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friday, 17th<br>
  
==== Materiathek Veranstaltung "meshwork" on 17th January 2020====
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* morning
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* greeting (Karin)
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* introduction round (all)
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* aspects/terms (everyone alternating) <br>
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see also: [[Themen/Sätze_Sammlung_für_dialogische_Einleitung#aspects_.2F_terms]]
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<br><br>
  
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dialogues/alliances: max 15 min/<br>
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guests:
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* Adele Orcajada (MaterialDriven, London);
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* Markus Joachim (ETH, Zürich)<br>
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* Jacqueline Hen/Karin Lingnau (process of translation/topic of material fiction); <br>
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* Anke Eckardt/Hans Bernhard (information and collecting; storage medium, agency); <br>
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* Lilian Haberer/Alex Grein (archives/artistic archives); <br>
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* Johannes mit?<br>
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Agustina: moderation/timing
 
<br><br>
 
<br><br>
  
==Einladungstext==
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group discussion:
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following every second dialogue (also 15 min plus 5 min change of equipment)
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<br>
 
<br>
 
<br>
  
'''Meshwork: Materials as processes, material processes, materials in process within artistic practices'''<br>
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equipment: white board/Tafel, projector
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<br>
 
<br>
 
<br>
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noon:
  
Workshop, 17th January 2020 <br>
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microlectures (13:30-14:45)
9:30–12:30 Session: Alliances. <br>
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5 min explanation what is a microlecture? (Agustina)<br>
13.30–16.30 Session: Interfaces<br>
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Exploring different ways to display material processes and how interfaces could help to exemplify these in an analogue-digital-networked environment.<br>
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5 min to find the team <br>
 +
groups of two <br>
 +
<br>
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* 10 min preparation
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* 5 min each person to talk to the other, 30 to 45 min alltogether <br>  
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* how to present it to the others? each group 3 min, 30 min alltogether
 
<br>
 
<br>
  
On the concept of meshwork, the research project '''Materiathek. Material Archive''' initiates a transdisciplinary workshop to investigate material processes and their artistic applications. During the work session, we aim to articulate different material practices, to focus on Tim Ingold's concept of meshwork through case studies, and to recognize modes of action for material transformation. The anthropological term meshwork is understood as the dense tangle produced by involved beings in their becoming. In this process, they create weavings of entangled lines that grow, move, and interrelate. For our meeting, we will pay attention to these different roles and modes of alliances and junctions within artistic processes.<br>
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discussion and  
<br>
+
resumé (moderation Karin)
  
To guide the conversation, we propose the following questions: How do our different perspectives on the subject help us to expand the idea of the meshwork? How could the focus on knots and crossings of a meshwork help creating a different perception of artistic practices? Which tools are sufficiently flexible to establish a context, connections, and offer possibilities to expand the topic?
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=== Materiathek Veranstaltung, notes ===
 +
[[Workshop Überlegungen/Notizen]]<br>
 +
siehe vor allem [[Workshop_Überlegungen/Notizen#Dialog]]
 
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<br>
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====Flyer====
 
<br>
 
<br>
By presenting our perspectives in short dialogical presentations on materiality and their processes in the morning, we intend to discuss alliances of the meshwork in the arts and our modes of collaboration. In the afternoon, we will explore different ways to display material processes and how interfaces could help to exemplify these in an analogue-digital-networked environment.
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Finaler Flyer vom 07.01.20 (erstes gemeinsames Treffen 2020)<br>
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[[Datei:meshwork_flyer_2.pdf|500px|thumb|left]]
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 +
==Einladungstext==
 
<br>
 
<br>
  
----
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'''Meshwork: Materials as processes, material processes, materials in process within artistic practices'''<br>
 +
<br>
  
==Programm==
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Workshop, 17th January 2020 <br>
 +
9:30–12:30 Session: Alliances. <br>
 +
13.30–16.30 Session: Interfaces<br>
 
<br>
 
<br>
  
'''9:30 12:30    Session: Alliances'''
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On the concept of meshwork, the research project MATERIATHEK MATERIAL ARCHIVE initiates a transdisciplinary workshop to investigate material processes and their artistic applications. During the work session, we aim to articulate different material practices, to focus on Tim Ingold's concept of meshwork through case studies, and to recognize modes of action for material transformation. The anthropological term meshwork is understood as the dense tangle produced by involved beings in their becoming. In this process, they create weavings of entangled lines that grow, move, and interrelate. For our meeting, we will pay attention to these different roles and modes of alliances and junctions within artistic processes.
 
