Material--first taxonomies: Unterschied zwischen den Versionen
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to be continued...<br> | to be continued...<br> | ||
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=====Different approaches to classifications===== | =====Different approaches to classifications===== | ||
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| practical || artistic || production related / industrial || functional || semantic || contextualized | | practical || artistic || production related / industrial || functional || semantic || contextualized | ||
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− | ===== | + | =====Material families===== |
classified according to raw material and resources, production related / industrial | classified according to raw material and resources, production related / industrial | ||
{| class="wikitable" | {| class="wikitable" | ||
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| paper || wood || metal || synthetics || rubber || stone/minerals || composites || organic || smart | | paper || wood || metal || synthetics || rubber || stone/minerals || composites || organic || smart | ||
|} | |} | ||
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− | ===== | + | =====Material features===== |
classified according to properties and functionalities | classified according to properties and functionalities | ||
{| class="wikitable" | {| class="wikitable" | ||
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|digital || immaterial || programmeable || oriented on other sensory reception || phenomenological | |digital || immaterial || programmeable || oriented on other sensory reception || phenomenological | ||
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− | ===== | + | =====Material contextualisation===== |
classified based on a multidisciplinary approach, distinctions made by highlighting single disciplines<br> | classified based on a multidisciplinary approach, distinctions made by highlighting single disciplines<br> | ||
{| class="wikitable" | {| class="wikitable" | ||
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− | ===== | + | =====Fictional taxonomy, example one: Borges===== |
As a different example: Jorge Luis Borges "Emporio celestial de conocimientos benévolos", approx. 1942, a fictitious taxonomy of animals, a "celestial emporium of benevolent knowledge": | As a different example: Jorge Luis Borges "Emporio celestial de conocimientos benévolos", approx. 1942, a fictitious taxonomy of animals, a "celestial emporium of benevolent knowledge": | ||
(a) belonging to the Emperor<br> | (a) belonging to the Emperor<br> |
Version vom 4. Januar 2020, 16:54 Uhr
On the classification and structuring of material and materiality in an artistic context
comment 1:
not to be understood as complete lists, more of a practical approach from different angles.
comment 2:
these classifications are not exclusive to each other and can be linked or crosslinked.
to be continued...
Inhaltsverzeichnis
Different approaches to classifications
practical | artistic | production related / industrial | functional | semantic | contextualized |
Material families
classified according to raw material and resources, production related / industrial
paper | wood | metal | synthetics | rubber | stone/minerals | composites | organic | smart |
Material features
classified according to properties and functionalities
reacting | conductive | reusable / recyclable | moldable / shapeable | adhesive / resolvent |
digital | immaterial | programmeable | oriented on other sensory reception | phenomenological |
Material contextualisation
classified based on a multidisciplinary approach, distinctions made by highlighting single disciplines
informatics | sound | design | architecture | 3D / animation / VR |
Fictional taxonomy, example one: Borges
As a different example: Jorge Luis Borges "Emporio celestial de conocimientos benévolos", approx. 1942, a fictitious taxonomy of animals, a "celestial emporium of benevolent knowledge":
(a) belonging to the Emperor
(b) embalmed
(c) trained
(d) piglets
(e) sirens
(f) fabulous
(g) stray dogs
(h) included in this classification
(i) trembling like crazy
(j) innumerables
(k) drawn with a very fine camelhair brush
(l) et cetera
(m) just broke the vase
(n) from a distance look like flies