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On the classification and structuring of material and materiality in an artistic context<br> | On the classification and structuring of material and materiality in an artistic context<br> | ||
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Version vom 4. Januar 2020, 16:50 Uhr
On the classification and structuring of material and materiality in an artistic context
comment 1:
not to be understood as complete lists, more of a practical approach from different angles.
comment 2:
these classifications are not exclusive to each other and can be linked or crosslinked.
to be continued...
Different approaches to classifications
practical | artistic | production related / industrial | functional | semantic | contextualized |
material families
classified according to raw material and resources, production related / industrial
paper | wood | metal | synthetics | rubber | stone/minerals | composites | organic | smart |
material features
classified according to properties and functionalities
reacting | conductive | reusable / recyclable | moldable / shapeable | adhesive / resolvent |
digital | immaterial | programmeable | oriented on other sensory reception | phenomenological |
material contextualisation
classified based on a multidisciplinary approach, distinctions made by highlighting single disciplines
informatics | sound | design | architecture | 3D / animation / VR |
or as a different example of a taxonomy: Jorge Luis Borges "Emporio celestial de conocimientos benévolos", approx. 1942, a fictitious taxonomy of animals, a "celestial emporium of benevolent knowledge":
(a) belonging to the Emperor
(b) embalmed
(c) trained
(d) piglets
(e) sirens
(f) fabulous
(g) stray dogs
(h) included in this classification
(i) trembling like crazy
(j) innumerables
(k) drawn with a very fine camelhair brush
(l) et cetera
(m) just broke the vase
(n) from a distance look like flies