<br><br>
 
<br><br>
  
9:30  Introduction MESHWORK – MATERIATHEK with Lilian Haberer, Anke Eckardt, Karin Lingnau, Johannes Hoffmann, Agustina Andreoletti
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To guide the conversation, we propose the following questions: How do our different perspectives on the subject help us to expand the idea of the meshwork? How could the focus on knots and crossings of a meshwork help creating a different perception of artistic practices? Which tools are sufficiently flexible to establish a context, connections, and offer possibilities to expand the topic?
<br><br>
 
10:00  Presentations & group discussion ON ARTISTIC MATERIAL PROCESSES with Adele Orcajada and Purva Chawla, Markus Joachim and in dialogue with Alexandra Grein, Hans Bernhard, Jacqueline Hen Different approaches and examples of material processes are introduced through short presentations and followed by an open discussion.
 
 
<br><br>
 
<br><br>
  
12:30 13:30 Break
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By introducing our perspectives in short dialogical presentations on materiality and their processes in the morning, we intend to discuss alliances of the meshwork in the arts and our modes of collaboration. In the afternoon, we will explore different ways to display material processes and how interfaces could help to exemplify these in an analogue-digital-networked environment.
<br><br>
+
<br><br><br>
 +
 
 +
 
 +
MATERIATHEK MATERIAL ARCHIVE is a research project by Prof. Dr. Lilian Haberer, Prof. Anke Eckardt, Karin Lingnau, Johannes Hoffmann, Agustina Andreoletti at the Academy of Media Arts Cologne (KHM, 2019).
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----------------------------------------------<br>
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==Projekttext==
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<br>
  
'''13:30 – 16:30    Session: Interfaces'''
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'''Material perception in artistic processes. Materiathek and Material archive in the fringes of the arts.'''<br>
<br><br>
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<br>
13:30  Micro lectures PEER-TO-PEER PREPARATION In groups of two, we consider what kind of knowledge is important to open new spaces for collaboration.
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The research project is dedicated to the observation and investigation of material as the basis of artistic production and practice. A central focus lies in a collaborative and transdisciplinary approach that draws together the knowledge on new materials –so-called immaterials–, speculative materials, as well as ephemeral materials and their potentials of transformation. In addition to including existing discourses, the topic will be articulated with the perspectives and modes of action in art and their processuality.<br>
<br><br>
+
<br>
14:45  Open discussion ACTUALIZATION All participants will be able to engage in a discussion on how to approach practical issues and to develop methodologies for material entanglements.
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Within the project, our Materiathek. Material archive is being established. It is conceived as a collection of research material and results in analogue, digital, and networked ways. With various artistic-scientific experimental perspectives, it aims to create intersections in the understanding of materials in multiple disciplines such as the visual arts, architecture, design, natural sciences and technological materials research.<br>
<br><br>
+
<br>
17:45  Summary QUESTIONS & COMMENTS
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A research project by Prof. Dr. Lilian Haberer, Prof. Anke Eckardt, Karin Lingnau, Johannes Hoffmann, Agustina Andreoletti at the Academy of Media Arts Cologne (KHM, 2019)
  
 
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===[[Workshop Überlegungen/Notizen]]===
 

Aktuelle Version vom 8. Januar 2020, 16:19 Uhr

zurück zur Materiathek

friday, 17th

  • morning
  • greeting (Karin)
  • introduction round (all)
  • aspects/terms (everyone alternating)

see also: Themen/Sätze_Sammlung_für_dialogische_Einleitung#aspects_.2F_terms

dialogues/alliances: max 15 min/
guests:

  • Adele Orcajada (MaterialDriven, London);
  • Markus Joachim (ETH, Zürich)
  • Jacqueline Hen/Karin Lingnau (process of translation/topic of material fiction);
  • Anke Eckardt/Hans Bernhard (information and collecting; storage medium, agency);
  • Lilian Haberer/Alex Grein (archives/artistic archives);
  • Johannes mit?

