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On the classification and structuring of material and materiality in an artistic context<br>
 
On the classification and structuring of material and materiality in an artistic context<br>
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comment 1: 
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not to be understood as complete lists, more of a practical approach from different angles.<br>
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comment 2:
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these classifications are not exclusive to each other and can be linked or crosslinked.<br>
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to be continued...<br>
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Different approaches to classifications
 
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(comment:  not to be understood as complete lists, more of a practical approach from different angles. to be continued...)
 
 
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'''Different approaches to classifications'''
 
{| class="wikitable sortable"
 
{| class="wikitable sortable"
 
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{| class="wikitable"
 
{| class="wikitable"
 
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| paper || wood || metal || synthetics || rubber || stone/minerals || composites || organic || smart
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| paper || wood || metal || synthetics || rubber || stone/minerals || composites || organic || smart
 
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{| class="wikitable"
 
{| class="wikitable"
 
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| reacting || conductive || reusable / recyclable || moldable / shapeable || adhesive / resolvent || programmeable
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| reacting || conductive || reusable / recyclable || moldable / shapeable || adhesive / resolvent
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|digital || immaterial || programmeable || oriented on other sensory reception || phenomenological
 
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{| class="wikitable"
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! Überschrift !! Überschrift !! Überschrift
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| Beispiel || Beispiel || Beispiel
 
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| Beispiel || Beispiel || Beispiel
 
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| Beispiel || Beispiel || Beispiel
 
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or as a different example of a taxonomy: Jorge Luis Borges "Emporio celestial de conocimientos benévolos", approx. 1942, a fictitious taxonomy of animals, a "celestial emporium of benevolent knowledge":
 
or as a different example of a taxonomy: Jorge Luis Borges "Emporio celestial de conocimientos benévolos", approx. 1942, a fictitious taxonomy of animals, a "celestial emporium of benevolent knowledge":
 
(a) belonging to the Emperor<br>
 
(a) belonging to the Emperor<br>

Version vom 4. Januar 2020, 17:41 Uhr

Material – first taxonomies


On the classification and structuring of material and materiality in an artistic context
comment 1: not to be understood as complete lists, more of a practical approach from different angles.
comment 2: these classifications are not exclusive to each other and can be linked or crosslinked.
to be continued...


Different approaches to classifications

practical artistic production related / industrial functional semantic contextualized

material families
classified according to raw material and resources, production related / industrial

paper wood metal synthetics rubber stone/minerals composites organic smart

material features
classified according to properties and functionalities

reacting conductive reusable / recyclable moldable / shapeable adhesive / resolvent
digital immaterial programmeable oriented on other sensory reception phenomenological

material contextualisation
classified based on a multidisciplinary approach, distinctions made by highlighting single disciplines

informatics sound design architecture 3D / animation / VR




or as a different example of a taxonomy: Jorge Luis Borges "Emporio celestial de conocimientos benévolos", approx. 1942, a fictitious taxonomy of animals, a "celestial emporium of benevolent knowledge": (a) belonging to the Emperor
(b) embalmed
(c) trained
(d) piglets
(e) sirens
(f) fabulous
(g) stray dogs
(h) included in this classification
(i) trembling like crazy
(j) innumerables
(k) drawn with a very fine camelhair brush
(l) et cetera
(m) just broke the vase
(n) from a distance look like flies

see also https://www.crockford.com/wilkins.html