugs, relations of power, temporalities, immortality, environmental imagination as well as tentative governance of hypothetical technology and emerging science. At the start of the semester we will provide a syllabus as well as texts for self-study and preparation. During the workshop we give in-depth presentations as well as exercises to, collectively or individually, try out your own speculative concepts.
Adorno said (in 1964): „It seems to me that what people have subjectively lost in their consciousness is the ability, quite simply, to imagine the whole as something that could be totally different“. Let’s prove him wrong.