Agustina: moderation/timing

group discussion: following every second dialogue (also 15 min plus 5 min change of equipment)

equipment: white board/Tafel, projector

noon:

microlectures (13:30-14:45) 5 min explanation what is a microlecture? (Agustina)
Exploring different ways to display material processes and how interfaces could help to exemplify these in an analogue-digital-networked environment.
5 min to find the team
groups of two

  • 10 min preparation
  • 5 min each person to talk to the other, 30 to 45 min alltogether
  • how to present it to the others? each group 3 min, 30 min alltogether


discussion and resumé (moderation Karin)

Materiathek Veranstaltung, notes

Workshop Überlegungen/Notizen
siehe vor allem Workshop_Überlegungen/Notizen#Dialog

Flyer


Finaler Flyer vom 07.01.20 (erstes gemeinsames Treffen 2020)

Meshwork flyer 2.pdf

Einladungstext


Meshwork: Materials as processes, material processes, materials in process within artistic practices

Workshop, 17th January 2020
9:30–12:30 Session: Alliances.
13.30–16.30 Session: Interfaces

On the concept of meshwork, the research project MATERIATHEK – MATERIAL ARCHIVE initiates a transdisciplinary workshop to investigate material processes and their artistic applications. During the work session, we aim to articulate different material practices, to focus on Tim Ingold's concept of meshwork through case studies, and to recognize modes of action for material transformation. The anthropological term meshwork is understood as the dense tangle produced by involved beings in their becoming. In this process, they create weavings of entangled lines that grow, move, and interrelate. For our meeting, we will pay attention to these different roles and modes of alliances and junctions within artistic processes.

To guide the conversation, we propose the following questions: How do our different perspectives on the subject help us to expand the idea of the meshwork? How could the focus on knots and crossings of a meshwork help creating a different perception of artistic practices? Which tools are sufficiently flexible to establish a context, connections, and offer possibilities to expand the topic?

By introducing our perspectives in short dialogical presentations on materiality and their processes in the morning, we intend to discuss alliances of the meshwork in the arts and our modes of collaboration. In the afternoon, we will explore different ways to display material processes and how interfaces could help to exemplify these in an analogue-digital-networked environment.



MATERIATHEK – MATERIAL ARCHIVE is a research project by Prof. Dr. Lilian Haberer, Prof. Anke Eckardt, Karin Lingnau, Johannes Hoffmann, Agustina Andreoletti at the Academy of Media Arts Cologne (KHM, 2019).




Projekttext


Material perception in artistic processes. Materiathek and Material archive in the fringes of the arts.

The research project is dedicated to the observation and investigation of material as the basis of artistic production and practice. A central focus lies in a collaborative and transdisciplinary approach that draws together the knowledge on new materials –so-called immaterials–, speculative materials, as well as ephemeral materials and their potentials of transformation. In addition to including existing discourses, the topic will be articulated with the perspectives and modes of action in art and their processuality.

Within the project, our Materiathek. Material archive is being established. It is conceived as a collection of research material and results in analogue, digital, and networked ways. With various artistic-scientific experimental perspectives, it aims to create intersections in the understanding of materials in multiple disciplines such as the visual arts, architecture, design, natural sciences and technological materials research.

A research project by Prof. Dr. Lilian Haberer, Prof. Anke Eckardt, Karin Lingnau, Johannes Hoffmann, Agustina Andreoletti at the Academy of Media Arts Cologne (KHM, 2019)